{"id":18944,"date":"2026-01-15T13:21:00","date_gmt":"2026-01-15T18:21:00","guid":{"rendered":"https:\/\/kolajmagazine.com\/content\/?p=18944"},"modified":"2026-09-25T13:31:46","modified_gmt":"2026-09-25T17:31:46","slug":"folklore-collage-virtual-residency-2025","status":"publish","type":"post","link":"https:\/\/kolajmagazine.com\/content\/institute\/folklore-collage-virtual-residency-2025\/","title":{"rendered":"Folklore & Collage Virtual Residency 2025"},"content":{"rendered":"\n
\"\"<\/figure>\n\n\n\n

VIRTUAL ARTIST RESIDENCY<\/p>\n\n\n\n

Folklore & Collage Virtual Artist Residency<\/h2>\n\n\n\n

A four-week, virtual collage artist residency
Sessions:\u00a0Four Sundays starting 14 December 2025, 1-3PM EST<\/h3>\n\n\n\n

Folklore & Collage Residency was a four-week program designed to support artists who wanted to develop a practice that includes folklore in their artmaking. In four virtual meetings over four weeks and through ongoing, online discussion, we explored folklore as an idea, its role in culture, and influence on art. During the Residency, artists identified stories from communities and made art which activated these stories. Artists examined the work done previously by artists in Kolaj Institute\u2019s Folklore Collage Society Project to develop a series of strategies for making collage that is in conversation with folklore relevant to their own community.<\/p>\n\n\n\n

See Kolaj Institute\u2019s Folklore Collage Society Project page<\/a> for an overview of the project and its history. <\/p>\n\n\n\n

Why Folklore? Be it jokes shared among professionals or stories told to us as children or local legends about ghosts in a field; folklore stitches together elements of self and place; community and identity in a way that makes us more complete beings. Folklore churns the imagination, inspires wonder, and allows us to speak our fear and anxiety. Folklore is wisdom from the past rooted in a shared history. A community without folklore is a community without culture. A community without culture isn\u2019t a community at all. Why Collage? Art has a unique ability to make the unseen seen. Art creates a space for conversation to happen. Collage is well-suited to making a bridge between the past and the present and because of that collage has a role to play in bringing folklore into the 21st century and helping us to make sense of folklore in our Modern world.<\/p>\n\n\n\n

Taking a broad view of collage and rooted in an understanding of Artist Practice, the residency presented a working theory of folklore; what it is; how it functions in communities; and the role artists can play in activating, transmitting, and celebrating folklore in communities as a form of cultural expression and a strategy for community resilience. Artists learned how to identify and document folklore; made art in response to that folklore; built a context for the folklore; and developed strategies for getting that artwork to communities and into the larger ecosystem of Art.\u00a0<\/p>\n\n\n\n

The artwork made during the residency was considered for publication in Kolaj Institute\u2019s Folklore Collage Society<\/em>, a printed journal dedicated to artwork and artists who activate, transmit, and celebrate folklore as a form of cultural expression and a strategy for community resilience. In its pages, stories, statements, essays, field notes, poetry, and song lyrics mingle with collage art that shows how collage artists are thinking about the folklore. Artwork was also considered for an exhibition at Kolaj Institute Gallery in New Orleans that will take place 31 January to 11 April 2026.<\/p>\n\n\n\n

PARTICIPATING ARTISTS<\/h2>\n\n\n\n
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Empty Gourd #1 <\/em>by Adetola Abatan
12″x12″; collage; 2025. Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n

Adetola Abatan, Seatac, Washington, USA
<\/strong>INSTAGRAM<\/a><\/p>\n\n\n\n

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All the Necessary Pieces<\/em> by Andrea Allen
collage; 2025. Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n

Andrea Allen, East Lansing, Michigan, USA<\/strong>
www.andreaeallen.com<\/a><\/p>\n\n\n\n

\"\"
Bootprints<\/em> by Melody Bellefeuille-Frost
collage. Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n

