{"id":10196,"date":"2020-10-05T18:07:26","date_gmt":"2020-10-05T22:07:26","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=10196"},"modified":"2020-10-05T18:07:26","modified_gmt":"2020-10-05T22:07:26","slug":"until","status":"publish","type":"post","link":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/until\/","title":{"rendered":"Until"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"700\" height=\"467\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/nick-cave-kinetic-spinner-forest.jpg\" alt=\"\" class=\"wp-image-10197\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/nick-cave-kinetic-spinner-forest.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/nick-cave-kinetic-spinner-forest-600x400.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/nick-cave-kinetic-spinner-forest-300x200.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/nick-cave-kinetic-spinner-forest-560x374.jpg 560w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/nick-cave-kinetic-spinner-forest-260x173.jpg 260w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/nick-cave-kinetic-spinner-forest-160x107.jpg 160w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption><em>Kinetic Spinner Forest<\/em> (detail) by Nick Cave<br>custom and off-the-shelf wind spinners, cable, motors; 2016<br>Photo by Ironside Photography. Courtesy of the Momentary.<\/figcaption><\/figure>\n\n\n\n<p>COLLAGE ON VIEW<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Nick Cave: Until<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">at the Momentary in Bentonville, Arkansas, USA<br>12 September 2020-3 January 2021<\/h3>\n\n\n\n<p>Organized by MASS MoCA, &#8220;Nick Cave:\u00a0Until&#8221;\u00a0is the largest and most ambitious project yet from the renowned artist. The immersive exhibition spans over 24,000 square feet of gallery space at the Momentary. But below its surface,\u00a0&#8220;Until&#8221;\u00a0is a response to the question: Is there racism in heaven?<\/p>\n\n\n\n<p>In 1992 Chicago, Cave reflected on the Rodney King police beatings that took place in Los Angeles. Using found objects such as twigs in the park, he created his very first\u00a0<em>Soundsuit<\/em>, a wearable sculpture that defends the body and masks identity. Since then, he has created over 500 Soundsuits. In\u00a0&#8220;Until&#8221;,\u00a0Cave places viewers inside the metaphorical belly of one of his Soundsuits.<\/p>\n\n\n\n<p>The title\u00a0&#8220;Until&#8221;\u00a0references the phrase \u201cinnocent until proven guilty,\u201d or, a reversal, \u201cguilty until proven innocent.\u201d According to Cave,\u00a0&#8220;Until&#8221;\u00a0came about after the Michael Brown incident in Ferguson, Missouri. \u201cI really hadn\u2019t thought about what I was going to do until that incident happened and then, all of a sudden, it became very clear,\u201d said Cave. Within the exhibition, Cave addresses gender, race, and gun violence in America.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"700\" height=\"467\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/nick-cave-crystal-cloudscape.jpg\" alt=\"\" class=\"wp-image-10198\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/nick-cave-crystal-cloudscape.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/nick-cave-crystal-cloudscape-600x400.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/nick-cave-crystal-cloudscape-300x200.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/nick-cave-crystal-cloudscape-560x374.jpg 560w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/nick-cave-crystal-cloudscape-260x173.jpg 260w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/nick-cave-crystal-cloudscape-160x107.jpg 160w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption><em>Crystal Cloudscape<\/em> (detail) by Nick Cave<br>mixed media; 2016<br>Photo by Ironside Photography. Courtesy of the Momentary.<\/figcaption><\/figure>\n\n\n\n<p>&#8220;Until&#8221;\u00a0is composed of six installations that come together to create an immersive space:\u00a0<em>Unarmed\u00a0<\/em>(2016), a wreath of beaded flowers with a cast bronze and metal hand pointing upward in the center;\u00a0<em>Flow Blow<\/em>\u00a0(2016), a wall of shimmering party streamers that dances by blowing fans, spelling the word \u201cflow\u201d;\u00a0<em>Hy-Dyve<\/em>\u00a0(2016), a 14-channel video installation with sound that repeats images of staring eyes in an eight-minute loop;\u00a0<em>Beaded Cliff Wall<\/em>\u00a0(2016), a netted wall constructed with millions of plastic hair pony beads, shoelaces, and rope;\u00a0<em>Kinetic Spinner Forest<\/em>\u00a0(2016), a collection of 16,000 hanging wind spinners displaying images of bullets, guns, and targets; and\u00a0<em>Crystal Cloudscape\u00a0<\/em>(2016), a massive work of mixed media featuring more than 10 miles of crystals, 24 chandeliers, and a private garden filled with found objects. Made specifically for the Momentary, the gallery walls adorn new wallpaper designed by Cave and his partner, artist Bob Faust.