{"id":11919,"date":"2021-12-28T16:28:54","date_gmt":"2021-12-28T21:28:54","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=11919"},"modified":"2021-12-28T16:28:54","modified_gmt":"2021-12-28T21:28:54","slug":"collage-sculpture","status":"publish","type":"post","link":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/collage-sculpture\/","title":{"rendered":"Collage Sculpture"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"700\" height=\"771\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/carol-bove-hylomorph-1.jpg\" alt=\"\" class=\"wp-image-11920\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/carol-bove-hylomorph-1.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/carol-bove-hylomorph-1-600x661.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/carol-bove-hylomorph-1-300x330.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/carol-bove-hylomorph-1-560x617.jpg 560w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/carol-bove-hylomorph-1-260x286.jpg 260w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/carol-bove-hylomorph-1-160x176.jpg 160w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption><em>Hylomorph I <\/em>by Carol Bove<br>71.5&#8243;x42&#8243;x51&#8243;; steel, stainless steel, and urethane paint; 2016. Private collection.<br>\u00a9 Carol Bove. Courtesy the artist and David Zwirner<\/figcaption><\/figure>\n\n\n\n<p>COLLAGE ON VIEW<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Carol Bove: Collage Sculpture<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">at Nasher Sculpture Center in Dallas, Texas, USA<br>16 October 2021-9 January 2022<\/h3>\n\n\n\n<p>Encompassing a range of works in different sizes and formats, &#8220;Carol Bove: Collage Sculptures&#8221; brings together nine sculptures from the last five years, two of which have been made especially for the Nasher\u2019s exhibition. Organized by Nasher Curator Dr. Catherine Craft, the exhibition provides an in depth consideration of one of the most consequential artists working today.<\/p>\n\n\n\n<p>Bove\u2019s recent works take as their point of departure the means, materials, and visual language of a certain mode of midcentury sculpture often found in plazas and other public spaces and represented by such artists as Mark di Suvero, Richard Serra, and John Chamberlain. By welding and bolting together different forms of steel, from found scrap metal to tubes coated in rich, matte layers of color, Bove creates new possibilities for traditions previously considered to be exhausted.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"700\" height=\"934\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/carol-bove-hylomorph-1-detail.jpg\" alt=\"\" class=\"wp-image-11921\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/carol-bove-hylomorph-1-detail.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/carol-bove-hylomorph-1-detail-600x801.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/carol-bove-hylomorph-1-detail-300x400.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/carol-bove-hylomorph-1-detail-560x747.jpg 560w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/carol-bove-hylomorph-1-detail-260x347.jpg 260w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/carol-bove-hylomorph-1-detail-160x213.jpg 160w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption><em>Hylomorph I <\/em>(detail) by Carol Bove<br>71.5&#8243;x42&#8243;x51&#8243;; steel, stainless steel, and urethane paint; 2016. Private collection.<br>\u00a9 Carol Bove. Courtesy the artist and David Zwirner<\/figcaption><\/figure>\n\n\n\n<p>To make such works, range from monumental outdoor sculptures to small tabletop compositions, Bove and her studio team work intuitively, shaping the steel with an array of tools many custom made for this very purpose that dent, crease, buckle, and crush her materials into such malleability that the results can resemble billowing folds of drapery. Once prepared, components are brought together using winches, gantries, and cranes, and they may be punctuated with thick, glossy discs Bove calls \u201cpolka dots.\u201d<\/p>\n\n\n\n<p>Bove\u2019s collage sculptures are distinctive for their subversive use of color, which often draws upon outdated print technologies, digital distortions, and the palettes of other artists. Yellow, a prevalent hue in the collage sculptures, seems to trace back to Bove\u2019s encounter with a Willem de Kooning painting. Likewise, her reds recall the cadmium red light favored by Donald Judd, who considered it the best color to define a three dimensional object. Recently, Bove has made sculptures from unpainted, stainless steel, the newest example of which will make its debut in the Nasher\u2019s garden.<\/p>\n\n\n\n<p><em>(text adapted from the Nasher Sculpture Center&#8217;s press materials)<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><strong>INFORMATION<\/strong><\/p>\n\n\n\n<p><strong>Nasher Sculpture Center<\/strong><br>2001 Flora Street<br>Dallas, Texas 75201 USA<br>(214) 242-5100<\/p>\n\n\n\n<p>Hours:<br>Wednesday-Sunday, 11AM-5PM<\/p>\n\n\n\n<p><a href=\"https:\/\/goo.gl\/maps\/hfFMudLDfu63ntjQ8\" target=\"_blank\" rel=\"noreferrer noopener\">MAP<\/a> | <a href=\"https:\/\/www.nashersculpturecenter.org\/\" target=\"_blank\" rel=\"noreferrer noopener\">WEBSITE<\/a> | <a href=\"http:\/\/www.facebook.com\/NasherSculptureCenter\" target=\"_blank\" rel=\"noreferrer noopener\">FACEBOOK<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>COLLAGE ON VIEW Carol Bove: Collage Sculpture at Nasher Sculpture Center in Dallas, Texas, USA16 October 2021-9 January 2022 Encompassing a range of works in different sizes and formats, &#8220;Carol Bove: Collage Sculptures&#8221; brings together nine sculptures from the last&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/collage-sculpture\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":11920,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/carol-bove-hylomorph-1.