{"id":14969,"date":"2024-03-09T15:56:27","date_gmt":"2024-03-09T20:56:27","guid":{"rendered":"https:\/\/kolajmagazine.com\/content\/?p=14969"},"modified":"2024-03-09T15:56:27","modified_gmt":"2024-03-09T20:56:27","slug":"mulitplicity","status":"publish","type":"post","link":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/mulitplicity\/","title":{"rendered":"Mulitplicity"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"700\" height=\"535\" src=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Howardena-Pindell-Untitled-5.jpg\" alt=\"\" class=\"wp-image-14970\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Howardena-Pindell-Untitled-5.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Howardena-Pindell-Untitled-5-600x459.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Howardena-Pindell-Untitled-5-300x229.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Howardena-Pindell-Untitled-5-260x199.jpg 260w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption class=\"wp-element-caption\"><em>Untitled #5<\/em> by Howardena Pindell<br>mixed media on paper collage; 2013. Courtesy of the artist and Garth Greenan Gallery. \u00a9 Howardena Pindell<\/figcaption><\/figure>\n\n\n\n<p>COLLAGE ON VIEW<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Multiplicity: Blackness in Contemporary American Collage<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">at the Museum of Fine Arts, Houston in Houston, Texas, USA<br>18 February-12 May 2024<\/h3>\n\n\n\n<p>Organized by the Frist Art Museum in Nashville, Tennessee, &#8220;Multiplicity&#8221; is the first major museum exhibition devoted to this rich yet understudied subject. Featuring some 80 collage and collage-informed works, the exhibition explores the breadth and complexity of Black identity and experiences in the United States. With an intergenerational group of 52 living artists, &#8220;Multiplicity&#8221; examines how concepts such as cultural hybridity, notions of beauty, gender fluidity, and historical memory are expressed in the practice of collage. By assembling pieces of paper, fabric, and other often-salvaged or repurposed materials, the artists in this exhibition create unified compositions that express the endless possibilities of Black-constructed narratives despite our fragmented society. The artists range from established luminaries to early- and mid-career figures, including Mark Bradford, Lauren Halsey, Rashid Johnson, Kerry James Marshall, Wangechi Mutu, Jamea Richmond-Edwards, Deborah Roberts, Tschabalala Self, Lorna Simpson, Devan Shimoyama, and Mickalene Thomas.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"700\" height=\"514\" src=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Lester-Julian-Merriweather-Untitled-Turn-That-Ship-Away.jpg\" alt=\"\" class=\"wp-image-14971\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Lester-Julian-Merriweather-Untitled-Turn-That-Ship-Away.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Lester-Julian-Merriweather-Untitled-Turn-That-Ship-Away-600x441.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Lester-Julian-Merriweather-Untitled-Turn-That-Ship-Away-300x220.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Lester-Julian-Merriweather-Untitled-Turn-That-Ship-Away-260x191.jpg 260w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption class=\"wp-element-caption\"><em>Untitled (Turn That Ship Away)<\/em> from the series &#8220;#BetterGardensAndJungles&#8221; by Lester Julian Merriweather, cut-paper collage on canvas; 2022. Courtesy of the artist. \u00a9 Lester Julian Merriweather<\/figcaption><\/figure>\n\n\n\n<p>&#8220;Multiplicity&#8221; is structured broadly around seven themes that foreground personal and collective history, regional or national heritage, and gender and sexual orientation, in addition to racial constructs. The artists featured build upon the rich legacy of African American artists such as Jacob Lawrence, Sam Middleton, Faith Ringgold, and Betye Saar, as well as Romare Bearden, who received considerable critical attention as he experimented with collage in the 1960s to inspire collaboration and community. Drawing upon the work of these foundational figures, contemporary artists are making collages in an array of different ways, from traditional cutting and pasting to complexly layering materials, to creating works digitally. For some, collage is their principal strategy; for others, it represents a branch or chapter in their wider practice.<\/p>\n\n\n\n<p><em>(text adapted from material provided by the museum)<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><strong>INFORMATION<\/strong><\/p>\n\n\n\n<p><strong>Museum of Fine Arts, Houston<\/strong><br>1001 Bissonnet<br>Houston, Texas 77005 USA<br>(713) 639-7300<\/p>\n\n\n\n<p>HOURS:<br>10-16 March 2024:<br>Sunday, 12:30-6PM<br>Monday-Wednesday, 11AM-5PM<br>Thursday, 11AM-9PM<br>Friday-Saturday, 11AM-6PM<\/p>\n\n\n\n<p>At other times of the year, the museum is closed on Monday and Tuesday.<\/p>\n\n\n\n<p><a href=\"https:\/\/maps.app.goo.gl\/kkPFWmSBC3iDnmYe8\" target=\"_blank\" rel=\"noreferrer noopener\">MAP<\/a> | <a rel=\"noreferrer noopener\" href=\"https:\/\/www.mfah.org\/\" target=\"_blank\">WEBSITE<\/a> | <a href=\"https:\/\/facebook.com\/mfah.org\" target=\"_blank\" rel=\"noreferrer noopener\">FACEBOOK<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>COLLAGE ON VIEW Multiplicity: Blackness in Contemporary American Collage at the Museum of Fine Arts, Houston in Houston, Texas, USA18 February-12 May 2024 Organized by the Frist Art Museum in Nashville, Tennessee, &#8220;Multiplicity&#8221; is the first major museum exhibition devoted&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/mulitplicity\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":14970,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Howardena-Pindell-Untitled-5.