{"id":11048,"date":"2021-05-14T16:11:37","date_gmt":"2021-05-14T20:11:37","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=11048"},"modified":"2021-05-14T16:14:57","modified_gmt":"2021-05-14T20:14:57","slug":"alcoves-20-20-4","status":"publish","type":"post","link":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/alcoves-20-20-4\/","title":{"rendered":"Alcoves 20\/20 #4"},"content":{"rendered":"\n
\"\"
Stadium<\/em> by Karsten Creightney
collage, acrylic, oil, and wax on canvas; 2018. Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n

COLLAGE ON VIEW<\/p>\n\n\n\n

Alcoves 20\/20 #4<\/h2>\n\n\n\n

at the New Mexico Museum of Art in Santa Fe, New Mexico, USA
20 February-27 June 2021<\/h3>\n\n\n\n

“Alcoves 20\/20 #4”\u00a0<\/em>is the last in the 20\/20 series of\u00a0Alcoves\u00a0exhibitions. The\u00a0<\/strong><\/em>“Alcoves”\u00a0series features five, small, one-person exhibitions by contemporary artists working in New Mexico. The series highlights the wealth of artistic talent across the state. Working broadly across the fields of photography and painting, the featured artists whose work incorporates collage are Karsten Creightney, JC Gonzo,\u00a0and Phillis Ideal.<\/p>\n\n\n\n

Karsten Creightney<\/strong>‘s “work is as much a product of discoveries made while making it, as it is deliberate.\u201d New images and themes emerge from the past just as our future derives from our history. Creightney does not necessarily predict his final picture but rather depends upon trial and error to access alternate realities. His works are part of the permanent collections of institutions such as the Cleveland Museum of Art, the Detroit Institute of Arts, and the Nelson-Atkins Museum of Art.<\/p>\n\n\n\n

\"\"
from “The Land in Spirit” by JC Gonzo
Fujifilm Instax Mini Monochrome; 2018-2019. Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n

JC Gonzo<\/strong>‘s cut-up methodology and collage aesthetic generate juxtapositions and elicit previously unconsidered connections and dependencies. Described by the artist as \u201cmeta-ecologies\u201d, his installations, The Land in Spirit<\/em>\u00a0and\u00a0Until the Rio Grande Runs Dry<\/em>, reflect on our connections to the land and to one another, in particular the land surrounding the border in New Mexico, Texas, and Mexico. Gonzo also writes for various publications and has worked with artists Red Cell as \u201cThe Product Division.\u201d The collaborators were artists-in-residence at the William S. Burroughs Estate in Fall of 2014.\u00a0<\/p>\n\n\n\n

\"\"
Blue Slant<\/em> by Phillis Ideal
acrylic, spray paint on canvas; 2020. Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n

Phillis Ideal <\/strong><\/p>\n\n\n\n

Phillis Ideal\u2019s abstract collages balance shape, texture, and color to create geometries of curves, arcs, and lines. Her images are deliberately limited, yielding enlarged microscopic\u2013like details of greater works. Close analytical views lead to explorations past the picture plane. There is much to experience through these curtailed circles and truncated trapezoids. Primary colors of reds and yellows alternate with pastels of violet and lilac. Color field smoothness contrasts with anxious brushstrokes. Her works are hybrids of collage and paint, creating expansive yet constrained spaces.<\/p>\n\n\n\n

Other artists in the exhibition are photographer Cara Romero<\/strong> and landscape photographer Donald Woodman<\/strong>.<\/p>\n\n\n\n

(text adapted from the museum’s press materials)<\/p>\n\n\n\n

\n\n\n\n

INFORMATION<\/strong><\/p>\n\n\n\n

New Mexico Museum of Art<\/strong>
107 West Palace Avenue
Santa Fe, New Mexico 87501 USA
(505) 476-5072<\/p>\n\n\n\n

Hours:
Saturday-Thursday, 10AM-5PM
Friday, 10AM-7PM<\/p>\n\n\n\n

MAP<\/a> | WEBSITE<\/a> | FACEBOOK<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

COLLAGE ON VIEW Alcoves 20\/20 #4 at the New Mexico Museum of Art in Santa Fe, New Mexico, USA20 February-27 June 2021 “Alcoves 20\/20 #4”\u00a0is the last in the 20\/20 series of\u00a0Alcoves\u00a0exhibitions. The\u00a0“Alcoves”\u00a0series features five, small, one-person exhibitions by contemporary…<\/p>\n