Melody Bellefeuille-Frost, Ottawa, Ontario, Canada<\/strong>
www.melodybellefeuillefrost.ca<\/a><\/p>\n\n\n\n

\"\"
The Moon in Postcolonial Madness<\/em> by Elena Blackmore
collage. Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n

Elena Blackmore, Machynlleth, Powys, United Kingdom<\/strong>
elenatayo.my.canva.site<\/a><\/p>\n\n\n\n

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Duality<\/em> by Camaray Davalos
1080px x 1080px; digital collage; 2024. Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n

Camaray Davalos, Temecula, California, USA<\/strong><\/p>\n\n\n\n

\"\"
Air Mail Story by Anjelika Deogirikar Grossman
collage. Courtesy of the artist<\/figcaption><\/figure>\n\n\n\n

Anjelika Deogirikar Grossman, Washington, DC, USA<\/strong>
www.anjelikaart.com<\/a><\/p>\n\n\n\n

\"\"
Memorial to the Witches of Dumfries<\/em> by Jennifer Evans
90″x60″x1″; paper, fabric, string, metal brads, foamcore, popsicle sticks; 2024. Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n

Jennifer Evans, Denver, Colorado, USA<\/strong>
www.thefolkloremajor.com<\/a><\/p>\n\n\n\n

\"\"
When Janie Made a Discovery<\/em> by Khaleelah I. L. Harris
installation; mixed media collage, cyanotype on linen, oil pastel; 2025. Courtesy of the artist.
<\/figcaption><\/figure>\n\n\n\n

Khaleelah I. L. Harris, Washington, DC, USA<\/strong>
www.khaleelahharris.com<\/a><\/p>\n\n\n\n

\"\"
Higher Wierdom<\/em> by Bettina Homann
11.8″x8″; analogue collage; 2024. Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n

Bettina Homann, Berlin, Germany<\/strong>
www.bettinahomann.de<\/a><\/p>\n\n\n\n

\"\"
Crumbs<\/em> by Kat Martin
4″x4″; collage; 2024. Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n

Kat Martin, Columbia, South Carolina, USA<\/strong>
INSTAGRAM<\/a><\/p>\n\n\n\n

\"\"
We, the people, of the exquisite sun press play<\/em> by Anna J. McIntyre
papercut and digital collage; 2025. Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n

Anna J. McIntyre, Montreal, Quebec, Canada<\/strong>
INSTAGRAM<\/a><\/p>\n\n\n\n

\"\"
I Go to Prepare by Kelley Nicole Palmer
collage. Courtesy of the artist<\/figcaption><\/figure>\n\n\n\n

Kelley Nicole Palmer, Ancram, New York, USA<\/strong>
www.kelleynicolepalmer.space\/glimpse<\/a><\/p>\n\n\n\n

\"\"
Gwenyambira<\/em> by Lynette Sifiso
collage. Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n

Lynette Sifiso, Bethesda, Maryland, USA<\/strong>
www.studiolynettesifiso.com<\/a><\/p>\n\n\n\n

\"\"
Breadcrumbs Make a Terrible Map by Holly Trent
collage. Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n

Holly Trent, Thousand Oaks, California, USA<\/strong>
www.hollytrent.com<\/a><\/p>\n\n\n\n

\"\"
Soft Hostage by Tracy von Ahsen
14.625″x8.5″; magazine paper and glue; 2025. Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n

Tracy von Ahsen, New York, New York, USA<\/strong>
www.tracyvonahsen.com<\/a><\/p>\n\n\n\n

\"\"
Baba Yaga by Tiffany Wilson
18″x24″; digital images; 2024. Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n

Tiffany Wilson, Reston, Virginia, USA<\/strong>
pinebella.etsy.com<\/a>\u00a0<\/p>\n\n\n\n

