click image to read more
“The Logic of Mountains–1963-2013”: Peter Hutchinson at Freight + Volume
A Century of Collage at Bernard Jacobson Gallery
8 April-24 May 2013
Bernard Jacobson Gallery (London)’s “A Century of Collage” presents a survey of collage from 1912 to the present day. The show features work by collage’s pioneers, Pablo Picasso and Georges Braque, continues with mid-century work by artists such as Roy Lichtenstein, Kurt Schwitters, and Joseph Cornell, and finishes with contemporary work by gallery artists including William Tillyer and Bruce McLean.
Collage at the 2013 New York Art Fairs
click image to read more
“Over, Under, Next” at the Hirshhorn Museum & Sculpture Garden
18 April-8 September 2013
“Over, Under, Next: Experiments in Mixed Media, 1913–Present” is an exhibition of approximately 100 works drawn largely from the Hirshhorn Museum and Sculpture Garden’s collection. The show surveys an era in which the definition and scope of art were continually expanded through the avant-garde’s embrace of “non-art” materials.
Matisse: Cutting Into Colour
click image to read more
“Seven Songs”: Sojourner Truth Parsons at Katharine Mulherin Contemporary
click image to read more
Issue Four Editorial: One Year Later
click image to read more
“Urban Walls”: Joyce Hill at gallery 6 pdx, Portland
3 May-2 June 2013
Joyce Hill’s collage is richly layered with materials including photographs, texts, acrylic paint, and found bits of urban decay. She creates a sense of energy tinged with an urban loneliness while she deftly manipulates both composition and subject matter.
“The Other Kind”: Tony Fitzpatrick at Pierogi
26 April-26 May 2013
American artist Tony Fitzpatrick is a passionate storyteller conveying his tales across multiple media: as a playwright, a stage and film performer, a radio personality, and as a visual artist through his drawing collages and etchings. “The Other Kind” is Fitzpatrick’s fifth solo show at Pierogi.
James Gortner: “The Lovers” at Lyons Wier Gallery
2 May-1 June 2013
For the last two years, James Gortner has been developing a series of paintings based on his relationship with photographer Carolina Palmgren, the symbolism found in the Tarot, and his theories on artistic production. He starts with a constructed composition of other artists’ original works and paints on it.