{"id":2264,"date":"2013-09-10T20:51:01","date_gmt":"2013-09-11T00:51:01","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=2264"},"modified":"2013-09-10T20:51:01","modified_gmt":"2013-09-11T00:51:01","slug":"modern-british-collage","status":"publish","type":"post","link":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/modern-british-collage\/","title":{"rendered":"Modern British Collage at Pallant House Gallery"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-2267\" alt=\"Adonis in Y-Fronts by Richard Hamilton\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Hamilton_AdonisinYFronts-web.jpg\" width=\"700\" height=\"523\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Hamilton_AdonisinYFronts-web.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Hamilton_AdonisinYFronts-web-300x224.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Hamilton_AdonisinYFronts-web-400x298.jpg 400w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Hamilton_AdonisinYFronts-web-600x448.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Hamilton_AdonisinYFronts-web-560x418.jpg 560w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Hamilton_AdonisinYFronts-web-260x194.jpg 260w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Hamilton_AdonisinYFronts-web-160x119.jpg 160w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><\/p>\n<p><strong>15 June-29 September 2013<\/strong><\/p>\n<p>&#8220;Modern British Collage and its Legacy&#8221;<\/p>\n<p>Pallant House Gallery presents an exhibition exploring the role of collage in the trajectory of modern British art, through works in the gallery&#8217;s own collection. The work includes collage, prints, and paintings by artists such as John Piper, Ben Nicholson, Eileen Agar, Nigel Henderson, Richard Hamilton, Peter Blake, and John Stezaker.<\/p>\n<p>The exhibition begins with work by the British avant-garde, who used collage as a means for developing their own variation on international modernism and abstraction in the 1920s and 30s. The work of The Independent Group, which emerged in the post-war period, is also examined, including work by Nigel Henderson (<em>Screen<\/em> (1949-1960)) and Eduardo Paolozzi, who is known for his BUNK collages created for the inaugural meeting of The Independent Group in 1952. These works were assembled from magazines given to the artist by American ex-servicemen and referenced fashion, car design, domestic goods, film, and science fiction.<\/p>\n<p>Richard Hamilton&#8217;s work focused on the power of advertising and the ubiquity of images in mass media. This exhibit includes his painting and related screenprints for<em> Adonis in Y-Fronts<\/em>.<\/p>\n<p>Pop Artists such as Peter Blake and Colin Self are represented. John Stezaker, known for his &#8220;Dark Star&#8221; collages, brings the exhibition to the present with a 2012 work acquired for the collection.<\/p>\n<p>(adapted from the gallery&#8217;s press materials)<\/p>\n<hr \/>\n<h3>INFORMATION<\/h3>\n<p><strong>Pallant House Gallery<\/strong><br \/>\n9 North Pallant<br \/>\nChichester, West Sussex PO19 1TJ United Kingdom<br \/>\n(01243) 774557<\/p>\n<p>Hours:<br \/>\nTuesday-Saturday, 10AM-5PM<\/p>\n<p><a style=\"letter-spacing: 0.05em; line-height: 1.6875;\" href=\"https:\/\/maps.google.ca\/maps?ie=UTF-8&amp;q=9+North+Pallant&amp;fb=1&amp;gl=ca&amp;hq=9+North+Pallant&amp;ei=JasvUujpO--CyAHtg4CgDw&amp;ved=0CJgBELYD\" target=\"_blank\">MAP<\/a><span style=\"letter-spacing: 0.05em; line-height: 1.6875;\"> | <\/span><a style=\"letter-spacing: 0.05em; line-height: 1.6875;\" href=\"http:\/\/www.pallant.org.uk\" target=\"_blank\">WEBSITE<\/a><span style=\"letter-spacing: 0.05em; line-height: 1.6875;\">\u00a0| <\/span><a style=\"letter-spacing: 0.05em; line-height: 1.6875;\" href=\"https:\/\/www.facebook.com\/pallantgallery\" target=\"_blank\">FACEBOOK<\/a><\/p>\n<p><strong>Image:<\/strong><br \/>\n<em>Adonis in Y-Fronts<\/em><br \/>\nby Richard Hamilton (1922-2011)<br \/>\nscreenprint<br \/>\n1963<br \/>\nWilson Loan, 2006<br \/>\nCopyright Estate of the Artist<br \/>\nImage courtesy of Pallant House Gallery<\/p>\n","protected":false},"excerpt":{"rendered":"<p>15 June-29 September 2013<\/p>\n<p>&#8220;Modern British Collage and its Legacy&#8221; surveys collage in modern British art, through works in the gallery&#8217;s own collection. The works on exhibit range from the British Avant-Garde of the 1920s and 1930s, through The Independent Group and Pop Art, to work by John Stezaker from 2011.<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/modern-british-collage\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":2267,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Hamilton_AdonisinYFronts-web.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-Aw","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":8901,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/vital-fragments-nigel-henderson-and-the-art-of-collage\/","url_meta":{"origin":2264,"position":0},"title":"Vital Fragments: Nigel Henderson and the Art of Collage","author":"Christopher Byrne","date":"30 November 2019","format":"gallery","excerpt":"Collage for Patio and Pavilion (the growth of plant forms) by Nigel Henderson1956. Tate. Presented by the Estate of Nigel Henderson 2010 COLLAGE ON VIEW Vital Fragments: Nigel Henderson and the Art of Collage at Tate Britain in London, United Kingdom2 December 2019-5 April 2020 Nigel Henderson\u2019s experimental collages combine\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Nigel-Henderson_T13304.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Nigel-Henderson_T13304.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Nigel-Henderson_T13304.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Nigel-Henderson_T13304.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":14581,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/paper-play\/","url_meta":{"origin":2264,"position":1},"title":"Paper Play","author":"Christopher Byrne","date":"14 November 2023","format":"gallery","excerpt":"Nigel by Geoff Wonnacott24\"x20\"; collage. 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The word collage--from the French verb coller, meaning \u201cto stick\u201d--was first used to describe the\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/geoff-wonnacott-nigel-web.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/geoff-wonnacott-nigel-web.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/geoff-wonnacott-nigel-web.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/geoff-wonnacott-nigel-web.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":718,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/transmitterreceiver-the-persistence-of-collage-at-the-new-art-gallery-walsall\/","url_meta":{"origin":2264,"position":2},"title":"&#8220;Transmitter\/Receiver: The Persistence of Collage&#8221; at The New Art Gallery Walsall","author":"Christopher Byrne","date":"27 August 2012","format":false,"excerpt":"4 May-30 June 2012 The title of this touring exhibition comes from the words of the French critic Nicholas Bourriaud: \u201cWe are no longer either passive receivers or authoritative cultural transmitters, but potentially both simultaneously.\u201d It presents the work of 32 artists to illustrate some of the uses of \u201ccollage\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/STEZAKER-John-ACC23_2007-web.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/STEZAKER-John-ACC23_2007-web.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/STEZAKER-John-ACC23_2007-web.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":2609,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/collage-prominence-london\/","url_meta":{"origin":2264,"position":3},"title":"Collage Continues Its Prominence in London","author":"Christopher Byrne","date":"29 January 2014","format":"gallery","excerpt":"During 2013, Kolaj Magazine reported on several collage exhibitions in London, including Ellen Gallagher\u2019s \u201cAxME\u201d at Tate Modern, Robert Motherwell\u2019s collage and \u201cA Century of Collage\u201d at Bernard Jacobson Gallery, three collage-focused shows at The Photographers\u2019 Gallery, and a major Kurt Schwitters retrospective at Tate Britain. 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