{"id":15347,"date":"2024-05-26T14:43:09","date_gmt":"2024-05-26T18:43:09","guid":{"rendered":"https:\/\/kolajmagazine.com\/content\/?p=15347"},"modified":"2024-05-26T14:43:09","modified_gmt":"2024-05-26T18:43:09","slug":"it-hides-in-the-light","status":"publish","type":"post","link":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/it-hides-in-the-light\/","title":{"rendered":"it hides in the light"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"700\" height=\"1004\" src=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/dion-smith-dokkie-it-hides-in-the-light.jpg\" alt=\"\" class=\"wp-image-15348\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/dion-smith-dokkie-it-hides-in-the-light.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/dion-smith-dokkie-it-hides-in-the-light-600x861.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/dion-smith-dokkie-it-hides-in-the-light-300x430.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/dion-smith-dokkie-it-hides-in-the-light-697x999.jpg 697w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/dion-smith-dokkie-it-hides-in-the-light-260x373.jpg 260w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption class=\"wp-element-caption\"><em>it hides in the light<\/em> (detail) by Dion Smith-Dokkie<br>mixed media. Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n<p>COLLAGE ON VIEW<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Dion Smith-Dokkie: it hides in the light<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">at The Bows in Calgary, Alberta, Canada<br>5 April-22 June 2024<\/h3>\n\n\n\n<p>&#8220;it hides in the light&#8221; presents a new body of experimental mixed-media works by artist Dion Smith-Dokkie that attend to embodiment, interface, information and infrastructure.<\/p>\n\n\n\n<p>Inkjet-printed stills taken from video works, satellite images of bodies of water, images of daily life and select found images, are broken down into &#8220;particles&#8221;. Using water, the particles are transferred onto paper, creating a collage. In this process, the images are liquefied and lose their discernibility: they synthesize and coalesce. The resulting compositions are further developed with watercolour, gouache, and ink.<\/p>\n\n\n\n<p>The result is indistinct, luminous work that straddles the line between nonrepresentation and concrete location, videographic and painterly modes. The formal and conceptual tools utilized\u2014mediation and translation via contact, transfer, diffusion and mutation\u2014become tactics of deliberately sensual and nebulously erotic self-representation. They extrapolate a diffused and empathic praxis of embodiment, self-location and co-relation.<\/p>\n\n\n\n<p>Dion Smith-Dokkie (he, they) resides uninvited on Musqueam, Squamish, and Tsleil-Waututh homelands and territories. He was born in Fort St. John, British Columbia, and grew up in the Peace River region of northeast British Columbia and northwest Alberta. Dion locates themselves as a gay, mixed-race European-Indigenous man who lives with mental illness. He is a member of West Moberly First Nations, a Treaty 8 First Nation. They hold a BA in Women\u2019s Studies from the University of Victoria (2015), a BFA in Painting and Drawing from Concordia University (2019), and an MFA in Visual Arts from the University of British Columbia (2021).<\/p>\n\n\n\n<p><em>(text adapted from material provided by the artist)<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><strong>INFORMATION<\/strong><\/p>\n\n\n\n<p><strong>The Bows<\/strong><br>2001B 10th Avenue SW<br>Calgary, Alberta T3C 0K4, Canada<br>(825) 994-3366<\/p>\n\n\n\n<p>Hours:<br>Thursday-Saturday, Noon-6PM<\/p>\n\n\n\n<p><a href=\"https:\/\/maps.app.goo.gl\/XR3NrsaK4aX9gHda9\" target=\"_blank\" rel=\"noreferrer noopener\">MAP<\/a> | <a href=\"https:\/\/www.thebows.org\/\" target=\"_blank\" rel=\"noreferrer noopener\">WEBSITE<\/a> | <a href=\"https:\/\/www.facebook.com\/TheBowsYYC\" target=\"_blank\" rel=\"noreferrer noopener\">FACEBOOK<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>COLLAGE ON VIEW Dion Smith-Dokkie: it hides in the light at The Bows in Calgary, Alberta, Canada5 April-22 June 2024 &#8220;it hides in the light&#8221; presents a new body of experimental mixed-media works by artist Dion Smith-Dokkie that attend to&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/it-hides-in-the-light\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":15348,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/dion-smith-dokkie-it-hides-in-the-light.