{"id":14536,"date":"2023-10-23T17:29:07","date_gmt":"2023-10-23T21:29:07","guid":{"rendered":"https:\/\/kolajmagazine.com\/content\/?p=14536"},"modified":"2023-10-23T17:29:07","modified_gmt":"2023-10-23T21:29:07","slug":"altered-logistics","status":"publish","type":"post","link":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/altered-logistics\/","title":{"rendered":"Altered Logistics"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"700\" height=\"525\" src=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/alvaro-naddeo-quantum-computing.jpg\" alt=\"\" class=\"wp-image-14537\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/alvaro-naddeo-quantum-computing.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/alvaro-naddeo-quantum-computing-600x450.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/alvaro-naddeo-quantum-computing-300x225.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/alvaro-naddeo-quantum-computing-260x195.jpg 260w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption class=\"wp-element-caption\"><em>Quantum Entanglement Computing<\/em> by Alvaro Naddeo<br>15&#8243;x20&#8243;; watercolor on paper; 2023. Courtesy of the artist<\/figcaption><\/figure>\n\n\n\n<p>COLLAGE ON VIEW<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Altered Logistics: Contemporary Collage and Appropriation Art<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">at the Dowd Gallery at the SUNY Cortland in Cortland, New York, USA<br>30 October-8 December 2023<\/h3>\n\n\n\n<p>For &#8220;Altered Logistics&#8221;, Maximo Tuja (The Weird Show) and D. Dominick Lombardi selected over 50 artists to represent a multinational overview of the state and the influence of collage in Contemporary Art. In thinking about the selection process, Lombardi primarily chose art and artists that push both the boundaries of what one sees as the theory of collage, while still maintaining a clear link to the basis of the genre. What is collage but an open, and at times random process built on the assembly of discordant pieces&#8211;a method of creatively juxtaposing visual elements that can be applied to all forms of expression from two dimensional art to filmmaking. For Lombardi, he looks for works of art that apply a fresh way of thinking and applying the &#8220;collective&#8221; theory of collage or assemblage, especially the types of images or narratives that seep through the filter of unconscious aesthetics in profound ways.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"700\" height=\"409\" src=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/susana-blasco-lapsus.jpg\" alt=\"\" class=\"wp-image-14538\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/susana-blasco-lapsus.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/susana-blasco-lapsus-600x351.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/susana-blasco-lapsus-300x175.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/susana-blasco-lapsus-260x152.jpg 260w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption class=\"wp-element-caption\"><em>Lapsus<\/em> by Susana Blasco<br>7.75&#8243;x13&#8243;; paper collage; 2023. Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n<p>As Maximo Tuja understands it, collage is already much more than an artistic technique. In our present society, collage has long been embraced as a means of engaging with reality. From memes and social media feeds to music production, fashion, and even our own identities&#8211;which often comprise a blend of diverse elements drawn from various contexts&#8211;the collage mindset subtly permeates our lives. However, within the realm of art, definitions tend to resist change, and the concept of collage appears to be anchored in its past, predominantly associated with its glorious revolutionary beginnings.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"700\" height=\"1121\" src=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/miko-homburg-the-spaces-in-between.jpg\" alt=\"\" class=\"wp-image-14539\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/miko-homburg-the-spaces-in-between.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/miko-homburg-the-spaces-in-between-600x961.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/miko-homburg-the-spaces-in-between-300x480.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/miko-homburg-the-spaces-in-between-624x999.jpg 624w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/miko-homburg-the-spaces-in-between-260x416.jpg 260w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption class=\"wp-element-caption\"><em>The Spaces In Between<\/em> by Miko Hornborg<br>13.75&#8243;x8.5&#8243;; paper collage; 2023. Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n<p>In contemporary art, collage extends far beyond its historical context. When selecting artists for exhibitions or projects, Tuja explores the boundaries of collage as a medium, seeking its connections with other artistic practices that embrace the notions of appropriation and recontextualization, paying little attention to rigid labels and traditions. He is always drawn to that which lacks a definitive name and to the areas where definitions remain elastic and practice precedes discourse.<\/p>\n\n\n\n<p><em>(text adapted from the essay &#8220;Altered Logistics: Contemporary Collage and Appropriation Art&#8221; by D. Dominick Lombardi and Maximo Tuja. Courtesy of the authors.)<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><strong>INFORMATION<\/strong><\/p>\n\n\n\n<p><strong>Dowd Gallery<\/strong><br>106 Dowd Fine Arts Center<br>48 Graham Avenue<br>Cortland, New York 13045<br>(607) 753-4216<\/p>\n\n\n\n<p>Hours:<br>Monday-Wednesday, 10AM-5:30PM<br>Thursday, 10AM-7PM<br>Friday, 10AM-5:30PM<\/p>\n\n\n\n<p><a rel=\"noreferrer noopener\" href=\"https:\/\/maps.app.goo.gl\/TtRDPwBwFSoCyovY9\" target=\"_blank\">MAP<\/a> | <a rel=\"noreferrer noopener\" href=\"https:\/\/www2.cortland.edu\/departments\/art\/dowd-gallery\/\" target=\"_blank\">WEBSITE<\/a> | <a href=\"https:\/\/www.facebook.com\/DowdGallery\" target=\"_blank\" rel=\"noreferrer noopener\">FACEBOOK<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>COLLAGE ON VIEW Altered Logistics: Contemporary Collage and Appropriation Art at the Dowd Gallery at the SUNY Cortland in Cortland, New York, USA30 October-8 December 2023 For &#8220;Altered Logistics&#8221;, Maximo Tuja (The Weird Show) and D. Dominick Lombardi selected over&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/altered-logistics\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":14537,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/alvaro-naddeo-quantum-computing.