{"id":13476,"date":"2023-01-31T17:20:14","date_gmt":"2023-01-31T22:20:14","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=13476"},"modified":"2023-01-31T17:20:14","modified_gmt":"2023-01-31T22:20:14","slug":"cut","status":"publish","type":"post","link":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/cut\/","title":{"rendered":"CUT"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"1600\" height=\"1266\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/keith-maddy-Spring-Joy.jpeg\" alt=\"\" class=\"wp-image-13477\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/keith-maddy-Spring-Joy.jpeg 1600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/keith-maddy-Spring-Joy-600x475.jpeg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/keith-maddy-Spring-Joy-300x237.jpeg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/keith-maddy-Spring-Joy-768x608.jpeg 768w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/keith-maddy-Spring-Joy-1536x1215.jpeg 1536w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/keith-maddy-Spring-Joy-700x554.jpeg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/keith-maddy-Spring-Joy-260x206.jpeg 260w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/keith-maddy-Spring-Joy-1263x999.jpeg 1263w\" sizes=\"(max-width: 1600px) 100vw, 1600px\" \/><figcaption class=\"wp-element-caption\"><em>Spring Joy<\/em> by Keith Maddy<br>11.25&#8243;x13.125&#8243;; collage. Courtesy of the artist and Foley Gallery, New York<\/figcaption><\/figure>\n\n\n\n<p>COLLAGE ON VIEW<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">CUT: Bradley Castellanos, Keith Maddy, Billy Renkl<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">at Foley Gallery in New York, New York, USA<br>12 January-12 February 2023<\/h3>\n\n\n\n<p>&#8220;CUT&#8221;<em> <\/em>continues to explore and deepen the Foley Gallery&#8217;s interest in cut, painted, and manipulated paper.<\/p>\n\n\n\n<p>As a child, <strong>Keith Maddy&#8217;s<\/strong> love of coloring books offered an inner sanctuary of unfettered imagination where play, adventure, and the joy of coloring and mark-making were intertwined. As an artist, they provide endless source material for his collages. The collages source vintage Asian prints and folding screens as background environments,\u00a0 creating a playground of imaginary and dream-like landscapes where characters of all sorts, liberated from vintage childhood pages, now festively parade and co-mingle in a celebration of life. Dichotomies of East and West, old and new, high and low, merge seamlessly with animals, humans, and environments that are at once out of scale yet perfectly associated. These open-ended narratives embrace a child&#8217;s mind&#8217;s exuberance and magical world that can transform and cross barriers, have imaginary friends, and be anything or anyone: an astronaut, a cowboy, a ballerina, or a talking animal.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"700\" height=\"934\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/bradley-castellanos-fire-braider-48x38-web.jpg\" alt=\"\" class=\"wp-image-13478\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/bradley-castellanos-fire-braider-48x38-web.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/bradley-castellanos-fire-braider-48x38-web-600x801.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/bradley-castellanos-fire-braider-48x38-web-300x400.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/bradley-castellanos-fire-braider-48x38-web-260x347.jpg 260w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption class=\"wp-element-caption\"><em>Fire Braider<\/em> by Bradley Castellanos<br>48&#8243;x38&#8243;; oil, acrylic, and paper collage on paper; 2022. Courtesy of the artist and Foley Gallery, New York.<\/figcaption><\/figure>\n\n\n\n<p><strong>Bradley Castellanos&#8217;<\/strong> work captures the feeling of coming upon the mysterious and unexplainable. Paintings and works on paper depart from the real world by transcending memories of experience into fantastical colors and gestures. Surreal landscapes and supernatural, magical beings are conduits of art and creation, metaphors of the creative process. They are artists, healers, and mediums attempting to harness, explore, process, digest, and transcend a wild and unpredictable world.\u00a0<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"700\" height=\"896\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/billy-renkl-groundcover-7.jpg\" alt=\"\" class=\"wp-image-13479\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/billy-renkl-groundcover-7.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/billy-renkl-groundcover-7-600x768.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/billy-renkl-groundcover-7-300x384.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/billy-renkl-groundcover-7-260x333.jpg 260w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption class=\"wp-element-caption\"><em>Groundcover #7: Paraguay to Argentina, 1945<\/em> by Billy Renkl<br>6&#8243;x4.75&#8243;; collage and watercolor on found envelope with rubber stamp; 2018. Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n<p><strong>Billy Renkl<\/strong>&#8216;s series, &#8220;Groundcover&#8221;, continues his love affair with found paper and how it begins to tell a story of its history that can interplay with contemporary thought. Specifically, the series title refers to the analog spread of ideas via the postal service, beautifully suited to that task, and to the way that a letter covers ground; there is also a reference to the fact that stamp collectors identify an envelope as a &#8220;cover.&#8221; Vintage European correspondence envelopes create a fertile ground for cut silhouettes of monochromatic flora, potted and placed, giving this &#8220;cover&#8221; a new destination.<\/p>\n\n\n\n<p><em>(text adapted from material provided by the gallery)<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><strong>INFORMATION<\/strong><\/p>\n\n\n\n<p><strong>Foley Gallery<\/strong><br>59 Orchard Street<br>New York, New York 10002 USA<br>(212) 244-9081<\/p>\n\n\n\n<p>Hours:<br>Wednesday-Sunday, Noon-5:30PM<\/p>\n\n\n\n<p><a href=\"https:\/\/goo.gl\/maps\/5xekBzNr89RjFXTq7\" target=\"_blank\" rel=\"noreferrer noopener\">MAP<\/a> | <a href=\"http:\/\/www.foleygallery.