{"id":1211,"date":"2012-12-13T01:07:59","date_gmt":"2012-12-13T06:07:59","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=1211"},"modified":"2013-03-29T09:56:33","modified_gmt":"2013-03-29T13:56:33","slug":"caro-ma","status":"publish","type":"post","link":"https:\/\/kolajmagazine.com\/content\/content\/articles\/caro-ma\/","title":{"rendered":"Caro-Ma"},"content":{"rendered":"

\"\"<\/p>\n

PARIS, FRANCE<\/p>\n

Caro-Ma was born in the French Alps in 1983. From a young age, she was making drawings, collages, and other artworks. She studied architecture in Paris for eight years. She works now as an architect and creates digital collages in her spare time. This makes her happy.<\/p>\n

French collagist Caro-Ma’s portfolio appears in\u00a0Issue Two<\/a>\u00a0where Ariane Fairlie writes,<\/p>\n

\n

The strength of Caro-Ma\u2019s collages lies in her ability to play with scale and connect seemingly unexpected imagery together. She manages to be extremely insightful and provoke quite a reaction with her work, although it is subtle and refined. The root of narrative and aesthetic interest in the works she creates seems to stem from this talent to create play within scale.<\/h2>\n<\/blockquote>\n

To read more about Caro-Ma,\u00a0purchase\u00a0Issue Two<\/a>\u00a0or\u00a0SUBSCRIBE<\/a>\u00a0to never miss an issue.<\/p>\n

See more of Caro-Ma’s work on her Tumblr at\u00a0caro-ma.tumblr.com<\/a><\/p>\n

Image<\/strong>:
\nRecette<\/em>
\nby Caro-Ma
\n3500 pixels x 3500 pixels
\nDigital collage created from scanned original documents from the 1970s (recipe and post card)
\n2012<\/p>\n","protected":false},"excerpt":{"rendered":"

PARIS, FRANCE Caro-Ma was born in the French Alps in 1983. From a young age, she was making drawings, collages, and other artworks. She studied architecture in Paris for eight years. She works now as an architect and creates digital…<\/p>\n

Read more →<\/a><\/p>\n","protected":false},"author":6,"featured_media":1212,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6,9],"tags":[],"class_list":["post-1211","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-articles","category-collage-artists","post_format-post-format-gallery"],"jetpack_featured_media_url":"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Recette-web.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-jx","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":2630,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/axelrad-flagg-commissions\/","url_meta":{"origin":1211,"position":0},"title":"The Collaboration of Commissions","author":"Christopher Byrne","date":"2 February 2014","format":"gallery","excerpt":"by Nancy Flagg California artist Merle Axelrad creates large-scale fabric collages. These works are created entirely on commission. Nancy Flagg writes: Axelrad learned about the California Environmental Protection Agency\u2019s (EPA) call for artist proposals after adding her name to public agency Art in Public Places databases and being notified of\u2026","rel":"","context":"In "Articles"","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Merle-Axelrad-Bay-Area-Foothills-web.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Merle-Axelrad-Bay-Area-Foothills-web.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Merle-Axelrad-Bay-Area-Foothills-web.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":4931,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-events\/100-years-dada-collages-from-berlin\/","url_meta":{"origin":1211,"position":1},"title":"100 years DADA \u2013 Collages from Berlin","author":"kasini","date":"9 June 2016","format":"gallery","excerpt":"Exhibition & Zine Launch The new,\u00a0Berlin-based Prophit Art Zine features artists from all over the world. Each issue has a different theme and is presented with a matching exhibition in a gallery. The first issue celebrates 100 years of DADA with an exhibition of collage from Berlin. They share this\u2026","rel":"","context":"In "Events"","block_context":{"text":"Events","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-events\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/prophit-art-zine-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/prophit-art-zine-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/prophit-art-zine-1.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/prophit-art-zine-1.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":8176,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/origin-of-the-world\/","url_meta":{"origin":1211,"position":2},"title":"Origin of the World","author":"Christopher Byrne","date":"20 May 2019","format":"gallery","excerpt":"COLLAGE ON VIEW Linder: Origin of the World at Andr\u00e9hn-Schipjenko Project in Paris, France Opening 24 May 2019 Linder is an internationally celebrated artist who applies the principles of collage to the visual languages of graphic design, popular culture, fashion and fine art in the production of photomontages, performances and\u2026","rel":"","context":"In "Exhibitions"","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/linder-Origin-of-the-world.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/linder-Origin-of-the-world.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/linder-Origin-of-the-world.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/linder-Origin-of-the-world.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":9958,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/novelty-to-necessity\/","url_meta":{"origin":1211,"position":3},"title":"Novelty to Necessity","author":"Christopher Byrne","date":"6 August 2020","format":"gallery","excerpt":"Singe by Max Ernst7.25\"x6\"; gouache, ink and collage on paper; 1970. \u00a9 2020 Artists Rights Society (ARS), New York\/ADAGP, Paris, France. Courtesy of Kasmin Gallery. Photograph by Diego Flores. FROM KOLAJ 29 Max Ernst at Kasmin Gallery by Billy Renkl \"Prior to 1914, collage was a novelty; by 1918, it\u2026","rel":"","context":"In "Articles"","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/PK-25627-image.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/PK-25627-image.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/PK-25627-image.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/PK-25627-image.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":15806,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/with-old-traces-on-new-paths\/","url_meta":{"origin":1211,"position":4},"title":"With Old Traces on New Paths","author":"Christopher Byrne","date":"7 October 2024","format":"gallery","excerpt":"The Memory of the City by Susanna Laknercollage. Courtesy of the artist. COLLAGE ON VIEW Susanna Lakner and Inge Koch: With Old Traces on New Paths at Kultur am Kelterberg in Stuttgart, Germany21 September-13 October 2024 \"We both work with found objects, paper, and printed materials that we have been\u2026","rel":"","context":"In "Exhibitions"","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/susanna-lakner-the-memory-of-the-city.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/susanna-lakner-the-memory-of-the-city.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/susanna-lakner-the-memory-of-the-city.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/susanna-lakner-the-memory-of-the-city.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":7816,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/making-faces-marcia-pitch\/","url_meta":{"origin":1211,"position":5},"title":"Making Faces – Marcia Pitch","author":"Christopher Byrne","date":"25 January 2019","format":"gallery","excerpt":"FROM KOLAJ #24 Vancouver artist Marcia Pitch\u2019s Four Hundred Collaged Faces on Round Wooden Disks Vancouver artist Marcia Pitch works from a realm of the grotesque. Through her collages and a process based in materiality, Pitch creates a world of disquieting anomalies: animalistic personae populate the walls and question the\u2026","rel":"","context":"In "Articles"","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/making-faces-1a.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/making-faces-1a.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/making-faces-1a.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/making-faces-1a.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/1211","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=1211"}],"version-history":[{"count":0,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/1211\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/1212"}],"wp:attachment":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=1211"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=1211"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=1211"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}