Read more →<\/a><\/p>\n","protected":false},"author":6,"featured_media":11049,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/karsten-creightney-Stadium.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-2Sc","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":12154,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/many-worlds-are-born\/","url_meta":{"origin":11048,"position":0},"title":"Many Worlds Are Born","author":"Christopher Byrne","date":"10 February 2022","format":"gallery","excerpt":"Winona Day Nursery \"Two Degrees East, Three Degrees West\" by Jeanna Penn24\"x48\"; watercolor, acrylic, marker, oil paint marker, inkjet prints on mounted watercolor paper; 2022. 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COLLAGE ON VIEW Many Worlds Are Born at 516 ARTS in Albuquerque, New Mexico, USA19 February-14 May 2022 Media Coverage \"Artists\u2026","rel":"","context":"In "Exhibitions"","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Jeanna-Penn-Winona-Day-Nursery-web-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Jeanna-Penn-Winona-Day-Nursery-web-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Jeanna-Penn-Winona-Day-Nursery-web-1.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Jeanna-Penn-Winona-Day-Nursery-web-1.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":12722,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/technologies-of-the-spirit\/","url_meta":{"origin":11048,"position":1},"title":"Technologies of the Spirit","author":"Christopher Byrne","date":"13 June 2022","format":"gallery","excerpt":"Superpredator by Karsten Creightney65.5\"x75.9\"; collage, silkscreen, watercolor, acrylic, oil, and wax on canvas; 2022. Courtesy of the artist. COLLAGE ON VIEW Technologies of the Spirit at 516 ARTS in Albuquerque, New Mexico, USA11 June-3 September 2022 \"Technologies of the Spirit\" is the second of two exhibitions that look at how\u2026","rel":"","context":"In "Exhibitions"","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/karsten-creighney-superpredator.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/karsten-creighney-superpredator.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/karsten-creighney-superpredator.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/karsten-creighney-superpredator.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":7565,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/the-color-prophecies\/","url_meta":{"origin":11048,"position":2},"title":"The Color Prophecies","author":"Christopher Byrne","date":"23 October 2018","format":"gallery","excerpt":"COLLAGE ON VIEW Ginnie Gardiner: The Color Prophecies at the Woodstock Artists Association in Woodstock, New York, USA 27 October-25 November 2018 Artist Talk with art critic Carter Ratcliff: Saturday, 27 October, 3PM Artist Reception: Saturday, 3 November, 4-6PM Ginnie Gardiner says about the work in this show: Mexico shook\u2026","rel":"","context":"In "Exhibitions"","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Go-by-ginnie-gardiner.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Go-by-ginnie-gardiner.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Go-by-ginnie-gardiner.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Go-by-ginnie-gardiner.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":8731,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/copyright-bandits\/","url_meta":{"origin":11048,"position":3},"title":"Copyright Bandits","author":"Christopher Byrne","date":"30 September 2019","format":"gallery","excerpt":"COLLAGE ON VIEW Copyright Bandits at Collapse Gallery in Wenatchee, Washington, USA4-27 October 2019 \"Copyright Bandits\", curated by Chad Yenney, explores a variety of collage techniques in works by some of the world's foremost collage artists from from Peru, Scotland, Mexico, France, Spain, Norway, Australia, Germany, and all across the\u2026","rel":"","context":"In "Exhibitions"","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/miss-printed-cropped-at-collapse-gallery.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":3856,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/materia-organica-at-la-popular-oaxaca\/","url_meta":{"origin":11048,"position":4},"title":"Materia Org\u00e1nica at La Popular, Oaxaca","author":"Christopher Byrne","date":"19 June 2015","format":"gallery","excerpt":"Through July 2015 \"Materia Org\u00e1nica\": Steve Tierney & Malo Farf\u00e1n When the creative process flows in an organic way, the development of ideas comes naturally and is less forced, and ultimately, the entire practice of making art opens up to allow things which could not have been predicted or planned\u2026","rel":"","context":"In "Exhibitions"","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/steve-tierney-malo-farfan-untitled.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/steve-tierney-malo-farfan-untitled.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/steve-tierney-malo-farfan-untitled.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":12201,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/putting-the-pieces-back-together\/","url_meta":{"origin":11048,"position":5},"title":"Putting the Pieces Back Together","author":"Christopher Byrne","date":"22 February 2022","format":"gallery","excerpt":"Iguana by John Udvardy (Rhode Island)assemblage. 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COLLAGE ON VIEW Putting the Pieces Back Together at the Bristol Art Museum in Bristol, Rhode Island, USA12 February-1 April 2022 \"Putting the Pieces Back Together\" is a juried exhibition of collages and constructions by 105 artists from twenty-two states.\u2026","rel":"","context":"In "Exhibitions"","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/john-uvardy-iguana.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/john-uvardy-iguana.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/john-uvardy-iguana.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/john-uvardy-iguana.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/11048"}],"collection":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=11048"}],"version-history":[{"count":0,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/11048\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/11049"}],"wp:attachment":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=11048"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=11048"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=11048"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}