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">WEBSITE<\/a> | <a href=\"http:\/\/www.facebook.com\/foleygallery\" target=\"_blank\" rel=\"noreferrer noopener\">FACEBOOK<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>COLLAGE ON VIEW CUT: Bradley Castellanos, Keith Maddy, Billy Renkl at Foley Gallery in New York, New York, USA12 January-12 February 2023 &#8220;CUT&#8221; continues to explore and deepen the Foley Gallery&#8217;s interest in cut, painted, and manipulated paper. As a&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/cut\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":13477,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/keith-maddy-Spring-Joy.jpeg","jetpack_shortlink":"https:\/\/wp.me\/s2QTD7-cut","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":12824,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/inner-flight\/","url_meta":{"origin":13476,"position":0},"title":"Inner Flight","author":"Christopher Byrne","date":"4 July 2022","format":"gallery","excerpt":"My Mind's Eye by Keith Maddy18.75\"x23.75\"; hand-cut and pasted vintage printed paper on archival paper; 2019. Courtesy of the artist. COLLAGE ON VIEW Keith Maddy: Inner Flight at Howard Yezerski Gallery in Boston, Massachusetts, USA24 June-30 July 2022 \"Inner Flight\" is a solo exhibition of collage work by Keith Maddy.\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/keith-maddy-My_Minds_Eye.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/keith-maddy-My_Minds_Eye.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/keith-maddy-My_Minds_Eye.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/keith-maddy-My_Minds_Eye.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":9839,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/four-of-a-kind\/","url_meta":{"origin":13476,"position":1},"title":"Four of a Kind","author":"Christopher Byrne","date":"1 July 2020","format":"gallery","excerpt":"6AM: Birdsong at Dawn (detail) by Billy Renkl35\"x25\"; antique French wallpaper and Plexiglas construction with collage on painted ground on board; 2017. Courtesy of the artist. COLLAGE ON VIEW Four of a Kind at Foley Gallery in New York, New York, USA20 May-28 June 2020online at Foley Gallery's Artsy pageindefinitely\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/billy-renkl-birdsong-detail.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/billy-renkl-birdsong-detail.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/billy-renkl-birdsong-detail.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/billy-renkl-birdsong-detail.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":3003,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/collage-new-york-art-fairs-2014\/","url_meta":{"origin":13476,"position":2},"title":"Collage at the New York Art Fairs","author":"Christopher Byrne","date":"7 June 2014","format":"gallery","excerpt":"In March 2014, Kolaj contributor Claudia Eve Beauchesne went to the New York art fairs. She visited VOLTA NY, The Armory Show, and the Independent Art Fair and brought us back a report on the fairs' collage offerings. In\u00a0Issue Eight, Beauchesne reports on work by Casey Ruble at Foley Gallery\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Motel-by-Casey-Ruble-at-2014-NY-Art-Fairs-Volta.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Motel-by-Casey-Ruble-at-2014-NY-Art-Fairs-Volta.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Motel-by-Casey-Ruble-at-2014-NY-Art-Fairs-Volta.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Motel-by-Casey-Ruble-at-2014-NY-Art-Fairs-Volta.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":13790,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/story-lines\/","url_meta":{"origin":13476,"position":3},"title":"Story Lines","author":"Christopher Byrne","date":"5 May 2023","format":"gallery","excerpt":"Child's Play by Keith Maddy11\u201dx11\u201d, hand-cut and pasted vintage printed paper on archival paper, 2016. Courtesy of the artist. COLLAGE ON VIEW Keith Maddy: Story Lines at The Mayor's Art Gallery in Boston, Massachusetts, USA18 April-30 May 2023 Keith Maddy writes about the work in \"Story Lines\": As a child,\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/keith-maddy-childs-play.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/keith-maddy-childs-play.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/keith-maddy-childs-play.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/keith-maddy-childs-play.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":9967,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/analog\/","url_meta":{"origin":13476,"position":4},"title":"Analog","author":"Christopher Byrne","date":"6 August 2020","format":"gallery","excerpt":"Letter from a Friend by Mark Watkinshand-cut paper collage. Courtesy of the artist. COLLAGE ON VIEW Analog: Exhibition of Contemporary Collage at Tarpey Gallery in Castle Donnington, Derby, United Kingdom8 August-13 September 2020 \"Analog \u2013 An Exhibition of Contemporary Collage\" features work by six UK-based collage artists. Mark Watkins, Rhed\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/mark-watkins-letter-from-a-friend-web.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/mark-watkins-letter-from-a-friend-web.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/mark-watkins-letter-from-a-friend-web.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/mark-watkins-letter-from-a-friend-web.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":5526,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/working-deep\/","url_meta":{"origin":13476,"position":5},"title":"Working Deep","author":"Christopher Byrne","date":"6 January 2017","format":"gallery","excerpt":"ARTIST PORTFOLIO Keith Maddy Boston, Massachusetts, USA Keith Maddy\u2019s collages are a wild ride. Many collage artists work flat and the fragments present themselves arranged on a plane; the occasional overlapping of paper may suggest depth or may simply edit the fragment being covered. Maddy works deep. He builds a\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Keith_Maddy-MOVING_STILL.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Keith_Maddy-MOVING_STILL.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Keith_Maddy-MOVING_STILL.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Keith_Maddy-MOVING_STILL.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/13476"}],"collection":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=13476"}],"version-history":[{"count":0,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/13476\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/13477"}],"wp:attachment":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=13476"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=13476"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=13476"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}