{"id":18029,"date":"2026-03-21T16:02:28","date_gmt":"2026-03-21T20:02:28","guid":{"rendered":"https:\/\/kolajmagazine.com\/content\/?p=18029"},"modified":"2026-03-24T23:00:45","modified_gmt":"2026-03-25T03:00:45","slug":"the-keeping-room","status":"publish","type":"post","link":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/the-keeping-room\/","title":{"rendered":"The Keeping Room"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"1000\" height=\"1000\" src=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Jacqueline-Dee-Parker-Ensemble-Web.jpg\" alt=\"\" class=\"wp-image-18030\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Jacqueline-Dee-Parker-Ensemble-Web.jpg 1000w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Jacqueline-Dee-Parker-Ensemble-Web-600x600.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Jacqueline-Dee-Parker-Ensemble-Web-700x700.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Jacqueline-Dee-Parker-Ensemble-Web-300x300.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Jacqueline-Dee-Parker-Ensemble-Web-768x768.jpg 768w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Jacqueline-Dee-Parker-Ensemble-Web-260x260.jpg 260w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\"><em>Ensemble<\/em> by Jacqueline Dee Parker<br>20&#8243;x20&#8243;; vintage paper and acrylic on canvas; Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n<p>COLLAGE ON VIEW<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Jacqueline Dee Parker: The Keeping Room<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">at Baton Rouge Gallery in Baton Rouge, Louisiana USA <br>27 February-24 March 2026 <\/h3>\n\n\n\n<p>Jacqueline Dee Parker is inspired by ancient Greek pottery because it feels profoundly human\u2014shaped by hand, integrated into daily life, and embedded with stories that resonate across time. These vessels function simultaneously as utilitarian objects and cultural archives, bearing belief systems, rituals, and identities through form, surface, and use. They remind her that meaning is often preserved through touch, repetition, and design, rather than permanence alone.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"1000\" height=\"988\" src=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Jacqueline-Dee-Parker-Together-Twain-Web.jpg\" alt=\"\" class=\"wp-image-18031\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Jacqueline-Dee-Parker-Together-Twain-Web.jpg 1000w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Jacqueline-Dee-Parker-Together-Twain-Web-600x593.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Jacqueline-Dee-Parker-Together-Twain-Web-700x692.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Jacqueline-Dee-Parker-Together-Twain-Web-300x296.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Jacqueline-Dee-Parker-Together-Twain-Web-768x759.jpg 768w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Jacqueline-Dee-Parker-Together-Twain-Web-260x257.jpg 260w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\"><em>Together (Twain)<\/em> by Jacqueline Dee Parker<br>18&#8243;x18&#8243;; vintage paper and acrylic on canvas; Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n<p>Much of Parker\u2019s practice centers on creating abstract, visceral spaces\u2014sites where memory gathers and settles. In this body of work, that impulse has shifted toward the construction of vessels. Drawing from the legacy of ancient pottery, she approaches the vessel as both container and storyteller. She imagines these forms holding the verbal and musical echoes of those who shaped her\u2014relatives, friends, artists, and writers\u2014preserving fragments of love, language, and influence.<\/p>\n\n\n\n<p>In a world unmoored by chaos and disbelief, Parker intends for these vessels to serve as safekeepers of truth and beauty.<br><br>(<em>text adapted from material provided by the gallery)<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><strong>INFORMATION<\/strong><br><br><strong>Baton Rouge Gallery Center for Contemporary Art<\/strong><br>1515 Dalrymple Drive<br>Baton Rouge, Louisiana 70808 USA<br>(225) 383-1470<\/p>\n\n\n\n<p>Hours:<br>Tuesday-Sunday, Noon\u20136PM<\/p>\n\n\n\n<p><a href=\"https:\/\/maps.app.goo.gl\/obzptNcYGqy7wWo5A\" data-type=\"link\" data-id=\"https:\/\/maps.app.goo.gl\/obzptNcYGqy7wWo5A\" target=\"_blank\" rel=\"noreferrer noopener\">MAP <\/a>| <a href=\"https:\/\/www.batonrougegallery.org\/parker-mar2026\" data-type=\"link\" data-id=\"https:\/\/www.batonrougegallery.org\/parker-mar2026\" target=\"_blank\" rel=\"noreferrer noopener\">WEBSITE<\/a> | <a href=\"https:\/\/www.instagram.com\/brgallery\" data-type=\"link\" data-id=\"https:\/\/www.instagram.com\/brgallery\" target=\"_blank\" rel=\"noreferrer noopener\">INSTAGRAM<\/a> | <a href=\"https:\/\/www.facebook.com\/BRGallery\/\" target=\"_blank\" rel=\"noreferrer noopener\">FACEBOOK<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>COLLAGE ON VIEW Jacqueline Dee Parker: The Keeping Room at Baton Rouge Gallery in Baton Rouge, Louisiana USA 27 February-24 March 2026 Jacqueline Dee Parker is inspired by ancient Greek pottery because it feels profoundly human\u2014shaped by hand, integrated into&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/the-keeping-room\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":10,"featured_media":18030,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Jacqueline-Dee-Parker-Ensemble-Web.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-4GN","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":14474,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/open-house-in-the-memory-palace\/","url_meta":{"origin":18029,"position":0},"title":"Open House in the Memory Palace","author":"Christopher Byrne","date":"20 October 2023","format":"gallery","excerpt":"Scaffold with Echoes by Jacqueline Dee Parker50\"x41.5\"; vintage paper, acrylic and graphite on canvas; 2023. Courtesy of the artist. COLLAGE ON VIEW Jacqueline Dee Parker: Open House in the Memory Palace at the Baton Rouge Gallery in Baton Rouge, Louisiana, USA3-26 October 2023 Jacqueline Dee Parker writes:Building a memory palace\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jacqueline-dee-parker-scaffold-with-echoes.