{"id":2018,"date":"2011-10-01T21:35:14","date_gmt":"2011-10-02T01:35:14","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=2018"},"modified":"2013-07-08T21:45:26","modified_gmt":"2013-07-09T01:45:26","slug":"lisa-kehler","status":"publish","type":"post","link":"https:\/\/kolajmagazine.com\/content\/contributors\/lisa-kehler\/","title":{"rendered":"Lisa Kehler"},"content":{"rendered":"

Lisa Kehler is an emerging curator with an interest in artistic practices that lie outside of the academic tradition. \u00a0She has worked in galleries and with arts organizations across Canada, including Atelier Gallery, the Art Gallery of Nova Scotia, and is currently the Special Projects Director at Border Crossings<\/em> in Winnipeg, Manitoba. She holds a BA Honours in Art History and is currently pursuing her Masters in Cultural Studies: Curatorial Practices at the University of Winnipeg.<\/p>\n

In June 2013, Kehler was published in The Plug In ICA’s book, Art Tomorrow: 40 years of the Future Now<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Lisa Kehler is an emerging curator with an interest in artistic practices that lie outside of the academic tradition. She has worked in galleries and with arts organizations across Canada, including Atelier Gallery, the Art Gallery of Nova Scotia, and is currently the Special Projects Director at Border Crossings<\/i> in Winnipeg, Manitoba. She holds a BA Honours in Art History and is currently pursuing her Masters in Cultural Studies: Curatorial Practices at the University of Winnipeg. In June 2013, Kehler was published in The Plug In ICA’s book, Art Tomorrow: 40 years of the Future Now<\/i>.<\/p>\n

Read more →<\/a><\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[8,28],"tags":[],"class_list":["post-2018","post","type-post","status-publish","format-standard","hentry","category-contributors","category-lisa-kehler"],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-wy","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":5202,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/the-braided-stream\/","url_meta":{"origin":2018,"position":0},"title":"The Braided Stream","author":"Christopher Byrne","date":"8 September 2016","format":"gallery","excerpt":"Neil Farber: \"The Braided Stream\" 9 September-8 October 2016 \"The Braided Stream\", at Lisa Kehler Art + Projects, is Neil Farber's first Canadian solo show in over a decade. The exhibition features 10 new paintings created through his current favoured process of layering paint, text, and collages in acrylic pouring\u2026","rel":"","context":"In "Exhibitions"","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/neil-farber-the-guy-in-the-top-right-corner-web.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/neil-farber-the-guy-in-the-top-right-corner-web.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/neil-farber-the-guy-in-the-top-right-corner-web.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/neil-farber-the-guy-in-the-top-right-corner-web.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2086,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/lamarche-review\/","url_meta":{"origin":2018,"position":1},"title":"“All of the Above: Works by Greg Lamarche” at Graffiti Gallery","author":"Christopher Byrne","date":"22 July 2013","format":"gallery","excerpt":"\"All of the Above: Works by Greg Lamarche\" at Graffiti Gallery by Lisa Kehler When graffiti moves from the street into the gallery, there is often mixed reaction. Despite the fact that its very essence springs from an anti-establishment mentality, Graffiti Gallery in Winnipeg, Manitoba is devoted specifically to the\u2026","rel":"","context":"In "Articles"","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"Italy by Greg Lamarche","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/citytocitypanels.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/citytocitypanels.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/citytocitypanels.jpg?resize=525%2C300 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/citytocitypanels.jpg?resize=700%2C400 2x"},"classes":[]},{"id":1997,"url":"https:\/\/kolajmagazine.com\/content\/issues\/issue-5-threads-of-perception\/","url_meta":{"origin":2018,"position":2},"title":"Issue 5: Threads of Perception","author":"kasini","date":"7 July 2013","format":"gallery","excerpt":"Kolaj is a quarterly, printed magazine about contemporary collage. We are interested in how collage is made, how collage is exhibited, and how collage is collected. We bring together critical reviews and essays with artist profiles, event highlights, and articles on collage collecting, exhibiting, and making. 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