{"id":1997,"date":"2013-07-07T15:12:04","date_gmt":"2013-07-07T19:12:04","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=1997"},"modified":"2015-05-01T09:37:10","modified_gmt":"2015-05-01T13:37:10","slug":"issue-5-threads-of-perception","status":"publish","type":"post","link":"https:\/\/kolajmagazine.com\/content\/issues\/issue-5-threads-of-perception\/","title":{"rendered":"Issue 5: Threads of Perception"},"content":{"rendered":"<p><em>Kolaj is a quarterly, printed magazine about contemporary collage. We are interested in how collage is made, how collage is exhibited, and how collage is collected. We bring together critical reviews and essays with artist profiles, event highlights, and articles on collage collecting, exhibiting, and making. Kolaj is published in Montreal, Quebec by\u00a0<a href=\"http:\/\/www.maisonkasini.com\/\" target=\"_blank\" rel=\"nofollow\">Maison Kasini<\/a>.<\/em><\/p>\n<h3 style=\"text-align: center;\"><a href=\"http:\/\/shop.kasinihouseartshop.com\/product\/kolaj-magazine-issue-5\"><img decoding=\"async\" class=\"wp-image-1998 alignnone\" style=\"border: 0px; margin: 5px;\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-5-Cover.jpg\" alt=\"Issue-5-Cover\" height=\"500\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-5-Cover.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-5-Cover-300x375.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-5-Cover-400x500.jpg 400w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/a><\/h3>\n<h3 style=\"text-align: center;\">Here&#8217;s a preview of what&#8217;s in the issue:<\/h3>\n<p style=\"text-align: center;\">Allan Bealy&#8217;s <em>Tie<\/em> is on the cover. This Brooklyn artist is doing interesting things with the insides of product boxes.<\/p>\n<p style=\"text-align: center;\">Editor Benoit Depelteau gives us his thoughts on that line between collage as fine art and craft collage.<\/p>\n<p style=\"text-align: center;\">Claudia Eve Beauchesne shares a profile of NYC street artist Dain.<\/p>\n<p style=\"text-align: center;\">Ric Kasini Kadour interviews Vermont artist Duncan Johnson who is collaging wood reclaimed from the town dump.<\/p>\n<p style=\"text-align: center;\">Ariane Fairlie reviews Ellen Gallagher&#8217;s work at Tate Modern in London.<\/p>\n<p style=\"text-align: center;\">We look at new scholarship on the final years of Kurt Schwitters.<\/p>\n<p style=\"text-align: center;\">Cory Peeke reviews the book\u00a0<em>\u00a0O! Tricky Cad and Other Jessoterica<\/em><\/p>\n<p style=\"text-align: center;\">Nancy Flagg gives us a glimpse at Northern California collagists with a review of a group show in Sacramento<\/p>\n<p style=\"text-align: center;\">Lisa Kehler reviews Greg Lamarche\u2019s &#8220;All of the Above&#8221; exhibition at Graffiti Gallery in Winnipeg, Manitoba.<\/p>\n<p style=\"text-align: center;\">Elizabeth Hazard reviews tells us about Elektra KB&#8217;s &#8220;There are Women at the Gates Seeking a New World&#8221; at BravinLee in New York City.<\/p>\n<p style=\"text-align: center;\">We go inside Ross Carron&#8217;s studio.<\/p>\n<p style=\"text-align: center;\">We take a look at portfolios from<br \/>\nBrooklyn, New York<br \/>\nBarcelona, Spain<br \/>\nGoshen, Connecticut<br \/>\nMontreal, Quebec, Canada<br \/>\nHouston, Texas<\/p>\n<p style=\"text-align: center;\">And, as always, there\u2019s a new Cut-Out Page.<\/p>\n<table width=\"714\" cellspacing=\"5\" cellpadding=\"5\">\n<tbody>\n<tr>\n<td colspan=\"2\" valign=\"top\">\n<div align=\"center\">\n<h1>SUBSCRIBE OR ORDER AN ISSUE<\/h1>\n<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"125\">\n<h2 style=\"text-align: center;\" align=\"center\"><strong><a href=\"http:\/\/shop.kasinihouseartshop.com\/artist\/kolaj\">INTERNATIONAL<br \/>\n<\/a><\/strong>(US dollars)<\/h2>\n<\/td>\n<td valign=\"top\" width=\"125\">\n<h2 style=\"text-align: center;\" align=\"center\"><strong><a href=\"http:\/\/shop.kolajmagazine.com\">CANADA<br \/>\n<\/a><\/strong>(Canadian dollars)<\/h2>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"125\">\n<div align=\"center\"><a href=\"http:\/\/shop.kasinihouseartshop.com\/artist\/kolaj\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.kolajmagazine.com\/images\/Artshop-Logo.jpg\" alt=\"\" width=\"102\" height=\"118\" \/><\/a><\/div>\n<\/td>\n<td width=\"125\">\n<div align=\"center\"><a href=\"http:\/\/shop.kolajmagazine.com\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.kolajmagazine.com\/images\/SISSOR-SIGN.png\" alt=\"\" width=\"102\" height=\"114\" \/><\/a><\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Kolaj is a quarterly, printed magazine about contemporary collage. We are interested in how collage is made, how collage is exhibited, and how collage is collected. We bring together critical reviews and essays with artist profiles, event highlights, and articles&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/kolajmagazine.com\/content\/issues\/issue-5-threads-of-perception\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":4,"featured_media":1998,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[5],"tags":[],"jetpack_featured_media_url":"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-5-Cover.