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-3Ms","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":3290,"url":"https:\/\/kolajmagazine.com\/content\/issues\/issue-10\/","url_meta":{"origin":14536,"position":0},"title":"Issue 10","author":"Christopher Byrne","date":"18 October 2014","format":"gallery","excerpt":"Kolaj Magazine is a quarterly, printed magazine about contemporary collage. We are interested in how collage is made, how collage is exhibited, and how collage is collected. We are interested in the role collage plays in contemporary visual culture. We provide quality exposure for contemporary collage art. Kolaj Magazine is\u2026","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"https:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K10-Cover.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K10-Cover.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K10-Cover.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":3952,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/international-museum-of-collage\/","url_meta":{"origin":14536,"position":1},"title":"International Museum of Collage","author":"Christopher Byrne","date":"17 August 2015","format":"gallery","excerpt":"The International Museum of Collage, Assemblage & Construction (IMCAC) recently opened in an historic building in the Midtown district of Santa Fe, New Mexico. Located on the second floor, the IMCAC\u2019s archives include over 20,000 works of collage, assemblage, mail art and Fluxus objects, as well as space for collage\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/OM2015001-nina-tichava-us.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/OM2015001-nina-tichava-us.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/OM2015001-nina-tichava-us.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/OM2015001-nina-tichava-us.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":7127,"url":"https:\/\/kolajmagazine.com\/content\/kolaj-fest-new-orleans\/memories-for-the-future\/","url_meta":{"origin":14536,"position":2},"title":"Memories for the Future","author":"Christopher Byrne","date":"12 June 2018","format":"gallery","excerpt":"AT KOLAJ FEST NEW ORLEANS How Collage Captures Images & Preserves Them For the Future Collage has a unique ability to capture imagery and preserve it for the future. Many collage artists draw upon published material that is part of the popular consciousness: 20th century pop culture magazines, 19th century\u2026","rel":"","context":"In &quot;Kolaj Fest New Orleans&quot;","block_context":{"text":"Kolaj Fest New Orleans","link":"https:\/\/kolajmagazine.com\/content\/category\/kolaj-fest-new-orleans\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Stoll_WSA_All_American.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Stoll_WSA_All_American.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Stoll_WSA_All_American.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Stoll_WSA_All_American.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":7386,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/altered-spaces\/","url_meta":{"origin":14536,"position":3},"title":"Altered Spaces","author":"Christopher Byrne","date":"11 September 2018","format":"gallery","excerpt":"COLLAGE ON VIEW Altered Spaces at Spruce Peak Arts Center in Stowe, Vermont, USA 13 September 2018-7 January 2019 Reception: Saturday, 6 October, 5:30PM \"Altered Spaces\", curated by Kelly Holt, is an exhibition of collage, photography, painting, and multimedia installation with work by Paul Gruhler, Dana Heffern, Ric Kasini Kadour,\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/i-have-accomplished.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/i-have-accomplished.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/i-have-accomplished.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/i-have-accomplished.jpg?resize=700%2C400 2x"},"classes":[]},{"id":7941,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/fragmented-memories\/","url_meta":{"origin":14536,"position":4},"title":"Fragmented Memories","author":"Christopher Byrne","date":"28 February 2019","format":"gallery","excerpt":"COLLAGE ON VIEW Fragmented Memories: Lizzie Gill & Hope Kroll at Hashimoto Contemporary in San Francisco, California, USA 2-23 March 2019 \"Fragmented Memories\" is a two artist exhibition by Brooklyn, New York-based artist Lizzie Gill and Northern California based artist Hope Kroll, curated by Jennifer Rizzo. These two artists with\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/hope-kroll-homebound.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/hope-kroll-homebound.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/hope-kroll-homebound.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/hope-kroll-homebound.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":3679,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/matthew-rose-converge-gallery-2\/","url_meta":{"origin":14536,"position":5},"title":"&#8220;Pressure Washing&#8221;: Matthew Rose at Converge Gallery","author":"Christopher Byrne","date":"12 April 2015","format":"gallery","excerpt":"6 March-25 April 2015 Matthew Rose: \"Pressure Washing: An Indiscreet But Satisfying Rapture\" Matthew Rose's third exhibition at Converge Gallery is small and intimate, presenting sometimes erotic, sometimes obscene, indecent, titillating, arousing, risqu\u00e9, adult works of art rife with bawdy double-entendres and soft-core innuendo. The 100 hand-cut and painted collage\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/matthew-rose-secretary-web.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/14536"}],"collection":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=14536"}],"version-history":[{"count":0,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/14536\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/14537"}],"wp:attachment":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=14536"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=14536"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=14536"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}