{"id":10966,"date":"2021-04-17T14:17:43","date_gmt":"2021-04-17T18:17:43","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=10966"},"modified":"2021-04-17T14:17:43","modified_gmt":"2021-04-17T18:17:43","slug":"kolaj-32","status":"publish","type":"post","link":"https:\/\/kolajmagazine.com\/content\/issues\/kolaj-32\/","title":{"rendered":"Kolaj #32"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"600\" height=\"750\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/K32-Cover.jpg\" alt=\"\" class=\"wp-image-10967\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/K32-Cover.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/K32-Cover-300x375.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/K32-Cover-560x700.jpg 560w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/K32-Cover-260x325.jpg 260w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/K32-Cover-160x200.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><a href=\"http:\/\/www.kolajmagazine.com\/shop.html\">SUBSCRIBE<\/a> OR <a href=\"http:\/\/www.kolajmagazine.com\/shop.html\">ORDER A COPY<\/a><\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">ABOUT THE ISSUE<\/h2>\n\n\n\n<p>In the issue&#8217;s editorial, Ric Kasini Kadour writes, &#8220;I often find myself saying, <strong>Collage is powerful magic<\/strong>. The collage community often feels like we are off in our own private corner of the art world. We excel at sharing that collage magic with each other. How can we do better sharing it with the rest of the world?&#8221;<\/p>\n\n\n\n<p>In answer to that question, we report on how <strong>JRC&#8217;s <em>The Seaside Fleet<\/em><\/strong> is making its way to New York City; how New Orleans collagist <strong>Simon Blake<\/strong> used collage in a Crystal Hot Sauce Campaign; and <strong>Peter Blake<\/strong>&#8216;s collage on Macallan Whisky Bottles.<\/p>\n\n\n\n<p><em>Three Wheel<\/em> by <strong>Tim Harper<\/strong> is on the cover of <em>Kolaj<\/em> #32. A detail of a collage work by <strong>Myriam Dion<\/strong> that reflects on the Notre Dame Cathedral fire is on the back. Artist Portfolios by these artists appear in the issue.&nbsp;<\/p>\n\n\n\n<p>Celia Crane tells us how collage is taking the stage in the Web-based Interactive Art Project <strong>TELEPHONE<\/strong>. She writes, &#8220;An encouraging and inspirational arts and culture story written over the course of an unprecedented international health crisis, TELEPHONE is not only an impressive body of ekphrastic artworks, but a single collage of collaborative ideas expressed by a thousand artists from every corner of the Earth.&#8221;<\/p>\n\n\n\n<p>Michael Koppa finishes <strong><em>Les Cocobopros<\/em><\/strong>, a collaborative artist book with Lisa Chun, Gary Ortman, William Cody, Musta Fior, Flore Kunst, Francine Martin and Rhed Fawell.<\/p>\n\n\n\n<p>Rod T. Boyer asks us to &#8220;Mind the Gap&#8221; in a compelling essay about collision and context in <strong>haiku and collage<\/strong>.&nbsp;<\/p>\n\n\n\n<p>Ashley Pryor Geiger reviews the Improbable Ascents of Brasilia, Brazil artist <strong>iuri kothe<\/strong>.<\/p>\n\n\n\n<p>Madeleine Rhondeau considers the public and private performance in the collages of Old Lyme, Connecticut artist<strong> Rebecca Steiner<\/strong>&nbsp;<\/p>\n\n\n\n<p>Laupahoehoe, Hawaii artist<strong> Martha Chong<\/strong> joins a noble tradition of artists tempted by the surreal mysticism of Saint Anthony.<\/p>\n\n\n\n<p>Elyana Shamselangeroodi and Ric Kasini Kadour investigate how Charlottesville, Virginia<strong> <\/strong>artist <strong>Sharon Shapiro<\/strong>\u2019s collage paintings help us remember recreational segregation in the United States&nbsp;<\/p>\n\n\n\n<p>Allan Bealy interviews Warsaw collagist and festival maker Anna K\u0142os, the creative force behind <strong>Retroavangarda<\/strong>.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"700\" height=\"273\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj-32-artist-portfolios.jpg\" alt=\"\" class=\"wp-image-10968\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj-32-artist-portfolios.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj-32-artist-portfolios-600x234.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj-32-artist-portfolios-300x117.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj-32-artist-portfolios-560x218.jpg 560w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj-32-artist-portfolios-260x101.jpg 260w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj-32-artist-portfolios-160x62.jpg 160w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption>Collages by Craig Upson, Jude Broughan, Tim Harper, Brittany M. Reid, and Myriam Dion, whose Artist Portfolios appear in <em>Kolaj<\/em> 32.