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-wd","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":115,"url":"https:\/\/kolajmagazine.com\/content\/news\/special-pre-issue\/","url_meta":{"origin":1997,"position":0},"title":"Special Pre-Issue: Why Collage, Why Now","author":"kasini","date":"11 February 2012","format":false,"excerpt":"Kolaj Magazine's Special Pre-Issue is now available Order Why Collage? Why Now? today!","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"https:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Cover-Pre-Issue-web.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":897,"url":"https:\/\/kolajmagazine.com\/content\/issues\/issue-two-is-this-collage\/","url_meta":{"origin":1997,"position":1},"title":"Issue Two: Is This Collage?","author":"Christopher Byrne","date":"29 October 2012","format":false,"excerpt":"Contents Kolaj editor Benoit Depelteau asks, \"Is this collage?\" Ric Kasini Kadour tells how Venezuelan collage artist Alejandro Otero brought modernity to his country. Kolaj editor Benoit Depelteau investigates collage as process with artist Emmanuel Laflamme. Billy Mavreas' \"Collage Today & Everyday\" explores collage culture. Cory W. Peeke talks with\u2026","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"https:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-2-Cover-Final1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-2-Cover-Final1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-2-Cover-Final1.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":9897,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/collage-language\/","url_meta":{"origin":1997,"position":2},"title":"Collage Language","author":"Christopher Byrne","date":"21 July 2020","format":"gallery","excerpt":"untitled by Marta Janik from the \"Collage Language\" projectcollage; 2019. Courtesy of the artist. FROM KOLAJ 29 Report from Warsaw For Kolaj #29, Polish collage artist Marta Janik sent us a report about the \u201cCollage Language\u201d project taking place in Warsaw. The Collage Language project held several events between September\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/marta-janik-from-collage-language.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/marta-janik-from-collage-language.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/marta-janik-from-collage-language.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/marta-janik-from-collage-language.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":5548,"url":"https:\/\/kolajmagazine.com\/content\/issues\/kolaj-18\/","url_meta":{"origin":1997,"position":3},"title":"Kolaj #18","author":"Christopher Byrne","date":"16 January 2017","format":"gallery","excerpt":"Kolaj #18 delivers a look at the wonderful world of contemporary collage: the people who make it and the people who love it. INSIDE THIS ISSUE A detail of Michael Tunk's Tigress graces the front of Kolaj #18. Faltage 33 by Collage N is on the back cover. We include\u2026","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"https:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/k18-cover.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/k18-cover.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/k18-cover.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":604,"url":"https:\/\/kolajmagazine.com\/content\/news\/kolaj-magazine-launches-artist-directory\/","url_meta":{"origin":1997,"position":4},"title":"Kolaj Magazine Launches Artist Directory","author":"kasini","date":"30 July 2012","format":false,"excerpt":"Kolaj Magazine has announced the creation of an artist directory that will serve as a tool for organizing and cataloguing artists who work in the medium of collage. Its audience includes the general public as well as independent curators, art venues, and writers. The editorial staff of Kolaj Magazine will\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/kolajmagazine.com\/content\/category\/news\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Artist-Directory.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Artist-Directory.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Artist-Directory.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":7891,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/collage-saves\/","url_meta":{"origin":1997,"position":5},"title":"Collage Saves","author":"Christopher Byrne","date":"15 February 2019","format":"gallery","excerpt":"FROM KOLAJ 24 The Brain Chemistry of Collage In Kolaj #24, author, mental health professional, and collage artist Laurie Kanyer considers what is going on in the brain when an artist is making collage. You may have heard the saying, \u201cArt Saves Lives\u201d, but I say, \u201cCollage Saves Lives Better\u201d.\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Fiery_Color_073.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Fiery_Color_073.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Fiery_Color_073.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Fiery_Color_073.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/1997"}],"collection":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=1997"}],"version-history":[{"count":0,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/1997\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/1998"}],"wp:attachment":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=1997"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=1997"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=1997"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}