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-3Zx","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":11274,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/precise-organization-and-camouflage\/","url_meta":{"origin":15347,"position":0},"title":"Precise Organization and Camouflage","author":"Christopher Byrne","date":"5 July 2021","format":"gallery","excerpt":"Cort\u00e8ge floristique-California Blazes, The Wall Street Journal, Saturday\/Sunday, August 22-23 by Myriam Diondiameter: 33\"; collage of newspapers and Japanese papers cut with X-acto knife; 2020. Courtesy of the artist. FROM KOLAJ 32 Myriam Dion's Artist Portfolio \"The precise organization and the camouflage of the traces create a reversal of the\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/myriam-dion-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/myriam-dion-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/myriam-dion-1.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/myriam-dion-1.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":13930,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/bloom-tall\/","url_meta":{"origin":15347,"position":1},"title":"Bloom Tall","author":"Christopher Byrne","date":"17 May 2023","format":"gallery","excerpt":"Madagascar by Kubi Vasak41\"x33.3\"; acrylics and collage on wood board; 2021. Courtesy of the artist. COLLAGE ON VIEW Kubi Vasak: Bloom Tall at Rainbow Studios in Darlinghurst, New South Wales, Australia18 May-1 June 2023 Kubi Vasak has been working in the medium of collage for over a decade. During the\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/kubi-Vasak-Madagascar-web.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/kubi-Vasak-Madagascar-web.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/kubi-Vasak-Madagascar-web.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/kubi-Vasak-Madagascar-web.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":10966,"url":"https:\/\/kolajmagazine.com\/content\/issues\/kolaj-32\/","url_meta":{"origin":15347,"position":2},"title":"Kolaj #32","author":"Christopher Byrne","date":"17 April 2021","format":"gallery","excerpt":"SUBSCRIBE OR ORDER A COPY ABOUT THE ISSUE In the issue's editorial, Ric Kasini Kadour writes, \"I often find myself saying, Collage is powerful magic. The collage community often feels like we are off in our own private corner of the art world. We excel at sharing that collage magic\u2026","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"https:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K32-Cover.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K32-Cover.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K32-Cover.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":10063,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/vestiges\/","url_meta":{"origin":15347,"position":3},"title":"Vestiges","author":"Christopher Byrne","date":"7 September 2020","format":"gallery","excerpt":"Form Study 12 by Vanessa Woods12\"x9\"; collage; 2020. Courtesy of the artist. COLLAGE ON VIEW Vestiges at Jack Fischer Gallery in San Francisco, California, USA5 September-17 October 2020 \"Vestiges\" is an exhibition by married artists Vanessa Woods and Josh Smith, who explore the complicated dynamics of abstraction, intimacy and the\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/vanessa-woods-form-study-12.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/vanessa-woods-form-study-12.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/vanessa-woods-form-study-12.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/vanessa-woods-form-study-12.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":1226,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/kieran-sperring\/","url_meta":{"origin":15347,"position":4},"title":"Kieran Sperring","author":"Christopher Byrne","date":"20 December 2012","format":"gallery","excerpt":"SHROPSHIRE, ENGLAND, UNITED KINGDOM Kieran Sperring lives in a small town in England and he has a distinct and bold aesthetic. 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He\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/PublicTransport-web.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/PublicTransport-web.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/PublicTransport-web.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":7121,"url":"https:\/\/kolajmagazine.com\/content\/kolaj-fest-new-orleans\/rosie-schinners-brings-the-dystopian-reader-to-kolaj-fest-new-orleans\/","url_meta":{"origin":15347,"position":5},"title":"Rosie Schinners Brings The Dystopian Reader to Kolaj Fest New Orleans","author":"Christopher Byrne","date":"12 June 2018","format":"gallery","excerpt":"AT KOLAJ FEST NEW ORLEANS Taking Art Where It Doesn't Usually Go The Dystopian Reader is a guerilla project by Rosie Schinners to inject art into unusual places. 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