Edvard Derkert Talks About Collage

By Edvard Derkert

The first cut is the deepest. I encountered the collage at the age of 12 through album covers of the Beatles and Frank Zappa. Also, their music went hand in hand with collage. Early post production. I was very young, everything was possible, collage became my means of expression. A true collage kid. I cut up pictures, texts, films and music. Collage was, in my experience, rooted in pop culture; the history of modern art came to me years later, but it was not a big surprise when I found out that the Beatles had collaborated with Peter Blake and Richard Hamilton – two of the major figures in British pop art. So from early on in my life I have more or less been glued to the collage.

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Luigi Galimberti Faussone is currently involved in several projects related to cultural and artistic research and production across the world (most recently in China and Myanmar). In addition to his undergraduate studies in sociology, he has been recently awarded cum…

Cory W. Peeke

Cory W. Peeke is the Director of the Nightingale Gallery and Associate Professor of Art & Art History at Eastern Oregon University in La Grande, Oregon. He received his BFA from Kendall College of Art and Design and his MFA…

Elizabeth Hazard

Elizabeth Hazard is a photography director, producer and writer in New York City. She works with editors and photographers to produce stories for magazines and online. Her work has appeared in numerous publications. When not producing photography shoots, she enjoys…

Claudia Eve Beauchesne

Claudia Eve Beauchesne was born in 1983 in Montreal. She studied creative writing and cinema at Queensland University of Technology in Brisbane, Australia, and received a master’s degree in the history of art and design from Pratt Institute in New York City. She has curated exhibitions of contemporary art, design and architecture in Montreal, New York and Miami. She is currently writing a book on the history of New York’s East Village art scene of the 1980s.

Veeranganakumari Solanki

Veeranganakumari Solanki (b. 1985) is an independent curator and art-writer, based in Mumbai, India. She studied English Literature and holds post-graduate diplomas in Indian Aesthetics, Art Criticism and Theory, as well as holding a Masters in History. Her curatorial experience has involved research, curating and writing for several art publications and journals on emerging Indian, Asian and international artists and art practices in India as well as internationally. She is the recipient of the first illySustainArt Curator’s prize (2011) and the 1st Annual ALICE (Artistic Landmark in Contemporary Experience) Public’s Voice Award 2012 for best Emerging Curator.

Nancy Flagg

Nancy Flagg is based in Sacramento, California. She is a former university administrator, turned freelance writer and has written extensively for newspapers, magazines and trade journals. Her work includes writing profiles of artists from a variety of artistic fields and reviewing art events and exhibitions. More information about Nancy can be found at her website: www.NancyFlagg.com

Lisa Kehler

Lisa Kehler is an emerging curator with an interest in artistic practices that lie outside of the academic tradition. She has worked in galleries and with arts organizations across Canada, including Atelier Gallery, the Art Gallery of Nova Scotia, and is currently the Special Projects Director at Border Crossings in Winnipeg, Manitoba. She holds a BA Honours in Art History and is currently pursuing her Masters in Cultural Studies: Curatorial Practices at the University of Winnipeg. In June 2013, Kehler was published in The Plug In ICA’s book, Art Tomorrow: 40 years of the Future Now.