<\/p>\n\n\n\n<p>Cave is an artist and dancer known for his unique fabric sculptures and performances. Born in Fulton, Missouri in 1959, he studied fiber arts at the Kansas City Art Institute (BFA, 1982), before going on to receive his MFA from Cranbrook Academy of Art in Michigan (1989). Cave also attended North Texas State University (1984-86) and trained with the renowned Alvin Ailey American Dance Theater. Today, the artist lives and works in Chicago, where he recently opened a new multi-disciplinary creative space called Facility and serves as the director of the fashion program at the School of the Art Institute of Chicago.<\/p>\n\n\n\n<p>Through the decades, Cave addresses issues of racial inequality in the United States through his work. Today, the artist\u2019s works are held in the collections of Crystal Bridges Museum of American Art, the Museum of Modern Art in New York, the Detroit Institute of Arts, and the High Museum of Art in Atlanta, among others.<\/p>\n\n\n\n<p><em>(text adapted from the gallery&#8217;s press materials)<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><strong>INFORMATION<\/strong><\/p>\n\n\n\n<p><strong>The Momentary<\/strong><br>507 SE E Street<br>Bentonville, Arkansas 72712 USA<br>(479) 367-7500<\/p>\n\n\n\n<p>Hours:<br>Sunday, Tuesday, Wednesday, 10AM-7PM<br>Thursday-Saturday, 10AM-10PM<\/p>\n\n\n\n<p><a href=\"https:\/\/g.page\/theMomentary?share\" target=\"_blank\" rel=\"noreferrer noopener\">MAP<\/a> | <a href=\"https:\/\/themomentary.org\/\" target=\"_blank\" rel=\"noreferrer noopener\">WEBSITE<\/a> | <a href=\"https:\/\/www.facebook.com\/theMomentary\/\" target=\"_blank\" rel=\"noreferrer noopener\">FACEBOOK<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>COLLAGE ON VIEW Nick Cave: Until at the Momentary in Bentonville, Arkansas, USA12 September 2020-3 January 2021 Organized by MASS MoCA, &#8220;Nick Cave:\u00a0Until&#8221;\u00a0is the largest and most ambitious project yet from the renowned artist. The immersive exhibition spans over 24,000&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/until\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":10197,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/nick-cave-kinetic-spinner-forest.jpg","jetpack_shortlink":"https:\/\/wp.me\/s2QTD7-until","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":10150,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/a-momentary-articulation\/","url_meta":{"origin":10196,"position":0},"title":"A Momentary Articulation","author":"Christopher Byrne","date":"26 September 2020","format":"gallery","excerpt":"Key by Eric N. Mack46.5\"x45\"; assorted fabric, acrylic, felt, feathers, toweling, graphite; 2020.Photo: Steven Probert; \u00a9 Eric N. Mack. Courtesy Paula Cooper Gallery, New York. COLLAGE ON VIEW Lynda Benglis, Eric N. Mack, Kelley Walker at Paula Cooper Gallery in New York, New York, USA8 September-10 October 2020 Paula Cooper\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/eric-n-mack-key.jpeg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/eric-n-mack-key.jpeg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/eric-n-mack-key.jpeg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/eric-n-mack-key.jpeg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":5684,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/biometrics-of-the-face\/","url_meta":{"origin":10196,"position":1},"title":"Biometrics of the Face","author":"Christopher Byrne","date":"8 March 2017","format":"gallery","excerpt":"COLLAGE ARTIST Interview with Nick Gentry Best known for his haunting portraits, London-based artist Nick Gentry draws on donated, obsolete technological materials as the grounds for his paintings. Questioning the fundamental relationship between technology, society and identity, Gentry uses CDs, film negatives, cassettes and floppy disks to comment \u201con the\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/portrait-by-nick-gentry.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/portrait-by-nick-gentry.