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-3Tr","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":11481,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/under-construction-collage-from-the-mint-museum\/","url_meta":{"origin":14969,"position":0},"title":"Under Construction: Collage from The Mint Museum","author":"Christopher Byrne","date":"22 August 2021","format":"gallery","excerpt":"How to Mine the Past by Felicia van Borkmonotype collage; 2012. Gift of Jerald Melberg and Felicia van Bork. 2016.9. \u00a9 Felicia van Bork, 2012 COLLAGE ON VIEW Under Construction: Collage from The Mint Museum at the Knoxville Museum of Art in Knoxville, Tennessee, USA20 August-7 November 2021 Featuring nearly\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/felicia-van-bork-how-to-mine-the-past.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/felicia-van-bork-how-to-mine-the-past.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/felicia-van-bork-how-to-mine-the-past.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/felicia-van-bork-how-to-mine-the-past.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":7851,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/under-construction\/","url_meta":{"origin":14969,"position":1},"title":"Under Construction","author":"Christopher Byrne","date":"6 February 2019","format":"gallery","excerpt":"COLLAGE ON VIEW Under Construction: Collage from the Mint Museum at the Mint Museum in Charlotte, North Carolina, USA 1 December 2018-18 August 2019 Drawing together nearly 100 works from the museum\u2019s Modern & Contemporary Collection, \"Under Construction: Collage from The Mint Museum\" is the museum\u2019s first exhibition to focus\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/romare-bearden-guitar-magic.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/romare-bearden-guitar-magic.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/romare-bearden-guitar-magic.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/romare-bearden-guitar-magic.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":14446,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/portrait-mode\/","url_meta":{"origin":14969,"position":2},"title":"Portrait Mode","author":"Christopher Byrne","date":"28 September 2023","format":"gallery","excerpt":"Chair by Joe Rudko40\"x50\"; found photographs on paper; 2023. Courtesy of the artist and Winston W\u00e4chter Fine Art. COLLAGE ON VIEW Joe Rudko: Portrait Mode Online Only at Winston W\u00e4chter Fine Art in Seattle, Washington, USA23 September-4 November 2023 \"Portrait Mode\" is a selection of work from the past five\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/joe-rudko-chair.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/joe-rudko-chair.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/joe-rudko-chair.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/joe-rudko-chair.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":3195,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/eugene-james-martin-beta-pictoris\/","url_meta":{"origin":14969,"position":3},"title":"Eugene James Martin at beta pictoris\/Maus Contemporary","author":"Christopher Byrne","date":"9 September 2014","format":"gallery","excerpt":"5 September-31 October 2014 \"Favorite Blues\": Eugene James Martin Eugene James Martin (Washington, DC, 1938 - Lafayette, Louisiana, 2005) is known for his often gently humorous works that may incorporate whimsical allusions to animal, machine and structural imagery among areas of \u201cpure\u201d, constructed, biomorphic, or disciplined lyrical abstraction. Martin was\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/eugene-james-martin-early-bird-catches-the-worm.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/eugene-james-martin-early-bird-catches-the-worm.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/eugene-james-martin-early-bird-catches-the-worm.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":10175,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/a-real-person-before-the-eyes\/","url_meta":{"origin":14969,"position":4},"title":"A Real Person Before the Eyes","author":"Christopher Byrne","date":"26 September 2020","format":"gallery","excerpt":"Portrait of the Portrait Painter by Benny Andrews80\"x100\"x.75\"; oil and graphite on two canvas panels with painted fabric collage; 1987. signed\u00a9 Benny Andrews Estate; Courtesy of Michael Rosenfeld Gallery LLC, New York, NY COLLAGE ON VIEW Benny Andrews: Portraits, A Real Person Before the Eyes at Michael Rosenfeld Gallery in\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Benny-Andrews-Portrait-of-the-Portrait-Painter.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Benny-Andrews-Portrait-of-the-Portrait-Painter.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Benny-Andrews-Portrait-of-the-Portrait-Painter.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Benny-Andrews-Portrait-of-the-Portrait-Painter.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":13749,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/day-jobs\/","url_meta":{"origin":14969,"position":5},"title":"Day Jobs","author":"Christopher Byrne","date":"11 April 2023","format":"gallery","excerpt":"Self-portrait by Jay Lynn Gomez11\"x8.5\"; acrylic on magazine; 2013. Dur\u00f2n Family Collection. COLLAGE ON VIEW Day Jobs at the Blanton Museum of Art in Austin, Texas, USA19 February-23 July 2023 One of the typical measures of success for artists is the ability to quit their day jobs and focus full\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jay-lynn-gomez-self-portrait.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jay-lynn-gomez-self-portrait.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jay-lynn-gomez-self-portrait.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jay-lynn-gomez-self-portrait.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/14969"}],"collection":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=14969"}],"version-history":[{"count":1,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/14969\/revisions"}],"predecessor-version":[{"id":14972,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/14969\/revisions\/14972"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/14970"}],"wp:attachment":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=14969"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=14969"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=14969"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}