{"id":18087,"date":"2026-04-05T16:34:18","date_gmt":"2026-04-05T20:34:18","guid":{"rendered":"https:\/\/kolajmagazine.com\/content\/?p=18087"},"modified":"2026-04-05T16:34:18","modified_gmt":"2026-04-05T20:34:18","slug":"the-fragment-as-verse-poetryxcollage-in-person-artist-residency","status":"publish","type":"post","link":"https:\/\/kolajmagazine.com\/content\/institute\/the-fragment-as-verse-poetryxcollage-in-person-artist-residency\/","title":{"rendered":"The Fragment as Verse: PoetryXCollage In-Person Artist Residency"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"1000\" height=\"667\" src=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Call-Fragment-as-Verse-Placard4x6-1.jpg\" alt=\"\" class=\"wp-image-18088\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Call-Fragment-as-Verse-Placard4x6-1.jpg 1000w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Call-Fragment-as-Verse-Placard4x6-1-600x400.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Call-Fragment-as-Verse-Placard4x6-1-700x467.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Call-Fragment-as-Verse-Placard4x6-1-300x200.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Call-Fragment-as-Verse-Placard4x6-1-768x512.jpg 768w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Call-Fragment-as-Verse-Placard4x6-1-260x173.jpg 260w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n\n\n\n<p>RESIDENCY UPDATE<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">The Fragment as Verse: PoetryXCollage In-Person Artist Residency<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">An in-person residency in New Orleans, Sunday, 12 April to Thursday, 16 April 2026 <\/h3>\n\n\n\n<p>Poetry is an art form that uses language and rhythm to express ideas, convey emotions, and share stories. In poetry, the aesthetic qualities of language make deeper meaning out of words, condensed language, and fragmented text. At its heart, collage is the juxtaposition of visual imagery composed in such a way as to do the same. Each of these art forms invites their audiences to revel in the complexity, richness, and nuance of contemporary life. Since 2022, Kolaj Institute has explored the intersection of poetry and collage. In <em>Kolaj<\/em> 32, Rod T. Boyer\u2019s article \u201cMind the Gap: Collision and Context in Haiku and Collage\u201c compares the disjunction that occurs in haiku with a similar phenomenon in collage. Since then, we organized a series of residencies to explore the intersection of poetry and collage. We are interested in found poetry, blackout poetry, collage poems, haikus, centos, response collages, response poems, word scrambles, concrete poetry, scatter collage poems, and other poems and artwork that inhabit this world. Kolaj Institute\u2019s <a href=\"https:\/\/kolajinstitute.org\/poetryxcollage\/\" target=\"_blank\" rel=\"noreferrer noopener\">PoetryXCollage<\/a> project explores and documents the intersection of poetry and collage through a series of residencies, workshops, exhibitions, and PoetryXCollage, a printed journal of artwork and writing that operates at the intersection.<\/p>\n\n\n\n<p>In April 2026, Kolaj Institute Gallery in New Orleans presents the exhibition, &#8220;The Fragment as Verse on the Wall&#8221;, where all of the work in the exhibition stands at the intersection of poetry and collage. Often work at the intersection of poetry and collage is made for the page. In this exhibition, we will consider how artwork at the intersection operates on the gallery wall. When viewing this work, we are encouraged to think of the fragment which may be text or image as a verse in a complete poem.&nbsp;<\/p>\n\n\n\n<p>To support artists working at the intersection of poetry and collage, Kolaj Institute organized an in-person residency taking place at Kolaj Institute Gallery in New Orleans,12-16 April 2026, and led by Ric Kasini Kadour. In this residency, artists explored the intersection of poetry and collage, considered the role of these two artforms in their artist practice, and developed strategies for diffusing their artwork on the page and the gallery wall.&nbsp;&nbsp;<\/p>\n\n\n\n<p>The focus of the In-Person Residency, &#8220;The Fragment as Verse on the Wall&#8221;, was about making artwork for the exhibition, &#8220;The Fragment as Verse&#8221;. From Noon on Sunday, 12 April 2026 to 2PM on Friday, 16 April 2026, artists had 24-hour access to the gallery, studio, and material library where they could work in community to make collage poetry. In daily meetings, artists shared work and received feedback from one another. Prior to the residency, artists met virtually where Ric Kasini Kadour made presentations on the history of the project, artist practice, and the ecosystem of PoetryXCollage and Jennifer Roche presented her observations of the intersection.<strong> <\/strong>Through in person discussions, artists explored how the art they make at the intersection of poetry and collage exists on the printed page and on the wall of a gallery. Artists were invited to present their work at the opening of the exhibition, &#8220;The Fragment as Verse on the Wall&#8221;, on Saturday, 18 April 2026, 2-4PM. The in-person artist residency at Kolaj Institute Gallery coincided with the New Orleans Poetry Festival (16-19 April 2026) where we hope artists will connect with poets, editors, and publishers.