{"id":14474,"date":"2023-10-20T17:51:43","date_gmt":"2023-10-20T21:51:43","guid":{"rendered":"https:\/\/kolajmagazine.com\/content\/?p=14474"},"modified":"2023-10-20T17:59:03","modified_gmt":"2023-10-20T21:59:03","slug":"open-house-in-the-memory-palace","status":"publish","type":"post","link":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/open-house-in-the-memory-palace\/","title":{"rendered":"Open House in the Memory Palace"},"content":{"rendered":"\n
\"\"
Scaffold with Echoes<\/em> by Jacqueline Dee Parker
50″x41.5″; vintage paper, acrylic and graphite on canvas; 2023. Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n

COLLAGE ON VIEW<\/p>\n\n\n\n

Jacqueline Dee Parker: Open House in the Memory Palace<\/h2>\n\n\n\n

at the Baton Rouge Gallery in Baton Rouge, Louisiana, USA
3-26 October 2023<\/h3>\n\n\n\n

Jacqueline Dee Parker writes<\/em>:
Building a memory palace is a way of recalling what one wishes not to forget. In the context of my work, it serves as a metaphor for interrogation of remembered spaces. As Gaston Bachelard explains in The Poetics of Space<\/em>, an inhabited space transcends its geometrical constraints, becoming a container in which past, present and future may collectively reside. Such an inclusive and emotional sense of space has long informed my practice. Source materials include antique and vintage papers from music, literature and other ephemera. These chosen fragments of lived experience reference a personal lineage as well as my esteem for the analog culture that is rapidly dematerializing from all human life.<\/p>\n\n\n\n

\"\"
Timepiece (Different Ways to Fill a Measure) <\/em>by Jacqueline Dee Parker
30″ diameter; vintage paper, acrylic and graphite on canvas; 2023. Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n

(text adapted from material provided by the artist)<\/em><\/p>\n\n\n\n

\n\n\n\n

INFORMATION<\/strong><\/p>\n\n\n\n

Baton Rouge Gallery<\/strong>
1515 Dalrymple Drive
Baton Rouge, Louisiana 70808 USA
(225) 383-1470<\/p>\n\n\n\n

Hours:
Tuesday-Sunday, Noon-4PM<\/p>\n\n\n\n

MAP<\/a> | WEBSITE<\/a> | FACEBOOK<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

COLLAGE ON VIEW Jacqueline Dee Parker: Open House in the Memory Palace at the Baton Rouge Gallery in Baton Rouge, Louisiana, USA3-26 October 2023 Jacqueline Dee Parker writes:Building a memory palace is a way of recalling what one wishes not…<\/p>\n

Read more →<\/a><\/p>\n","protected":false},"author":6,"featured_media":14475,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/jacqueline-dee-parker-scaffold-with-echoes.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-3Ls","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":18029,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/the-keeping-room\/","url_meta":{"origin":14474,"position":0},"title":"The Keeping Room","author":"Seth Ter Haar","date":"21 March 2026","format":"gallery","excerpt":"Ensemble by Jacqueline Dee Parker20\"x20\"; vintage paper and acrylic on canvas; Courtesy of the artist. COLLAGE ON VIEW Jacqueline Dee Parker: The Keeping Room at Baton Rouge Gallery in Baton Rouge, Louisiana USA 27 February-24 March 2026 Jacqueline Dee Parker is inspired by ancient Greek pottery because it feels profoundly\u2026","rel":"","context":"In "Exhibitions"","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Jacqueline-Dee-Parker-Ensemble-Web.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Jacqueline-Dee-Parker-Ensemble-Web.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Jacqueline-Dee-Parker-Ensemble-Web.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Jacqueline-Dee-Parker-Ensemble-Web.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":5485,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/heaps-of-texture-tonal-and-subtle\/","url_meta":{"origin":14474,"position":1},"title":"Heaps of Texture, Tonal and Subtle","author":"Christopher Byrne","date":"28 December 2016","format":"gallery","excerpt":"ARTIST PORTFOLIO Jacqueline Dee Parker Baton Rouge, Louisiana, USA Jacqueline Dee Parker\u2019s collages are heaps of texture, tonal and subtle but they are worlds unto themselves. A poet of critical standing\u2014-her work has been nominated for a Pushcart Prize\u2014-Parker brings a certain sensitivity for language to her collage work and\u2026","rel":"","context":"In "Articles"","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Aubade-by-Jacqueline-Dee-Parker.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Aubade-by-Jacqueline-Dee-Parker.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Aubade-by-Jacqueline-Dee-Parker.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Aubade-by-Jacqueline-Dee-Parker.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":15371,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/a-geometry-of-hours\/","url_meta":{"origin":14474,"position":2},"title":"A Geometry of Hours","author":"Christopher Byrne","date":"5 June 2024","format":"gallery","excerpt":"Timepiece (Geometry of Hours) by Jacqueline Dee Parker20\" diameter; vintage paper and acrylic on wood panel. Courtesy of the artist. COLLAGE ON VIEW Jacqueline Dee Parker: A Geometry of Hours at Isabella Valise\/Devin Borden in Houston, Texas, USA6 April-30 June 2024 \u201cA Geometry of Hours\u201d includes two installations of Jacqueline\u2026","rel":"","context":"In "Exhibitions"","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jacqueline-dee-parker-timepiece-geometry-of-hours.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jacqueline-dee-parker-timepiece-geometry-of-hours.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jacqueline-dee-parker-timepiece-geometry-of-hours.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jacqueline-dee-parker-timepiece-geometry-of-hours.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":6697,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/any-instant-is-the-cosmos\/","url_meta":{"origin":14474,"position":3},"title":"Any Instant Is the Cosmos","author":"Christopher Byrne","date":"16 March 2018","format":"gallery","excerpt":"COLLAGE ON VIEW Jacqueline Dee Parker: \"Any Instant Is the Cosmos\" at the Baton Rouge Gallery in Louisiana, USA 4-29 March 2018 In \"Any Instant Is the Cosmos\", Jacqueline Dee Parker continues to utilize collage techniques to explore how \"fragments of lived experience stir memory and associations, and offer the\u2026","rel":"","context":"In "Exhibitions"","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jacqueline-dee-parker-blue-in-a-red-state.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jacqueline-dee-parker-blue-in-a-red-state.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jacqueline-dee-parker-blue-in-a-red-state.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jacqueline-dee-parker-blue-in-a-red-state.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":5942,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/text-image\/","url_meta":{"origin":14474,"position":4},"title":"Text & Image","author":"Christopher Byrne","date":"12 June 2017","format":"gallery","excerpt":"Text & Image 16 June-16 July 2017 \u201cText & Image\u201d highlights the complex interplay of visual art and language, seeking to at once blur and clarify the commonly held distinction between the two. A central aspect of modernity seems to be informational, bordering on sensory overload. We are subjected to\u2026","rel":"","context":"In "Exhibitions"","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/laurie-kanyer-balance-does-it.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/laurie-kanyer-balance-does-it.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/laurie-kanyer-balance-does-it.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/laurie-kanyer-balance-does-it.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":5651,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/cut-and-paste-contemporary-collage\/","url_meta":{"origin":14474,"position":5},"title":"Cut and Paste: Contemporary Collage","author":"Christopher Byrne","date":"1 March 2017","format":"gallery","excerpt":"Cut and Paste: Contemporary Collage 25 February-19 March 2017 Collage was born of an upended reality. Kurt Schwitters, the Dadaists, Josef Albers and many others tried to undermine the rationalism and inhumanity they believed caused World War I and the following social breakdown. 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