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">ARTIST PORTFOLIOS<\/h2>\n\n\n\n<p><strong>Brittany M. Reid<\/strong><br>Rochester, New York, USA<br>&#8220;I let my childhood memories, experiences as a queer, Black woman, and life as a mother dictate much of my work. The themes I present ask the viewer to consider humans\u2019 complicated relationship with nature, the macrocosm vs. the microcosm, and the power of the female experience.\u201d<\/p>\n\n\n\n<p><strong>Craig Upson<\/strong><br>Berkeley, California, USA<br>&#8220;I break this new composition into value regions\u2014and create a map that will guide the collage assembly process.&#8221;<\/p>\n\n\n\n<p><strong>Jude Broughan<\/strong><br>Brooklyn, New York, USA<br>&#8220;Late capitalist culture runs counter to contemplation, promoting in its place a reckless onward rush; these places stand for the value of pausing to reflect and form relationships, whether conceptual, emotional, or both.&#8221;<\/p>\n\n\n\n<p><strong>Myriam Dion<\/strong><br>Montreal, Quebec, Canada<br>&#8220;The precise organization and the camouflage of the traces create a reversal of the traditional use of collage in the history of art.&#8221;<\/p>\n\n\n\n<p><strong>Tim Harper<\/strong><br>Midlothian, Virginia, USA<br>&#8220;My very favorite thing is to show a piece at a gallery and have someone tell me what kind of story they see.&#8221;<\/p>\n\n\n\n<h3 class=\"has-text-align-center wp-block-heading\">Kolaj Magazine <em>relies on our subscribers. Their support of this magazine keeps us going and makes it possible for us to investigate and document collage and to promote a deeper, more complex understanding of the medium and its role in art history and contemporary art.<\/em><\/h3>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\"><a href=\"http:\/\/www.kolajmagazine.com\/shop.html\">SUBSCRIBE<\/a> OR <a href=\"http:\/\/www.kolajmagazine.com\/shop.html\">ORDER A COPY<\/a><\/h2>\n","protected":false},"excerpt":{"rendered":"<p>SUBSCRIBE OR ORDER A COPY ABOUT THE ISSUE In the issue&#8217;s editorial, Ric Kasini Kadour writes, &#8220;I often find myself saying, Collage is powerful magic. The collage community often feels like we are off in our own private corner of&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/kolajmagazine.com\/content\/issues\/kolaj-32\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":10967,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[5],"tags":[],"jetpack_featured_media_url":"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/K32-Cover.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-2QS","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":11169,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/collage-out-in-the-world\/","url_meta":{"origin":10966,"position":0},"title":"Collage Out in the World","author":"Christopher Byrne","date":"28 May 2021","format":"gallery","excerpt":"\"The Money $how\" (installation view). (clockwise from top left) Works by Patricia Leeds, Gavin Benjamin and Michael Koppa. Courtesy of the artists, Photo by Artdose Magazine. FROM KOLAJ 32 How can we do better sharing collage with the rest of the world? Kolaj 32's Editorial by Ric Kasini Kadour While\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/00011_The_Money_Show_Install_Shots_Artdose_Magazine.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/00011_The_Money_Show_Install_Shots_Artdose_Magazine.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/00011_The_Money_Show_Install_Shots_Artdose_Magazine.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/00011_The_Money_Show_Install_Shots_Artdose_Magazine.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":9540,"url":"https:\/\/kolajmagazine.com\/content\/world-collage-day\/world-collage-day-2020-poster\/","url_meta":{"origin":10966,"position":1},"title":"World Collage Day 2020 Poster","author":"Christopher Byrne","date":"29 March 2020","format":"gallery","excerpt":"World Collage Day 2020 poster by Emma Anna WORLD COLLAGE DAY 2020 Announcing the World Collage Day 2020 Poster Kolaj Magazine is pleased to announce the World Collage Day 2020 Poster by Australian-Colombian artist Emma Anna. The poster is used around the world to promote the annual international celebration of\u2026","rel":"","context":"In &quot;Institute&quot;","block_context":{"text":"Institute","link":"https:\/\/kolajmagazine.com\/content\/category\/institute\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/World-Collage-Day-2020-Square.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/World-Collage-Day-2020-Square.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/World-Collage-Day-2020-Square.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/World-Collage-Day-2020-Square.