{"id":12228,"date":"2022-03-02T12:15:22","date_gmt":"2022-03-02T17:15:22","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=12228"},"modified":"2022-03-02T12:15:22","modified_gmt":"2022-03-02T17:15:22","slug":"matisse-life-spirit","status":"publish","type":"post","link":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/matisse-life-spirit\/","title":{"rendered":"Matisse: Life &#038; Spirit"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"700\" height=\"440\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/henri-matisse-polynesia-the-sky.jpg\" alt=\"\" class=\"wp-image-12229\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/henri-matisse-polynesia-the-sky.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/henri-matisse-polynesia-the-sky-600x377.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/henri-matisse-polynesia-the-sky-300x189.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/henri-matisse-polynesia-the-sky-260x163.jpg 260w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption><em>Polynesia, The Sky (Polyn\u00e9sie, le ciel)<\/em> by Henri Matisse<br>78.7&#8243;x123.6&#8243;; gouache on paper, cut and pasted, mounted on canvas; 1946. Centre Pompidou, Paris, MNAM-CCI, from Mobilier national et Manufactures des Gobelins, de Beauvais et de la Savonnerie since 1975 AM 1975-DEP 13. \u00a9 Succession H Matisse\/Copyright Agency 2021. Photo: \u00a9 Centre Pompidou, MNAM-CCI \/ Bertrand Pr\u00e9vost \/ Dist RMN-GP<\/figcaption><\/figure>\n\n\n\n<p>COLLAGE ON VIEW<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Matisse: Life &amp; Spirit, Masterpieces from the Centre Pompidou, Paris<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">at the Art Gallery of New South Wales in Sydney, New South Wales, Australia<br>20 November 2021-13 March 2022<\/h3>\n\n\n\n<p>This exhibition, exclusive to the Art Gallery of New South Wales, offers an extraordinary immersion in the range and depth of the art of Henri Matisse (1869\u20131954). Developed in collaboration with the Centre Pompidou in Paris, which holds an exceptional collection of works by the artist, &#8220;Matisse: Life &amp; Spirit, Masterpieces from the Centre Pompidou, Paris&#8221; is the greatest single exhibition of Matisse masterworks ever to be seen in Sydney.<\/p>\n\n\n\n<p>Reaching from his early adventures in colour as a fauvist through to the serene and distilled designs for his chapel in Vence, the exhibition follows Matisse\u2019s search across six decades. Through paintings, drawings, sculptures and his cut-outs, it reveals how Matisse renewed his vision time and again across his long career, seeking new ways of celebrating the seen world and expressing the energy he felt in it.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"700\" height=\"908\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/henri-matisse-blue-nude-ii.jpg\" alt=\"\" class=\"wp-image-12230\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/henri-matisse-blue-nude-ii.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/henri-matisse-blue-nude-ii-600x778.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/henri-matisse-blue-nude-ii-300x389.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/henri-matisse-blue-nude-ii-260x337.jpg 260w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><\/figure>\n\n\n\n<p><em>Blue Nude II (Nu bleu II)<\/em> by Henri Matisse<br>50&#8243;x34&#8243;; gouache on paper, cut and pasted on paper, mounted on canvas; 1952. Centre Pompidou, Paris, MNAM-CCI, purchased 1984 AM 1984-276. \u00a9 Succession H Matisse\/Copyright Agency 2021. Photo: \u00a9 Centre Pompidou, MNAM-CCI \/ Service de la documentation photographique du MNAM \/ Dist RMN-GP<\/p>\n\n\n\n<p>Highlights include the especially important early work <em>Le Luxe I <\/em>(1907); the mid-career masterpiece <em>Decorative figure on an ornamental ground<\/em> (1925); and the majestic self-portrait <em>The sorrow of the king<\/em> (1952), one of the largest of the famous cut-outs that the artist created in his late career.<\/p>\n\n\n\n<p><em>(Text adapted from materials provided by the gallery.)<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><strong>INFORMATION<\/strong><\/p>\n\n\n\n<p><strong>Art Gallery of New South Wales<\/strong><br>Art Gallery Road<br>The Domain<br>Sydney, New South Wales 2000 Australia<br>+61 800 679 278<\/p>\n\n\n\n<p>Hours:<br>Daily, 10AM-5PM<\/p>\n\n\n\n<p><a href=\"https:\/\/goo.gl\/maps\/C2VZjjYWMa6WEqVA6\" target=\"_blank\" rel=\"noreferrer noopener\">MAP<\/a> | <a href=\"https:\/\/www.artgallery.nsw.gov.au\/\" target=\"_blank\" rel=\"noreferrer noopener\">WEBSITE<\/a> | <a href=\"https:\/\/www.facebook.com\/ArtGalleryofNSW\" target=\"_blank\" rel=\"noreferrer noopener\">FACEBOOK<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>COLLAGE ON VIEW Matisse: Life &amp; Spirit, Masterpieces from the Centre Pompidou, Paris at the Art Gallery of New South Wales in Sydney, New South Wales, Australia20 November 2021-13 March 2022 This exhibition, exclusive to the Art Gallery of New&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/matisse-life-spirit\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":12229,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/henri-matisse-polynesia-the-sky.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-3be","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":2939,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/matisse-cut-outs-tate-modern\/","url_meta":{"origin":12228,"position":0},"title":"Matisse: The Cut-Outs at Tate Modern","author":"Christopher Byrne","date":"18 May 2014","format":"gallery","excerpt":"17 April-7 September 2014 Henri Matisse: The Cut-Outs \"Henri Matisse: The Cut-Outs\" is the most comprehensive exhibition ever devoted to the artist\u2019s paper cut-outs made between 1937 and 1954. It brings together around 130 works, many seen together for the first time, in a groundbreaking reassessment of Matisse\u2019s colourful and\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/The-Snail-by-Henri-Matisse.