{"id":13301,"date":"2023-01-26T04:08:00","date_gmt":"2023-01-26T09:08:00","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=13301"},"modified":"2022-11-15T16:27:27","modified_gmt":"2022-11-15T21:27:27","slug":"commentaries-in-cloth","status":"publish","type":"post","link":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/commentaries-in-cloth\/","title":{"rendered":"Commentaries in Cloth"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"700\" height=\"700\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Pixeladies-language-of-color-9.jpg\" alt=\"\" class=\"wp-image-13302\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Pixeladies-language-of-color-9.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Pixeladies-language-of-color-9-600x600.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Pixeladies-language-of-color-9-300x300.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Pixeladies-language-of-color-9-260x260.jpg 260w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption><em>Language of Color 9: Color Dissonance<\/em> by Pixeladies<br>30&#8243;x30&#8243;; collaged newspaper\/magazine clippings digitally printed on fabric, machine quilted; 2016. Courtesy of the artists.<\/figcaption><\/figure>\n\n\n\n<p>COLLAGE ON VIEW<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Commentaries on Cloth<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">at the Gallery at 48 Natoma in Folsom, California, USA<br>27 January-6 April 2023<\/h3>\n\n\n\n<p>There is more to contemporary quilting than your grandmother knew. Many fiber artists use a myriad of techniques to convey thought provoking messages. \u201cCommentaries in Cloth\u201d featuring quilts by the Pixeladies and sculpture by Susan Else .<\/p>\n\n\n\n<p>The Pixeladies, Deb Cashatt and Kris Sazaki, have been collaborating since 2003. \u201cWe love language and word forms. Combining that love with a strong sense of social justice drives us to make art out of headlines,\u201d the two artist say about their work. After cutting and pasting words and phrases from a wide array of publications, they collage them to form everyday objects or people. They then scan the collages into the computer and have the final version printed onto fabric. The resulting whole-cloth quilt is densely quilted by machine or by hand.<\/p>\n\n\n\n<p>Their studio is located in Cameron Park, California, where they have dedicated studio days for the construction of their artwork. They also spend a lot of time in front of the computer, collaborating online and preparing their designs for printing. Their work has been widely published and exhibited nationally and internationally, including Canada, Japan, and South Africa.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"700\" height=\"980\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/susan-else-crossing_points_detail.jpg\" alt=\"\" class=\"wp-image-13303\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/susan-else-crossing_points_detail.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/susan-else-crossing_points_detail-600x840.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/susan-else-crossing_points_detail-300x420.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/susan-else-crossing_points_detail-260x364.jpg 260w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption><em>Crossing Points<\/em> (detail) by Susan Else<br>47&#8243;x47&#8243;x12.5&#8243;; collaged and quilted cloth over armature; 2015. Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n<p>Susan Else describes her work as &#8220;stealth art&#8221;: the comfortable ambiance of sewn cloth draws viewers in, where they are confronted with the uncomfortable paradoxes of contemporary life. Her work is part of the art quilt movement, but she is one of the few artists making figurative sculpture&#8211;often incorporating sound, light, and movement&#8211;from this medium. \u201cI use vibrant cloth to create an alternate universe, and the resulting work is whimsical, edgy, mundane, surreal, and engaging, all at once,\u201d explains Else. The power and beauty of the collaged and quilted surface play off the form and narrative content of the work, resulting in a dynamic seesaw of meanings and possibilities. \u201cMy sculpture often incorporates cloth-covered bones, a powerful symbol evoking both human mortality and human history. I am interested in daily life and its instant mutability, and my best work conflates conflicting human impulses into a single image.&#8221;<\/p>\n\n\n\n<p><em>(text adapted from materials provided by the gallery)<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">INFORMATION<\/h3>\n\n\n\n<p><strong>Gallery at 48 Natoma<\/strong><br>48 Natoma Street<br>Folsom, California 95630 USA<br>(916) 461-66-1<\/p>\n\n\n\n<p><strong>Hours:<\/strong><br>Monday, Wednesday, Friday, 9AM-4:30PM<br>Tuesday, Thursday, 9AM-4:30PM and 6-8PM<\/p>\n\n\n\n<p><a href=\"https:\/\/goo.gl\/maps\/8Ti6mbTrPf4KBgnM8\" target=\"_blank\" rel=\"noreferrer noopener\">MAP<\/a>\u00a0|\u00a0<a href=\"https:\/\/www.folsom.ca.us\/government\/parks-recreation\/facilities\/gallery-at-48-natoma\" target=\"_blank\" rel=\"noreferrer noopener\">WEBSITE<\/a>\u00a0|\u00a0<a href=\"https:\/\/www.facebook.com\/Galleryat48Natoma\/\" target=\"_blank\" rel=\"noreferrer noopener\">FACEBOOK<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>COLLAGE ON VIEW Commentaries on Cloth at the Gallery at 48 Natoma in Folsom, California, USA27 January-6 April 2023 There is more to contemporary quilting than your grandmother knew. Many fiber artists use a myriad of techniques to convey thought&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/commentaries-in-cloth\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":13302,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Pixeladies-language-of-color-9.