ABOUT THE FACULTY<\/h2>\n\n\n\n

Ric Kasini Kadour<\/strong>, a 2021 Andy Warhol Foundation for the Visual Arts Curatorial Fellow, is a writer, artist, publisher, and cultural worker. Working with the Vermont Arts Council, Kadour curated four exhibits: \u201cConnection: The Art of Coming Together\u201d (2017) and Vermont Artists to Watch 2018, 2019 and 2020. In 2017, he curated \u201cThe Art of Winter\u201d at S.P.A.C.E. Gallery in Burlington, Vermont. In 2018, Kadour curated \u201cRevolutionary Paths: Critical Issues in Collage\u201d at Antenna Gallery in New Orleans, which bought together collage artists whose work represents the potential for deeper inquiry and further curatorial exploration of the medium; followed in 2019 by \u201cCultural Deconstructions: Critical Issues in Collage\u201d at LeMieux Galleries in New Orleans, which furthered the conversation; and \u201cAmuse Bouche\u201d, also at LeMieux Galleries in 2023. Since 2018, he has produced Kolaj Fest New Orleans, a multi-day festival & symposium about contemporary collage and its role in art, culture, and society. As Curator of Contemporary Art at Rokeby Museum in Ferrisburgh, Vermont in 2019 and 2020, he curated three exhibitions, \u201cRokeby Through the Lens\u201d (May 19-June 16, 2019), \u201cStructures\u201d (August 24-October 27, 2019), and \u201cMending Fences: New Works by Carol MacDonald\u201d (July 12-October 25, 2020). He also curated \u201cContemporary American Regionalism: Vermont Perspectives\u201d (August 17-October 20, 2019); \u201cWhere the Sun Casts No Shadow: Postcards from the Creative Crossroads of Quito, Ecuador\u201d (November 1-30, 2019); and \u201cMany Americas\u201d (August 20-November 27, 2022) in the Wilson Museum & Galleries at the Southern Vermont Arts Center. \u201cThe Money $how\u201d, co-curated with Frank Juarez, was presented at the AIR Space Gallery at Saint Kate-The Arts Hotel in Milwaukee, Wisconsin (April 10-September 12, 2021). For Birr Vintage Week & Arts Festival in Birr, County Offaly, Ireland (August 13-20, 2021), he curated \u201cEmpty Columns Are a Place to Dream\u201d, which traveled to the Knoxville Museum of Art in January-February 2022. At 516 ARTS in Albuquerque, New Mexico, Kadour co-curated with Alicia Inez Guzm\u00e0n two exhibitions: \u201cMany Worlds Are Born\u201d (February 19-May 14, 2022) and \u201cTechnologies of the Spirit\u201d (June 11-September 3, 2022). In 2023 at the Knoxville Museum of Art, Kadour curated \u201cWhere the Sun Casts No Shadow: Postcards from the Creative Crossroads of Quito, Ecuador\u201d (January 9-February 16, 2023) and \u201cMystical Landscape: Secrets of the Vale\u201d (March 17-May 28, 2023). In September 2023, he curated \u201cWord of Mouth: Folklore, Community and Collage\u201d at A\u2019 the Airts in Sanquhar, Scotland. At Kolaj Institute Gallery, he curated \u201cGrand Opening Exhibition\u201d (March 9-April 14, 2024), \u201cCollage the Planet: Environmentalism in Art\u201d (April 19-May 26, 2024), \u201cMagic in the Modern World\u201d (June 1-August 11, 2024), \u201cAdvanced Wound Healing Techniques: Collage by Robbie Morgan\u201d (August 16-October 6, 2024), \u201cTemporal Geolocation: How Place & History Inform Identity in Collage\u201d (October 11-November 24, 2024), \u201cCamera & Collage\u201d (November 29, 2024- January 25, 2025), \u201cJoy and Grief: An Exhibition of Collage\u201d (April 12-May 31, 2025), \u201cCollage As Art Movement\u201d (June 14-August 31, 2025), \u201cBig Orange Monster: An Emergency Collage Exhibition\u201d (September 10-October 18, 2025), and \u201cTrash as Material\u201d (October 25-November 29, 2025).<\/p>\n\n\n\n