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":14618,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/magic-in-the-making\/","url_meta":{"origin":10966,"position":2},"title":"Magic in the Making","author":"Christopher Byrne","date":"27 November 2023","format":"gallery","excerpt":"Moon (detail) by Robert Crooksfashion collage, mixed media and acrylic on wood; 2014. Courtesy of the artist. COLLAGE ON VIEW Robert Crooks: Magic in the Making at The Spectacle Group in Hong Kong14 November-10 December 2023 \"Magic in the Making\" serves as a chronicle of Robert Crooks' 2023 residency with\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/robert-crooks-moon-detail.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/robert-crooks-moon-detail.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/robert-crooks-moon-detail.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/robert-crooks-moon-detail.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":14265,"url":"https:\/\/kolajmagazine.com\/content\/content\/calls-for-artists\/call-to-artists-collage-magic-artist-residency\/","url_meta":{"origin":10966,"position":3},"title":"Call to Artists: Collage Magic Artist Residency","author":"Christopher Byrne","date":"9 August 2023","format":"gallery","excerpt":"CALL TO ARTISTS Collage Magic Artist Residency: New Orleans A five-day, in-person collage artist residency in New Orleans First Session: Wednesday, 25 October to Sunday, 29 October 2023 Second Session: Wednesday, 6 December to Sunday, 10 December 2023Final Deadline to Apply: Sunday, 24 September 2023 Submissions will be reviewed on\u2026","rel":"","context":"In &quot;Calls for Artists&quot;","block_context":{"text":"Calls for Artists","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/calls-for-artists\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Collage-Magic-logo-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Collage-Magic-logo-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Collage-Magic-logo-1.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Collage-Magic-logo-1.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":9625,"url":"https:\/\/kolajmagazine.com\/content\/issues\/world-collage-day-2020-special-edition\/","url_meta":{"origin":10966,"position":4},"title":"World Collage Day 2020 Special Edition","author":"Christopher Byrne","date":"16 April 2020","format":"gallery","excerpt":"In honour of World Collage Day, 9 May 2020,\u00a0Kolaj Magazine\u00a0is releasing a special edition of the magazine. The Special Edition is full of cut out pages to inspire you by collage artists from around the world.\u00a0The World Collage Day 2020 Special Edition includes the special edition booklet, a World Collage\u2026","rel":"","context":"In &quot;Institute&quot;","block_context":{"text":"Institute","link":"https:\/\/kolajmagazine.com\/content\/category\/institute\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/World-Collage-Day-2020-COVER.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/World-Collage-Day-2020-COVER.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/World-Collage-Day-2020-COVER.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/World-Collage-Day-2020-COVER.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":8128,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/carol-reid-white-collage\/","url_meta":{"origin":10966,"position":5},"title":"Carol Reid White: Collage","author":"Christopher Byrne","date":"4 May 2019","format":"gallery","excerpt":"COLLAGE ON VIEW Carol Reid White: Collage at Sarah Walker Gallery in Castletownbere, County Cork, Ireland 11 May-17 June 2019 Carol Reid White is an American collage artist and retired museum art educator living in Ireland since 1987. She produces colourful, often humorous collages using human figures and scenes from\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/carol-reid-white-woman-with-book-and-numbat.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/carol-reid-white-woman-with-book-and-numbat.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/carol-reid-white-woman-with-book-and-numbat.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/carol-reid-white-woman-with-book-and-numbat.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/10966"}],"collection":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=10966"}],"version-history":[{"count":0,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/10966\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/10967"}],"wp:attachment":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=10966"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=10966"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=10966"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}