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/portrait-by-nick-gentry.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/portrait-by-nick-gentry.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":15711,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/keeping-time\/","url_meta":{"origin":10196,"position":2},"title":"Keeping Time","author":"Christopher Byrne","date":"3 January 2025","format":"gallery","excerpt":"Radical Love by Erika Lawlor Schmidt22\"x30\"; collage and dry point etching; 2024. Photo by Thomas Clark. Courtesy of the artist. COLLAGE ON VIEW Erika Lawlor Schmidt: Keeping Time at The Hesterly Black in Waterbury, Vermont, USA6 September 2024-19 January 2025 Erika Lawlor Schmidt writes about this work: My work is\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/erika-lawlor-schmidt-radical-love-web.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/erika-lawlor-schmidt-radical-love-web.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/erika-lawlor-schmidt-radical-love-web.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/erika-lawlor-schmidt-radical-love-web.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":9045,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/uncollage-in-photography-filmography\/","url_meta":{"origin":10196,"position":3},"title":"Uncollage in Photography &#038; Filmography","author":"Christopher Byrne","date":"29 December 2019","format":"gallery","excerpt":"untitled photograph by Jerry Uelsmann14\"x11\"; gelatin silver print; 1976Courtesy of the artist. FROM KOLAJ 27 Uncollage in the work of Jerry Uelsmann, Fran Forman, Vik Muniz, Eadweard James Muybridge, and Oscar Gustav Rejlander. For the first time in the magazine's history, we are featuring a photomontage on the cover: Untitled\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Jerry-Uelsmann-Untitled.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Jerry-Uelsmann-Untitled.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Jerry-Uelsmann-Untitled.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Jerry-Uelsmann-Untitled.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":5946,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/kleinolson\/","url_meta":{"origin":10196,"position":4},"title":"Klein\/Olson","author":"Christopher Byrne","date":"12 June 2017","format":"gallery","excerpt":"Klein\/Olson: Astrid Klein & B. Ingrid Olson 22 April-18 June 2017 Side by side, works by Astrid Klein and B. Ingrid Olson offer an opportunity to explore the affinities and differences in the artists\u2019 respective approaches to sculpture, collage and photographic imagery. Their practices share a tendency to manipulate or\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/astrid-klein-hate-love-web.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/astrid-klein-hate-love-web.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/astrid-klein-hate-love-web.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/astrid-klein-hate-love-web.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":10105,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/dis-placements\/","url_meta":{"origin":10196,"position":5},"title":"Dis\/Placements","author":"Christopher Byrne","date":"16 September 2020","format":"gallery","excerpt":"Lost Mind from the \"Multiverse: To Myself with Love\" series by Hamid Rahmanian19\"x13\"; archival digital print; 2006. Courtesy of the artist. COLLAGE ON VIEW Dis\/Placements: Revisitations of Home at the Halsey Institute of Contemporary Art in Charleston, South Carolina, USAOnline: 28 August-12 December 2020At the Gallery: 17 September-20 November 2020\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/hamid-rahmanian-lost-mind.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/hamid-rahmanian-lost-mind.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/hamid-rahmanian-lost-mind.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/hamid-rahmanian-lost-mind.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/10196"}],"collection":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=10196"}],"version-history":[{"count":0,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/10196\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/10197"}],"wp:attachment":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=10196"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=10196"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=10196"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}