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-36f","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":2709,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/wangechi-mutu-brooklyn-museum\/","url_meta":{"origin":11919,"position":0},"title":"Wangechi Mutu at Brooklyn Museum","author":"Christopher Byrne","date":"26 February 2014","format":"gallery","excerpt":"11 October 2013-9 March 2014 Wangechi Mutu at Brooklyn Museum \u201cA Fantastic Journey\u201d is the first U.S. survey of Kenyan-born and Brooklyn-based artist Wangechi Mutu. Mutu\u2019s work \u201cscrutinizes globalization by combining found materials, magazine cutouts, sculpture, and painted imagery.\u201d She is perhaps best known for her collages depicting female figures\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"Yo Mama by Wangechi Mutu","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Mutu-Yo-Mama-web.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Mutu-Yo-Mama-web.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Mutu-Yo-Mama-web.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Mutu-Yo-Mama-web.jpg?resize=700%2C400 2x"},"classes":[]},{"id":10864,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/constellation-2\/","url_meta":{"origin":11919,"position":1},"title":"Constellation","author":"Christopher Byrne","date":"12 March 2021","format":"gallery","excerpt":"She Smelled Roses by Carol Reid White11\"x9\"; collage; 2021. Courtesy of the artist. COLLAGE ON VIEW Constellation at LHQ Gallery in Cork, Ireland10 March-31 December 2021Online only: View the exhibition HERE For its first virtual exhibition of 2021, LHQ Gallery presents \"Constellation\", an exhibition by artists Carol Reid White and\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/carol-white-she-smelled-roses-web.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/carol-white-she-smelled-roses-web.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/carol-white-she-smelled-roses-web.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/carol-white-she-smelled-roses-web.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":15113,"url":"https:\/\/kolajmagazine.com\/content\/kolaj-fest-new-orleans\/kolaj-fest-new-orleans-heads-to-the-new-orleans-museum-of-art\/","url_meta":{"origin":11919,"position":2},"title":"Kolaj Fest New Orleans Heads to the New Orleans Museum of Art\u00a0","author":"Christopher Byrne","date":"3 May 2024","format":"gallery","excerpt":"AT KOLAJ FEST NEW ORLEANS 2024 New Orleans Museum of Art Day at Kolaj Fest New Orleans EVENT WEBSITE | REGISTER Kolaj Fest New Orleans is a multi-day festival and symposium about contemporary collage and its role in art, culture, and society, 12-16 June 2024. Visit the website to learn\u2026","rel":"","context":"In &quot;Kolaj Fest New Orleans&quot;","block_context":{"text":"Kolaj Fest New Orleans","link":"https:\/\/kolajmagazine.com\/content\/category\/kolaj-fest-new-orleans\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/KFNOLA-Day-at-the-Museum.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/KFNOLA-Day-at-the-Museum.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/KFNOLA-Day-at-the-Museum.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/KFNOLA-Day-at-the-Museum.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":1078,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/arrangements-by-bruce-ingram-at-vitrine-gallery\/","url_meta":{"origin":11919,"position":3},"title":"&#8220;Arrangements&#8221; by Bruce Ingram at Vitrine Gallery","author":"Christopher Byrne","date":"17 November 2012","format":false,"excerpt":"27 October-25 November 2012 Shaped by Ingram\u2019s interest in the Japanese art form of ikebana, the exhibition centres around three bodies of work that occupy the threshold between sculpture and collage and present familiar objects in unfamiliar new arrangements.","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/1web.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":15883,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/a-family-resemblance\/","url_meta":{"origin":11919,"position":4},"title":"A Family Resemblance","author":"Christopher Byrne","date":"20 October 2024","format":"gallery","excerpt":"Calandre #1 by Guillaume Chiron11.8\"x10.2\"; collage; 2024. Courtesy of the artist. COLLAGE ON VIEW Guillaume Chiron: Un air de famille at the Ch\u00e2teau d'Oiron in Plaine-et-Vall\u00e9es, France19 October-31 December 2024 Guillaume Chiron's \"Un air de famille\" (A Family Resemblance) is an exhibition dedicated to portraits, organized with the National Monuments\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/guillaume-chiron-Calandre-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/guillaume-chiron-Calandre-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/guillaume-chiron-Calandre-1.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/guillaume-chiron-Calandre-1.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":16786,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/collage-as-art-movement\/","url_meta":{"origin":11919,"position":5},"title":"Collage As Art Movement","author":"Christopher Byrne","date":"6 June 2025","format":"gallery","excerpt":"untitled from \"colLABELage\" by Ira Carter11\"x14\"; label collage; 2024. Courtesy of the artist. COLLAGE ON VIEW Collage As Art Movement at Kolaj Institute Gallery in New Orleans, Louisiana, USA14 June-31 August 2025 (part of Kolaj Fest New Orleans) Opening Reception: 14 June 2025, 6-8PMduring Second Saturday in the Bywater Artwalk\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/ira-carter-colLABELage-work-web.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/ira-carter-colLABELage-work-web.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/ira-carter-colLABELage-work-web.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/ira-carter-colLABELage-work-web.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/11919"}],"collection":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=11919"}],"version-history":[{"count":0,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/11919\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/11920"}],"wp:attachment":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=11919"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=11919"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=11919"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}