Call to Artists: Collage as Street Art Residency


Collage as Street Art: Letting the Art Find Its Own Audience

A four-week, virtual/online residency with Kolaj Institute in July 2021

Deadline to apply: 20 June 2021

In this 4-week, project-driven collage residency, artists will delve into the history, methods and major artists of the “street art” movement with a particular emphasis on collage. Participants will endeavor to put some of those methods into practice, taking their collage art out into the streets. Documenting the entire process will be integral to the project, as the resulting work will be published in a Kolaj Street Krewe book to be announced at a later date.

Leading the residency is Lance Rothstein, aka FANCLUB 13, who has been creating street art for over 20 years in over 25 US cities and 31 European cities. Rothstein writes, “I consider my work to be a bit like archaeology, collecting the discarded items from people’s everyday lives and rearranging them in new relationships. Then I usually send them back out to the streets in this new form, with a new purpose. I look forward to continuing my personal scavenger hunt, finding little trashy treasures and combining them into intricate relationships for people to come across on the streets.”

Each week, collage artists will join in an online session where we’ll highlight the work and methods of several established artists. We’ll discuss new techniques and strategies, with topics such as Placement, Materials, Visibility, Message, and Legality. Each week, we will challenge participants to get their work out onto the streets, document the process, and share it with the group the following week for discussion and critique. During the residency, at least one additional guest Street Artist will discuss their methods and experiences with the group.

Some of the concepts addressed during the residency include: What is Collage and what isn’t Collage? What are your artistic goals? How can Street Art add to your artistic process? Who is your audience? How/Why/Where should it be seen? Where should you put it to achieve the audience you want? Do you want to remain anonymous? How is this affecting your own consideration of the artworks? How does Street Art differ from more traditional forms of art exhibition? Letting go of your artwork and letting the artwork find its own audience.


Collage Artist Residencies are intended for self-motivated artists, at any stage in their career, who want to develop their practice by exploring a topic or working method and collaborating with others to produce a final product. Residencies are open to any artist over the age of 21 from anywhere in the world.


The cost of the residency is $350 per artist; however, no artist will be turned away for lack of funds and the organizers will work with artists to build a financial aid package.


Submit your application HERE.


Dates: July 1 – July 31, 2021

Over the course of four weeks, artists will participate in online meetings and complete independent assignments. Sessions are one hour to an hour-and-a-half long and include slideshows, artist presentations, and discussions. Artists are expected to attend all scheduled sessions and complete assignments. Artists will be tasked with creating and documenting their own street art. By participating in the residency, artists grant Kolaj Institute, Kolaj Magazine, and Maison Kasini permission to publish the images in book form and in the promotion of the project and book. Any original collages made during the residency remain the property of the individual artists with all rights retained.


The submission process asks applicants for:
• Contact information
• Artist Bio (50-250 words)
• Statement of Artist Practice (50-300 words)
• 5-7 images of artwork
• Statement of expectations
• Asks questions about your work and needs


If you have questions, send an email.


Relationship CXXXVII & Relationship CXXXV by FANCLUB 13
25″x25″; left as street art in Vienna, collage of trash; 2018. Courtesy of the artist.

Lance Rothstein

“FANCLUB 13” is the street art collage persona of Lance Rothstein. He has been making collages with trash and found objects, then leaving them out on the streets since 2010.

A professional photojournalist by trade, he’s worked for many major newspapers and publications throughout the US and Europe, but he returned to his art school roots after moving to Belgium with his wife in 2009 and dove headfirst into producing several forms of Street Art. “I began leaving my little collage pieces everywhere I traveled, mostly working with objects found on the streets of the cities I visited, and making the artworks late at night in my hotel room before posting them up on the street the following day.”

Rothstein prefers the dubious methods of posting street art and mail art, but has also had some more traditional exhibitions. His artwork has been shown in many local Belgian and Florida galleries, but also in Brooklyn, Detroit, Chicago, Pasadena, Pittsburgh, Atlanta, New Orleans, London, and Paris. His work has been featured in Kolaj Magazine, Be a Pal magazine, Unfamiliar Vegetables, and Circulaire 132. Works of his are also in the permanent collection of the Doug + Laurie Kanyer Art Collection in Yakima, Washington as well as The Schwitters’ Army Collection of Collage Art at MERZ Gallery in Sanquhar, Scotland, and the Postcards for Democracy traveling collection by Mark Mothersbaugh and Beatie Wolf, opening first at the Bob Rauschenberg Gallery in Fort Myers, Florida.

The Performa/Printed Matter NYC 2015 Chelsea exhibition, “Please Add to and Return to Ray Johnson”, also included one his works, as did the 10th Anniversary “A Book About Death” exhibition at the Islip Art Museum in New York.

Rothstein first attended Kolaj Fest New Orleans in 2018, and helped run Kolaj Fest New Orleans workshops as a presenting artist in 2019, and was a panelist for the Kolaj LIVE Online session, “Public Space, Street Art, and Collage: Kolaj Street Krewe” in July 2020. Additionally, he teaches collage workshops at the Morean Arts Center in St. Petersburg, Florida, where he runs the photographic darkroom, and teaches photography to adults and teens.



The mission of Kolaj Institute is to support artists, curators, and writers who seek to study, document, & disseminate ideas that deepen our understanding of collage as a medium, a genre, a community, and a 21st century movement. We operate a number of initiatives meant to bring together community, investigate critical issues, and raise collage’s standing in the art world. WEBSITE


Kolaj Magazine is a quarterly, printed, art magazine reviewing and surveying contemporary collage with an international perspective. We are interested in collage as a medium, a genre, a community, and a 21st century art movement. WEBSITE