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/The-Snail-by-Henri-Matisse.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/The-Snail-by-Henri-Matisse.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":1791,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/matisse-cutting-into-colour\/","url_meta":{"origin":12228,"position":1},"title":"Matisse: Cutting Into Colour","author":"Christopher Byrne","date":"8 May 2013","format":"gallery","excerpt":"3 March-9 June 2013 Matisse: Cutting Into Colour at Mus\u00e9e d\u00e9partemental Matisse The family of Henri Matisse (1869-1954) donated 443 gouache paper cutouts that Matisse never used in his work to the Matisse Museum in the town of his birth. These cutouts were made between 1943 (when he began Jazz)\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Matisse.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Matisse.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Matisse.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Matisse.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":1436,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/kurt-schwitters-at-tate-britain\/","url_meta":{"origin":12228,"position":2},"title":"Kurt Schwitters at Tate Britain","author":"Christopher Byrne","date":"1 March 2013","format":"gallery","excerpt":"20 January-12 May 2013 \u201cSchwitters in Britain\u201d examines the late work of Kurt Schwitters (1887-1948), one of the major artists of European Modernism. Schwitters was also important in the Dada movement and was the creator of his own form of Dada, \u201cMerz\u201d. The exhibition focuses on his British period, from\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/id_0791_0-web.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":4031,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/annie-descoteaux\/","url_meta":{"origin":12228,"position":3},"title":"Annie Desc\u00f4teaux","author":"Christopher Byrne","date":"28 August 2015","format":"gallery","excerpt":"Artist Portfolio: Annie Desc\u00f4teaux A portfolio of Annie Desc\u00f4teaux's work appears in KOLAJ #13. \"It\u2019s impossible to see cutouts without thinking of Matisse, but it is rare to see them done with the fresh and contemporary approach that Annie Desc\u00f4teaux has developed,\" writes Ariane Fairlie. \"Playfulness exists throughout Descoteaux\u2019s collage,\u2026","rel":"","context":"In &quot;Ariane Fairlie&quot;","block_context":{"text":"Ariane Fairlie","link":"https:\/\/kolajmagazine.com\/content\/category\/ariane-fairlie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/AD_02.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/AD_02.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/AD_02.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/AD_02.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":5030,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/variations-on-self-nisa-touchon-fine-art-santa-fe\/","url_meta":{"origin":12228,"position":4},"title":"Variations on Self at Nisa Touchon Fine Art","author":"Christopher Byrne","date":"10 July 2016","format":"gallery","excerpt":"\"Variations on Self--Self Portraiture and Collage\": Ginnie Gardiner 15-30 July 2016 Opening Reception: 15 July, 5-7PM \"Variations on Self\" presents Ginnie\u00a0Gardiner's exploratory process of collage making, that culminates in oil paintings on canvas, through an extensive group of small self portrait collage studies and a few of the resultant paintings.\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/ginnie-gardiner-study-for-spectator.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/ginnie-gardiner-study-for-spectator.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/ginnie-gardiner-study-for-spectator.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/ginnie-gardiner-study-for-spectator.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":10610,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/a-short-long-history\/","url_meta":{"origin":12228,"position":5},"title":"A Short Long History","author":"Christopher Byrne","date":"25 January 2021","format":"gallery","excerpt":"Promenade dans l\u2019inconscient (installation view) by Anna Boghiguian2016. Image by Dirk Pauwels. Courtesy of the artist and S.M.A.K. COLLAGE ON VIEW Anna Boghiguian: A Short Long History at S.M.A.K. in Ghent, Belgium31 October 2020-2 May 2021 In her exhibition for S.M.A.K., Anna Boghiguian traces the history of the global cotton\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/anna-boghiguian_A-Short-Long-History_Installation-viewjpg.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/anna-boghiguian_A-Short-Long-History_Installation-viewjpg.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/anna-boghiguian_A-Short-Long-History_Installation-viewjpg.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/anna-boghiguian_A-Short-Long-History_Installation-viewjpg.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/12228"}],"collection":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=12228"}],"version-history":[{"count":0,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/12228\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/12229"}],"wp:attachment":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=12228"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=12228"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=12228"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}