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jacqueline-dee-parker-scaffold-with-echoes.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jacqueline-dee-parker-scaffold-with-echoes.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jacqueline-dee-parker-scaffold-with-echoes.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":6697,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/any-instant-is-the-cosmos\/","url_meta":{"origin":18029,"position":1},"title":"Any Instant Is the Cosmos","author":"Christopher Byrne","date":"16 March 2018","format":"gallery","excerpt":"COLLAGE ON VIEW Jacqueline Dee Parker: \"Any Instant Is the Cosmos\" at the Baton Rouge Gallery in Louisiana, USA 4-29 March 2018 In \"Any Instant Is the Cosmos\", Jacqueline Dee Parker continues to utilize collage techniques to explore how \"fragments of lived experience stir memory and associations, and offer the\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jacqueline-dee-parker-blue-in-a-red-state.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jacqueline-dee-parker-blue-in-a-red-state.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jacqueline-dee-parker-blue-in-a-red-state.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jacqueline-dee-parker-blue-in-a-red-state.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":5485,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/heaps-of-texture-tonal-and-subtle\/","url_meta":{"origin":18029,"position":2},"title":"Heaps of Texture, Tonal and Subtle","author":"Christopher Byrne","date":"28 December 2016","format":"gallery","excerpt":"ARTIST PORTFOLIO Jacqueline Dee Parker Baton Rouge, Louisiana, USA Jacqueline Dee Parker\u2019s collages are heaps of texture, tonal and subtle but they are worlds unto themselves. A poet of critical standing\u2014-her work has been nominated for a Pushcart Prize\u2014-Parker brings a certain sensitivity for language to her collage work and\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Aubade-by-Jacqueline-Dee-Parker.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Aubade-by-Jacqueline-Dee-Parker.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Aubade-by-Jacqueline-Dee-Parker.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Aubade-by-Jacqueline-Dee-Parker.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":15371,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/a-geometry-of-hours\/","url_meta":{"origin":18029,"position":3},"title":"A Geometry of Hours","author":"Christopher Byrne","date":"5 June 2024","format":"gallery","excerpt":"Timepiece (Geometry of Hours) by Jacqueline Dee Parker20\" diameter; vintage paper and acrylic on wood panel. Courtesy of the artist. COLLAGE ON VIEW Jacqueline Dee Parker: A Geometry of Hours at Isabella Valise\/Devin Borden in Houston, Texas, USA6 April-30 June 2024 \u201cA Geometry of Hours\u201d includes two installations of Jacqueline\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jacqueline-dee-parker-timepiece-geometry-of-hours.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jacqueline-dee-parker-timepiece-geometry-of-hours.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jacqueline-dee-parker-timepiece-geometry-of-hours.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jacqueline-dee-parker-timepiece-geometry-of-hours.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":5942,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/text-image\/","url_meta":{"origin":18029,"position":4},"title":"Text &#038; Image","author":"Christopher Byrne","date":"12 June 2017","format":"gallery","excerpt":"Text & Image 16 June-16 July 2017 \u201cText & Image\u201d highlights the complex interplay of visual art and language, seeking to at once blur and clarify the commonly held distinction between the two. A central aspect of modernity seems to be informational, bordering on sensory overload. We are subjected to\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/laurie-kanyer-balance-does-it.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/laurie-kanyer-balance-does-it.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/laurie-kanyer-balance-does-it.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/laurie-kanyer-balance-does-it.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":5651,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/cut-and-paste-contemporary-collage\/","url_meta":{"origin":18029,"position":5},"title":"Cut and Paste: Contemporary Collage","author":"Christopher Byrne","date":"1 March 2017","format":"gallery","excerpt":"Cut and Paste: Contemporary Collage 25 February-19 March 2017 Collage was born of an upended reality. Kurt Schwitters, the Dadaists, Josef Albers and many others tried to undermine the rationalism and inhumanity they believed caused World War I and the following social breakdown. By taking existing things and making them\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/deborah-salmon-fig-185-web.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/deborah-salmon-fig-185-web.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/deborah-salmon-fig-185-web.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/deborah-salmon-fig-185-web.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/18029"}],"collection":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=18029"}],"version-history":[{"count":5,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/18029\/revisions"}],"predecessor-version":[{"id":18043,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/18029\/revisions\/18043"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/18030"}],"wp:attachment":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=18029"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=18029"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=18029"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}