His first short film, The Covenant of Schwitters\u2019 Army<\/em>, debuted at Collage on Screen during Kolaj Fest New Orleans 2023. His second, Joy Is Paper<\/em>, debuted at Collage on Screen during Kolaj Fest New Orleans 2024.  Kadour is the editor and publisher of Kolaj Magazine<\/em>. He has written for a number of galleries and his writing has appeared in Hyperallergic, OEI, Vermont Magazine, Seven Days, Seattle Weekly, Art New England<\/em> (where he was the former Vermont editor) and many others. Kadour maintains an active art practice and his photography, collage, and sculpture have been exhibited in and are part of private collections in Australia, Europe and North America. In January-February 2020, he was artist-in-residence at MERZ Gallery in Sanquhar, Scotland. He holds a BA in Comparative Religion from the University of Vermont. Kadour splits his time between Montreal and New Orleans. <\/a>www.rickasinikadour.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

VIRTUAL ARTIST RESIDENCY Folklore & Collage Virtual Artist Residency A four-week, virtual collage artist residencySessions:\u00a0Four Sundays starting 14 December 2025, 1-3PM EST Folklore & Collage Residency was a four-week program designed to support artists who wanted to develop a practice…<\/p>\n

Read more →<\/a><\/p>\n","protected":false},"author":6,"featured_media":17532,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[62],"tags":[],"class_list":["post-18944","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-institute","post_format-post-format-gallery"],"jetpack_featured_media_url":"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Folklore-Collage-Artist-Residency.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-4Vy","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":17530,"url":"https:\/\/kolajmagazine.com\/content\/content\/calls-for-artists\/call-to-artists-folklore-collage-virtual-residency-2025\/","url_meta":{"origin":18944,"position":0},"title":"Call to Artists: Folklore & Collage Virtual Residency 2025","author":"Christopher Byrne","date":"7 November 2025","format":"gallery","excerpt":"CALL TO ARTISTS Folklore & Collage Virtual Artist Residency A four-week, virtual collage artist residency Sessions:\u00a0Four Sundays starting 14 December 2025, 1-3PM EST This Call to Artists is Closed. Folklore & Collage Residency is a four-week program designed to support artists who want to develop a practice that includes folklore\u2026","rel":"","context":"In "Calls for Artists"","block_context":{"text":"Calls for Artists","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/calls-for-artists\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Folklore-Collage-Artist-Residency.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Folklore-Collage-Artist-Residency.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Folklore-Collage-Artist-Residency.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Folklore-Collage-Artist-Residency.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":13271,"url":"https:\/\/kolajmagazine.com\/content\/content\/calls-for-artists\/collage-artist-residency-scotland\/","url_meta":{"origin":18944,"position":1},"title":"Collage Artist Residency Scotland: Castles as Buildings, Metaphors, & Systems of Power","author":"Christopher Byrne","date":"21 June 2024","format":"gallery","excerpt":"CALL TO ARTISTS Collage Artist Residency Scotland: Castles as Buildings, Metaphors, & Systems of Power Deadline for Fall 2024: Sunday, 30 June 2024 The idea of castles dates back to the medieval period. Conventionally defined as fortified homes for seats of power, over time the idea of castles has evolved\u2026","rel":"","context":"In "Calls for Artists"","block_context":{"text":"Calls for Artists","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/calls-for-artists\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Collage-Artist-Residency-Scotland-FALL-2024.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Collage-Artist-Residency-Scotland-FALL-2024.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Collage-Artist-Residency-Scotland-FALL-2024.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Collage-Artist-Residency-Scotland-FALL-2024.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":18928,"url":"https:\/\/kolajmagazine.com\/content\/content\/calls-for-artists\/call-to-artists-death-as-culture-in-person-artist-residencies-in-new-orleans\/","url_meta":{"origin":18944,"position":2},"title":"Call to Artists: Death as Culture: In-Person Artist Residencies in New Orleans","author":"Christopher Byrne","date":"21 September 2026","format":"gallery","excerpt":"CALL TO ARTISTS Death as Culture: In-Person Artist Residencies in New Orleans The Residency is one week long and is offered in a choice of two sessions:Week 1: Tuesday, 27 October to Saturday, 31 October 2026ORWeek 2: Sunday, 1 November to Thursday, 5 November 2026 Pre-Residency Virtual Zooms: Tuesday, 21\u2026","rel":"","context":"In "Calls for Artists"","block_context":{"text":"Calls for Artists","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/calls-for-artists\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Death-as-Culture16x9.