&nbsp;<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">OUTCOME<\/h2>\n\n\n\n<p>After the Residency, artists were invited to submit work for the <em>PoetryXCollage<\/em> journal and for an exhibition on Poetry &amp; Collage at Kolaj Institute Gallery, &#8220;The Fragment as Verse on the Wall&#8221;, 18 April-23 May 2026.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">PARTICIPATING ARTISTS<\/h2>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"1000\" height=\"1250\" src=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Anika-Toro.jpg\" alt=\"\" class=\"wp-image-18092\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Anika-Toro.jpg 1000w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Anika-Toro-600x750.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Anika-Toro-700x875.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Anika-Toro-300x375.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Anika-Toro-768x960.jpg 768w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Anika-Toro-260x325.jpg 260w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Anika-Toro-799x999.jpg 799w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\"><em>Meaning<\/em> by Anika Toro<br>8.25&#8243;x5.5&#8243;; found text, found papers, ink, part of <em>Altarpiece, No. 1<\/em> by Hilma Af Klint (1915); 2026. Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n<p><strong>Anika Toro, Knoxville, Tennessee<\/strong>, USA<br><a href=\"http:\/\/www.anikatoro.com\" target=\"_blank\" rel=\"noreferrer noopener\">www.anikatoro.com<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"1000\" height=\"985\" src=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Jamal-e-Fatima-Rifat.jpg\" alt=\"\" class=\"wp-image-18096\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Jamal-e-Fatima-Rifat.jpg 1000w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Jamal-e-Fatima-Rifat-600x591.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Jamal-e-Fatima-Rifat-700x690.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Jamal-e-Fatima-Rifat-300x296.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Jamal-e-Fatima-Rifat-768x756.jpg 768w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Jamal-e-Fatima-Rifat-260x256.jpg 260w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\"><em>A Grieving Mother<\/em> by Jamal-e-Fatima Rafat<br>10&#8243;x10&#8243;; coffee-stained paper and white ink on wood panel; 2025. Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n<p><strong>Jamal-e-Fatima Rifat, Fort McMurray, Alberta, Canada<\/strong><br><a rel=\"noreferrer noopener\" href=\"http:\/\/the-crafted-writer-studio.square.site\" target=\"_blank\">the-crafted-writer-studio.square.site<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"1000\" height=\"1160\" src=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Kara-McKeever.jpg\" alt=\"\" class=\"wp-image-18097\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Kara-McKeever.jpg 1000w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Kara-McKeever-600x696.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Kara-McKeever-700x812.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Kara-McKeever-300x348.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Kara-McKeever-768x891.jpg 768w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Kara-McKeever-260x302.jpg 260w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Kara-McKeever-861x999.jpg 861w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\"><em>Catching Bees<\/em> by Kara McKeever<br>4.5&#8243;x4&#8243;; paper collage; 2022. Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n<p><strong>Kara McKeever, Kansas City, Missouri, USA<\/strong><br><a rel=\"noreferrer noopener\" href=\"http:\/\/www.karamckeever.com\" target=\"_blank\">www.karamckeever.com<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"1000\" height=\"755\" src=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Leslie-Polk.jpg\" alt=\"\" class=\"wp-image-18098\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Leslie-Polk.jpg 1000w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Leslie-Polk-600x453.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Leslie-Polk-700x529.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Leslie-Polk-300x227.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Leslie-Polk-768x580.jpg 768w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Leslie-Polk-260x196.jpg 260w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\"><em>Imitatio Mary<\/em> by Leslie Polk<br>16&#8243;x20&#8243;; fabric, paper, portrait, synthetic hair, and found objects; 2025<\/figcaption><\/figure>\n\n\n\n<p><strong>Leslie Polk, Silver Spring, Maryland, USA<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"1000\" height=\"411\" src=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Michael-Lisieski.jpg\" alt=\"\" class=\"wp-image-18099\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Michael-Lisieski.jpg 1000w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Michael-Lisieski-600x247.