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-3sx","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":10864,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/constellation-2\/","url_meta":{"origin":13301,"position":0},"title":"Constellation","author":"Christopher Byrne","date":"12 March 2021","format":"gallery","excerpt":"She Smelled Roses by Carol Reid White11\"x9\"; collage; 2021. Courtesy of the artist. COLLAGE ON VIEW Constellation at LHQ Gallery in Cork, Ireland10 March-31 December 2021Online only: View the exhibition HERE For its first virtual exhibition of 2021, LHQ Gallery presents \"Constellation\", an exhibition by artists Carol Reid White and\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/carol-white-she-smelled-roses-web.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/carol-white-she-smelled-roses-web.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/carol-white-she-smelled-roses-web.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/carol-white-she-smelled-roses-web.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":6820,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/face-forward\/","url_meta":{"origin":13301,"position":1},"title":"Face Forward","author":"Christopher Byrne","date":"23 April 2018","format":"gallery","excerpt":"COLLAGE ON VIEW Face Forward: Self-Image & Self-Worth at the Richmond Art Center in Richmond, California, USA 27 March-19 May 2018 The group exhibition, \"Face Forward: Self-Image & Self-Worth\", includes artists working across many platforms to address issues of identity, race, gender, status and societal values. Painting, photography, sculpture, collage,\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/vanessa-woods-invisible-25.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/vanessa-woods-invisible-25.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/vanessa-woods-invisible-25.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":11056,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/the-fragmented-figure\/","url_meta":{"origin":13301,"position":2},"title":"The Fragmented Figure","author":"Christopher Byrne","date":"20 May 2021","format":"gallery","excerpt":"March 24, 2021 by Najeebah Al-Ghadban12\"x9\"; collage with petals; 2021. Courtesy of the artist. COLLAGE ON VIEW The Fragmented Figure at Transmitter in Brooklyn, New York, USA15 May-27 June 2021 \"The Fragmented Figure\" features new collages by Najeebah Al-Ghadban, Trevor Davis, and James Gallagher. Homebound and removed from the regular\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/najeebah-alghadban-2021-03-24.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/najeebah-alghadban-2021-03-24.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/najeebah-alghadban-2021-03-24.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/najeebah-alghadban-2021-03-24.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":5565,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/frieze-art-fair\/","url_meta":{"origin":13301,"position":3},"title":"Frieze Art Fair","author":"Christopher Byrne","date":"6 February 2017","format":"gallery","excerpt":"COLLAGE SCENE Collage at London\u2019s Largest Art Fair \"Throughout 2016 Frieze London in leafy Regent\u2019s Park, there were few, randomly scattered, traditional collages in the vein of attached materials and images on flat surfaces,\" writes Etty Yaniv. Her full report on collage in the international art fair scene appears in\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/andrea-bowers-the-new-social-order.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/andrea-bowers-the-new-social-order.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/andrea-bowers-the-new-social-order.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/andrea-bowers-the-new-social-order.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":10356,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/homage-to-kept-cloth\/","url_meta":{"origin":13301,"position":4},"title":"Homage to Kept Cloth","author":"Christopher Byrne","date":"27 November 2020","format":"gallery","excerpt":"My Mother\u2019s Jacket ll\u00a0by Denise Zygadlo32.7\"x44.9\"; collage\/transfer print\/gouache on paper; 2020. Courtesy of the artist and Arusha Gallery COLLAGE ON VIEW Homage to Kept Cloth at Arusha Gallery in Edinburgh, Scotlandonline only Denise Zygadlo says about this work:It is my past--Clothes as our second skin are the closest to us,\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/denise-zygadlo-my-mothers-jacket-ii.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/denise-zygadlo-my-mothers-jacket-ii.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/denise-zygadlo-my-mothers-jacket-ii.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/denise-zygadlo-my-mothers-jacket-ii.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":5526,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/working-deep\/","url_meta":{"origin":13301,"position":5},"title":"Working Deep","author":"Christopher Byrne","date":"6 January 2017","format":"gallery","excerpt":"ARTIST PORTFOLIO Keith Maddy Boston, Massachusetts, USA Keith Maddy\u2019s collages are a wild ride. Many collage artists work flat and the fragments present themselves arranged on a plane; the occasional overlapping of paper may suggest depth or may simply edit the fragment being covered. Maddy works deep. He builds a\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Keith_Maddy-MOVING_STILL.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Keith_Maddy-MOVING_STILL.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Keith_Maddy-MOVING_STILL.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Keith_Maddy-MOVING_STILL.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/13301"}],"collection":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=13301"}],"version-history":[{"count":0,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/13301\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/13302"}],"wp:attachment":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=13301"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=13301"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=13301"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}