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Death-as-Culture16x9.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Death-as-Culture16x9.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Death-as-Culture16x9.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Death-as-Culture16x9.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Death-as-Culture16x9.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":13397,"url":"https:\/\/kolajmagazine.com\/content\/institute\/collage-folklore-residency-virtual\/","url_meta":{"origin":18944,"position":3},"title":"Folklore & Collage Residency: Virtual","author":"Christopher Byrne","date":"16 June 2023","format":"gallery","excerpt":"RESIDENCY UPDATE Folklore & Collage Residency: Virtual Summer 2023 A virtual residency centered on collage artists who want to incorporate history and folklore into their artist practice. Residents will make artwork for an exhibition and book.\u00a0 ABOUT THE RESIDENCY Folklore is the imagination of the past as it is understood\u2026","rel":"","context":"In "Institute"","block_context":{"text":"Institute","link":"https:\/\/kolajmagazine.com\/content\/category\/institute\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jacoub-reyes-offering-to-the-crossroads-elegua.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jacoub-reyes-offering-to-the-crossroads-elegua.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jacoub-reyes-offering-to-the-crossroads-elegua.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jacoub-reyes-offering-to-the-crossroads-elegua.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":13506,"url":"https:\/\/kolajmagazine.com\/content\/institute\/collage-folklore-residency-knoxville\/","url_meta":{"origin":18944,"position":4},"title":"Folklore & Collage Residency: Knoxville","author":"Christopher Byrne","date":"5 February 2023","format":"gallery","excerpt":"Sanctuary by Leanne Poellinger8\"x10\"; paper collage on cradled wood panel; 2020. Courtesy of the artist. RESIDENCY UPDATE Folklore & Collage Artist Residency: Knoxville at the Knoxville Museum of Art in Knoxville, Tennessee, USA19-23 March 2023 An in-person residency at the Knoxville Museum of Art in Tennessee centered on collage artists\u2026","rel":"","context":"In "Institute"","block_context":{"text":"Institute","link":"https:\/\/kolajmagazine.com\/content\/category\/institute\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/leanne-poellinger-Sanctuary.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/leanne-poellinger-Sanctuary.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/leanne-poellinger-Sanctuary.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/leanne-poellinger-Sanctuary.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":15779,"url":"https:\/\/kolajmagazine.com\/content\/institute\/virtual-collage-artist-residency-castles-as-buildings-metaphors-systems-of-power\/","url_meta":{"origin":18944,"position":5},"title":"Virtual Collage Artist Residency: Castles as Buildings, Metaphors, & Systems of Power","author":"Christopher Byrne","date":"11 December 2024","format":"gallery","excerpt":"COLLAGE RESIDENCY Castles as Buildings, Metaphors and Systems of Power Virtual Artist Residency A month-long, virtual\/online collage artist residency in November and December 2024 As part of a year-long investigation of castles as buildings, metaphors, and systems of power, Kolaj Institute hosted a month-long virtual artist residency focused on castles\u2026","rel":"","context":"In "Institute"","block_context":{"text":"Institute","link":"https:\/\/kolajmagazine.com\/content\/category\/institute\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/yujia-jin-cesare-borgia-gunfire.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/yujia-jin-cesare-borgia-gunfire.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/yujia-jin-cesare-borgia-gunfire.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/yujia-jin-cesare-borgia-gunfire.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/18944","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=18944"}],"version-history":[{"count":3,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/18944\/revisions"}],"predecessor-version":[{"id":18964,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/18944\/revisions\/18964"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/17532"}],"wp:attachment":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=18944"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=18944"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=18944"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}