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Michael-Lisieski-700x288.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Michael-Lisieski-300x123.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Michael-Lisieski-768x316.jpg 768w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Michael-Lisieski-260x107.jpg 260w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\"><em>So Much She Found Missing<\/em> by Michael Lisieski<br>10&#8243;x25&#8243;; paper, cardboard, glue, pen, marker; 2026. Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n<p><strong>Michael Lisieski, Detroit, Michigan, USA<\/strong><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">ABOUT RIC KASINI KADOUR<\/h2>\n\n\n\n<p>Ric Kasini Kadour, a 2021 Andy Warhol Foundation for the Visual Arts Curatorial Fellow, is a writer, artist, publisher, cultural worker, and the director of Kolaj Institute. His curation work includes exhibitions in Louisiana, New Mexico, Quebec, Scotland, Tennessee, Wisconsin, and Vermont. Kadour is the editor and publisher of <em>Kolaj Magazine<\/em>, as well as the editor of the Kolaj Institute journals, <em>PoetryXCollage <\/em>and <em>Folklore Collage Society<\/em>. He has written for a number of galleries and his writing has appeared in publications including <em>Hyperallergic<\/em>, <em>OEI<\/em>, <em>Art New England<\/em> (where he was the former Vermont editor), and <em>Wissenschaft und Frieden<\/em>. Kadour maintains an active art practice and his photography, collage, film and sculpture have been exhibited in and are part of private collections in Australia, Europe and North America. In January-February 2020, he was artist-in-residence at MERZ Gallery in Sanquhar, Scotland. He holds a BA in Comparative Religion from the University of Vermont. Kadour splits his time between Montreal and New Orleans.<\/p>\n\n\n\n<p> <\/p>\n","protected":false},"excerpt":{"rendered":"<p>RESIDENCY UPDATE The Fragment as Verse: PoetryXCollage In-Person Artist Residency An in-person residency in New Orleans, Sunday, 12 April to Thursday, 16 April 2026 Poetry is an art form that uses language and rhythm to express ideas, convey emotions, and&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/kolajmagazine.com\/content\/institute\/the-fragment-as-verse-poetryxcollage-in-person-artist-residency\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":18088,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[62],"tags":[],"jetpack_featured_media_url":"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Call-Fragment-as-Verse-Placard4x6-1.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-4HJ","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":17685,"url":"https:\/\/kolajmagazine.com\/content\/content\/calls-for-artists\/call-to-artists-poetryxcollage-artist-residencies-spring-2026\/","url_meta":{"origin":18087,"position":0},"title":"Call to Artists: PoetryXCollage Artist Residencies-Spring 2026","author":"Christopher Byrne","date":"25 February 2026","format":"gallery","excerpt":"CALL TO ARTISTS The Fragment as Verse: PoetryXCollage In-Person Artist Residency An in-person residency in New Orleans, Sunday, 12 April to Thursday, 16 April 2026. (Virtual Meetings on Thursday, 2 & 9 April) Early Deadline to Apply: 28 February 2026Final Deadline to Apply: 8 March 2026 Submissions will be reviewed\u2026","rel":"","context":"In &quot;Calls for Artists&quot;","block_context":{"text":"Calls for Artists","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/calls-for-artists\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Call-Fragment-as-Verse-Placard4x6.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Call-Fragment-as-Verse-Placard4x6.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Call-Fragment-as-Verse-Placard4x6.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Call-Fragment-as-Verse-Placard4x6.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":17942,"url":"https:\/\/kolajmagazine.com\/content\/news\/the-elusive-x-virtual-poetryxcollage-residency\/","url_meta":{"origin":18087,"position":1},"title":"The Elusive X: Virtual PoetryXCollage Residency","author":"Christopher Byrne","date":"25 February 2026","format":"gallery","excerpt":"RESIDENCY UPDATE The Elusive X: Virtual PoetryXCollage Residency A five-session, virtual residency, 21 February-22 March 2026 Poetry is an art form that uses language and rhythm to express ideas, convey emotions, and share stories. In poetry, the aesthetic qualities of language make deeper meaning out of words, condensed language, and\u2026","rel":"","context":"In &quot;Institute&quot;","block_context":{"text":"Institute","link":"https:\/\/kolajmagazine.com\/content\/category\/institute\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Call-Elusive-X-Placard4x6.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Call-Elusive-X-Placard4x6.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Call-Elusive-X-Placard4x6.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Call-Elusive-X-Placard4x6.