{"id":3678,"date":"2016-10-08T18:19:59","date_gmt":"2016-10-08T22:19:59","guid":{"rendered":"http:\/\/kolajmagazine.com\/artistdirectory\/?p=3678"},"modified":"2019-12-24T16:16:31","modified_gmt":"2019-12-24T21:16:31","slug":"annalynn-hammond","status":"publish","type":"post","link":"https:\/\/kolajmagazine.com\/artistdirectory\/annalynn-hammond","title":{"rendered":"Annalynn Hammond"},"content":{"rendered":"

\"annalynn-hammond-cultural-preservation\"
\nCultural Preservation (they were\/were they)<\/em>
\n11″x8.5″; paper, glue, ink; 2016<\/p>\n

Annalynn Hammond
\nRidgeway, Wisconsin, USA<\/strong><\/p>\n

STATEMENT<\/strong><\/p>\n

I am interested in ideas as things and things as ideas. What is a thing and what is a thought? I see my artworks as the question marks on such unanswerable questions. I enjoy collage for both its thingness and its thoughtness. These images are undeniably someone else\u2019s somethings–found, stolen, destroyed, appropriated. But a thing in itself is nothing. The idea\u2019s the thing. In collage, the idea is front and centre: why are these things put together? Well, somebody had an idea…Cut and paste is thinking and thinking. The image is almost incidental–if the idea is worthy I hope nothing is seen but the glue.<\/p>\n

BIO<\/strong><\/p>\n

I live in Wisconsin and am just beginning to enter the art world as a self-taught artist.<\/p>\n

ARTIST CONTACT<\/strong><\/p>\n

[click to email<\/a>]
\nannalynnhammond.tumblr.com<\/a><\/p>\n

IMAGES<\/strong><\/p>\n

\"annalynn-hammond-were-from-the-government\"
\n“We’re from the government and we’re here to help.”<\/em>
\n9.3″x8″; paper, glue; 2016<\/p>\n

\"annalynn-hammond-the-boy-and-his-rabbits\"
\nThe Boy and His Rabbits<\/em>
\n16″x12″; paper, glue; 2016<\/p>\n

\"annalynn-hammond-winners-and-losers\"
\nWinners and Losers<\/em>
\n6.1″x9.1″; paper, glue; 2016<\/p>\n

\"annalynn-hammond-african-topiary\"
\nAfrican Topiary<\/em>
\n5.3″x5.3″; paper, glue; 2016<\/p>\n","protected":false},"excerpt":{"rendered":"

Ridgeway, Wisconsin<\/p>\n","protected":false},"author":5,"featured_media":3679,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[8],"tags":[95],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/kolajmagazine.com\/artistdirectory\/wp-content\/uploads\/2016\/10\/annalynn-hammond-cultural-preservation.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2BNTD-Xk","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/kolajmagazine.com\/artistdirectory\/wp-json\/wp\/v2\/posts\/3678"}],"collection":[{"href":"https:\/\/kolajmagazine.com\/artistdirectory\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kolajmagazine.com\/artistdirectory\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/artistdirectory\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/artistdirectory\/wp-json\/wp\/v2\/comments?post=3678"}],"version-history":[{"count":0,"href":"https:\/\/kolajmagazine.com\/artistdirectory\/wp-json\/wp\/v2\/posts\/3678\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/artistdirectory\/wp-json\/wp\/v2\/media\/3679"}],"wp:attachment":[{"href":"https:\/\/kolajmagazine.com\/artistdirectory\/wp-json\/wp\/v2\/media?parent=3678"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kolajmagazine.com\/artistdirectory\/wp-json\/wp\/v2\/categories?post=3678"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kolajmagazine.com\/artistdirectory\/wp-json\/wp\/v2\/tags?post=3678"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}