{"id":1809,"date":"2013-05-13T01:51:21","date_gmt":"2013-05-13T05:51:21","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=1809"},"modified":"2014-06-08T16:25:29","modified_gmt":"2014-06-08T20:25:29","slug":"collage-ny-art-fairs-bright","status":"publish","type":"post","link":"https:\/\/kolajmagazine.com\/content\/content\/articles\/collage-ny-art-fairs-bright\/","title":{"rendered":"Collage at the 2013 New York Art Fairs"},"content":{"rendered":"

\"Euro<\/p>\n

Kolaj<\/em> contributor Paul Bright visited the famous Armory Show and VOLTA NY, both of which ran 7-10 March 2013, to see the collage on offer.<\/p>\n

In Issue Four<\/a>, Bright gives his impressions on the wide range of collage and assemblage presented from artists and galleries both in New York and from as far afield as Vienna and Lima, Peru.<\/p>\n

Setting aside all the other approaches to art-making that utilize collage conceptually or borrow from it formally (some painting, lots of digital and video work, installation, and so forth), I am confining myself mostly to what I thought were the more noteworthy \u201cmaterial\u201d examples of collage, where disparate materials were adhered in physical layers to another material or to a ground.<\/h2>\n

To read the full review and see images from the fairs, purchase Issue Four<\/a> or SUBSCRIBE<\/a> to never miss an issue.<\/p>\n

Image:<\/strong>
\nEuro Punk<\/em>
\nby Pablo Echaurren
\n15″x22″
\ncollage
\n\u00a9 Courtesy Galleria d’Arte Maggiore G.A.M., Bologna, Italy
\nShown at The Armory Show, 2013<\/p>\n","protected":false},"excerpt":{"rendered":"

Kolaj contributor Paul Bright visited the famous Armory Show and VOLTA NY, both of which ran 7-10 March 2013, to see the collage on offer. In Issue Four, Bright gives his impressions on the wide range of collage and assemblage…<\/p>\n

Read more →<\/a><\/p>\n","protected":false},"author":6,"featured_media":1810,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6,26],"tags":[],"class_list":["post-1809","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-articles","category-paul-bright","post_format-post-format-gallery"],"jetpack_featured_media_url":"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/1_Echaurren-web.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-tb","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":1264,"url":"https:\/\/kolajmagazine.com\/content\/issues\/issue-three-fragments-ideas\/","url_meta":{"origin":1809,"position":0},"title":"Issue Three: Fragments & Ideas","author":"kasini","date":"15 January 2013","format":false,"excerpt":"Contents Kolaj editor Benoit Depelteau talks about fragments and ideas in collage Billy Mavreas explores the textures & plans of resonance of collage artist Jacob Whibley. Benoit Depelteau talks with Uncanny Artist owner Laura Stanziola. Cory W. Peeke sits down with California artist David King. Ric Kasini Kadour visits the\u2026","rel":"","context":"In "Issues"","block_context":{"text":"Issues","link":"https:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K3-Cover-Final.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1866,"url":"https:\/\/kolajmagazine.com\/content\/issues\/kolaj-magazine-year-one-collectors-pack\/","url_meta":{"origin":1809,"position":1},"title":"Kolaj Magazine Year One Collector’s Pack","author":"kasini","date":"23 May 2013","format":false,"excerpt":"In its first year, Kolaj explored collage\u2019s role in the world of contemporary art; asked the question \u201cIs this collage?\u201d; informed readers about collage exhibitions and events; and, most importantly, shined a spotlight on the work of collage artists from around the world. FOUR ISSUES Details: 10\u2033x8\u2033 | saddle stitched\u2026","rel":"","context":"In "Issues"","block_context":{"text":"Issues","link":"https:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Collector-Pack-Year-One.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Collector-Pack-Year-One.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Collector-Pack-Year-One.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":12948,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/complicit-with-chance\/","url_meta":{"origin":1809,"position":2},"title":"Complicit with Chance","author":"Christopher Byrne","date":"28 July 2022","format":"gallery","excerpt":"Neglected but Still Full of Potential (N\u00e9glig\u00e9 mais plein de potentiel) by Pierre-Paul Pariseau COLLAGE ON VIEW Pierre-Paul Pariseau: Complicit\u00e9 avec le hasard at the Maison de la Culture Ahuntsic-Cartierville in Montreal, Quebec, Canada5 July-18 September 2022 Evoking Surrealism and Pop Art, Pierre-Paul Pariseau's creative work invites us into a\u2026","rel":"","context":"In "Exhibitions"","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/pierre-paul-pariseau-neglected-but-still-full-of-potential.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/pierre-paul-pariseau-neglected-but-still-full-of-potential.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/pierre-paul-pariseau-neglected-but-still-full-of-potential.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/pierre-paul-pariseau-neglected-but-still-full-of-potential.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":1347,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/exhibition-review-romare-bearden-a-black-odyssey\/","url_meta":{"origin":1809,"position":3},"title":"Exhibition Review: Romare Bearden “A Black Odyssey”","author":"Christopher Byrne","date":"13 February 2013","format":"gallery","excerpt":"by Paul Bright \"Romare Bearden: A Black Odyssey\"\u00a0at Reynolda House Museum of Art\u00a0in Winston-Salem, North Carolina This currently travelling exhibition is centered on fifteen of the twenty collages that American artist Romare Bearden (1911-1988) created and showed as a group in 1977, in response to Homer\u2019s Odyssey. 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