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":17805,"url":"https:\/\/kolajmagazine.com\/content\/news\/s-erin-batiste-to-guest-edit-a-future-issue-of-poetryxcollage\/","url_meta":{"origin":18087,"position":2},"title":"S. Erin Batiste to Guest Edit a Future Issue of PoetryXCollage","author":"Christopher Byrne","date":"2 February 2026","format":"gallery","excerpt":"cover idea, featuring a work from the \"Paper Bag Belle\" series by S. Erin Batiste. Courtesy of the artist. PROJECT NEWS S. Erin Batiste to Guest Edit a Future Issue of PoetryXCollage S. Erin Batiste (Brooklyn, New York, USA) has been invited to guest edit a special issue of PoetryXCollage\u2026","rel":"","context":"In &quot;Institute&quot;","block_context":{"text":"Institute","link":"https:\/\/kolajmagazine.com\/content\/category\/institute\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/PxC-Radical-Black-Fems.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/PxC-Radical-Black-Fems.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/PxC-Radical-Black-Fems.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/PxC-Radical-Black-Fems.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":15833,"url":"https:\/\/kolajmagazine.com\/content\/content\/calls-for-artists\/call-to-artists-poetry-collage-residency\/","url_meta":{"origin":18087,"position":3},"title":"Call to Artists: Poetry &#038; Collage Residency","author":"Christopher Byrne","date":"11 October 2024","format":"gallery","excerpt":"Poetry & Collage Residency December 2024 A month-long, virtual\/online residency with Kolaj Institute in December 2024 Early deadline to apply: Wednesday, 30 October 2024Final deadline to apply: Wednesday, 13 November 2024Submit your application HERE In January 2022, Kolaj Institute issued a call to artists for a Poetry & Collage Residency\u2026","rel":"","context":"In &quot;Calls for Artists&quot;","block_context":{"text":"Calls for Artists","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/calls-for-artists\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/poetry-collage-residency-2024-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/poetry-collage-residency-2024-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/poetry-collage-residency-2024-1.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/poetry-collage-residency-2024-1.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":12944,"url":"https:\/\/kolajmagazine.com\/content\/news\/poetryxcollage-volume-1\/","url_meta":{"origin":18087,"position":4},"title":"PoetryXCollage, Volume 1","author":"Christopher Byrne","date":"22 July 2022","format":"gallery","excerpt":"POETRYXCOLLAGE PoetryXCollage, Volume One PURCHASE THE VOLUME PoetryXCollage is a printed journal of artwork and writing which operates at the intersection of poetry and collage. We are interested in found poetry, blackout poetry, collage poems, haikus, centos, response collages, response poems, word scrambles, concrete poetry, scatter collage poems, and other\u2026","rel":"","context":"In &quot;Institute&quot;","block_context":{"text":"Institute","link":"https:\/\/kolajmagazine.com\/content\/category\/institute\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/poetryXcollage-V1-COVER.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/poetryXcollage-V1-COVER.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/poetryXcollage-V1-COVER.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/poetryXcollage-V1-COVER.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":14161,"url":"https:\/\/kolajmagazine.com\/content\/news\/poetryxcollage-volume-3\/","url_meta":{"origin":18087,"position":5},"title":"PoetryXCollage, Volume 3","author":"Christopher Byrne","date":"8 November 2022","format":"gallery","excerpt":"POETRYXCOLLAGE PoetryXCollage, Volume Three PURCHASE THE VOLUME PoetryXCollage\u00a0is a printed journal of artwork and writing which operates at the intersection of poetry and collage. We are interested in found poetry, blackout poetry, collage poems, haikus, centos, response collages, response poems, word scrambles, concrete poetry, scatter collage poems, and other poems\u2026","rel":"","context":"In &quot;Institute&quot;","block_context":{"text":"Institute","link":"https:\/\/kolajmagazine.com\/content\/category\/institute\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/poetryXcollage-V3-cover-web.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/poetryXcollage-V3-cover-web.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/poetryXcollage-V3-cover-web.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/poetryXcollage-V3-cover-web.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/18087"}],"collection":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=18087"}],"version-history":[{"count":8,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/18087\/revisions"}],"predecessor-version":[{"id":18101,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/18087\/revisions\/18101"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/18088"}],"wp:attachment":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=18087"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=18087"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=18087"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}