{"id":3487,"date":"2015-01-13T12:38:23","date_gmt":"2015-01-13T17:38:23","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=3487"},"modified":"2015-05-01T09:45:49","modified_gmt":"2015-05-01T13:45:49","slug":"issue-11","status":"publish","type":"post","link":"https:\/\/kolajmagazine.com\/content\/issues\/issue-11\/","title":{"rendered":"Issue 11"},"content":{"rendered":"<p>Kolaj Magazine <em>is a quarterly, printed magazine about contemporary collage. We are interested in how collage is made, how collage is exhibited, and how collage is collected. We are interested in the role collage plays in contemporary visual culture. We provide quality exposure for contemporary collage art. Kolaj Magazine is published in Montreal, Quebec by <a href=\"http:\/\/www.maisonkasini.com\/\" target=\"_blank\">Maison Kasini<\/a>.<\/em><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-3488\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/K11-Cover.jpg\" alt=\"K11-Cover\" width=\"600\" height=\"750\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/K11-Cover.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/K11-Cover-300x375.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/K11-Cover-560x700.jpg 560w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/K11-Cover-260x325.jpg 260w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/K11-Cover-160x200.jpg 160w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>IN THIS ISSUE:<\/p>\n<p>&#8220;Medium &amp; Genre&#8221; is the theme of Associate Editor Ariane Fairlie&#8217;s editorial in Issue 11.<\/p>\n<p>On the Cover is Montreal artist David Elliott&#8217;s <em>Two Buddhas<\/em>. An interview with Elliott, &#8220;Shadow Boxer&#8221;, by Ariane Fairlie explores how is painting crosses multiple mediums<\/p>\n<p>In News &amp; Notes,\u00a0we remember Martin Copertari, who died in late 2014. Allan Bealy launches his collage alphabet, <em>Z2A<\/em>. Nancy Bernardo deconstructs Brad Pitt. Two American collage associations, the National Collage Society and Collage Writers of America, have their annual, juried shows.<\/p>\n<p>Daniel Kany reviews &#8220;Cubism: The Leonard A. Lauder Collection&#8221; at New York&#8217;s Metropolitan Museum of Art.<\/p>\n<p>In &#8220;One Plus One Became Three&#8221;, Kimberly Musial Datchuk interviews Vermont artists Blake Larsen and Alex Costantino about the art of collaboration.<\/p>\n<p>The Joy of Dumpster-Driven Art Making is the theme of &#8220;Junked Art&#8221; by Liz Cohn.<\/p>\n<p>Brooklyn-based artist Kenan Juska unveiled his &#8220;Daily Operation&#8221;, an installation of over 500 assemblages, at Pioneer Works in late 2014. Claudia Eve Beauchesne interviewed the artist.<\/p>\n<p>Kevin Sampsell gives his first-hand account, &#8220;My Rookie Season in Collage&#8221;.<\/p>\n<p>Issue 11&#8217;s\u00a0Exhibition In Print has the theme of Broken Bodies. Curated by Ric Kasini Kadour.<\/p>\n<p>Luigi Galimberti Faussone reviews Anselm Kiefer&#8217;s monumental collages at the Royal Academy of Arts in London.<\/p>\n<p>Artist portfolios from\u00a0Burlington, Vermont; Montreal, Quebec; San Francisco, California; and Edmonds, Washington.<\/p>\n<p>And as always, a new Cut-Out Page and Artist Directory.<\/p>\n<table width=\"714\" cellspacing=\"5\" cellpadding=\"5\">\n<tbody>\n<tr>\n<td colspan=\"2\" valign=\"top\">\n<div align=\"center\">\n<h1>SUBSCRIBE OR ORDER AN ISSUE<\/h1>\n<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"125\">\n<h2 style=\"text-align: center;\" align=\"center\"><strong><a href=\"http:\/\/shop.kasinihouseartshop.com\/artist\/kolaj\">INTERNATIONAL<br \/>\n<\/a><\/strong>(US dollars)<\/h2>\n<\/td>\n<td valign=\"top\" width=\"125\">\n<h2 style=\"text-align: center;\" align=\"center\"><strong><a href=\"http:\/\/shop.kolajmagazine.com\">CANADA<br \/>\n<\/a><\/strong>(Canadian dollars)<\/h2>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"125\">\n<div align=\"center\"><a href=\"http:\/\/shop.kasinihouseartshop.com\/artist\/kolaj\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.kolajmagazine.com\/images\/Artshop-Logo.jpg\" alt=\"\" width=\"102\" height=\"118\" \/><\/a><\/div>\n<\/td>\n<td width=\"125\">\n<div align=\"center\"><a href=\"http:\/\/shop.kolajmagazine.com\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.kolajmagazine.com\/images\/SISSOR-SIGN.png\" alt=\"\" width=\"102\" height=\"114\" \/><\/a><\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Kolaj Magazine is a quarterly, printed magazine about contemporary collage. We are interested in how collage is made, how collage is exhibited, and how collage is collected. We are interested in the role collage plays in contemporary visual culture. We&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/kolajmagazine.com\/content\/issues\/issue-11\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":3488,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[5],"tags":[],"jetpack_featured_media_url":"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/K11-Cover.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-Uf","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":3086,"url":"https:\/\/kolajmagazine.com\/content\/issues\/issue-9\/","url_meta":{"origin":3487,"position":0},"title":"Issue 9","author":"Christopher Byrne","date":"4 August 2014","format":"gallery","excerpt":"Kolaj\u00a0is a quarterly, printed magazine about contemporary collage. We are interested in how collage is made, how collage is exhibited, and how collage is collected. We bring together critical reviews and essays with artist profiles, event highlights, and articles on collage collecting, exhibiting, and making.\u00a0Kolaj\u00a0is published in Montreal, Quebec by\u00a0Maison\u2026","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"https:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K9-Cover.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K9-Cover.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K9-Cover.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":3701,"url":"https:\/\/kolajmagazine.com\/content\/issues\/issue-12\/","url_meta":{"origin":3487,"position":1},"title":"Issue 12","author":"Christopher Byrne","date":"26 April 2015","format":"gallery","excerpt":"Kolaj Magazine is a quarterly, printed magazine about contemporary collage. We are interested in how collage is made, how collage is exhibited, and how collage is collected. We are interested in the role collage plays in contemporary visual culture. We provide quality exposure for contemporary collage art. Kolaj Magazine is\u2026","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"https:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj12-cover.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj12-cover.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj12-cover.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":897,"url":"https:\/\/kolajmagazine.com\/content\/issues\/issue-two-is-this-collage\/","url_meta":{"origin":3487,"position":2},"title":"Issue Two: Is This Collage?","author":"Christopher Byrne","date":"29 October 2012","format":false,"excerpt":"Contents Kolaj editor Benoit Depelteau asks, \"Is this collage?\" Ric Kasini Kadour tells how Venezuelan collage artist Alejandro Otero brought modernity to his country. Kolaj editor Benoit Depelteau investigates collage as process with artist Emmanuel Laflamme. Billy Mavreas' \"Collage Today & Everyday\" explores collage culture. Cory W. Peeke talks with\u2026","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"https:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-2-Cover-Final1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-2-Cover-Final1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-2-Cover-Final1.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":2585,"url":"https:\/\/kolajmagazine.com\/content\/issues\/issue-7\/","url_meta":{"origin":3487,"position":3},"title":"Issue 7: Collage &#038; Collaboration","author":"kasini","date":"16 January 2014","format":"gallery","excerpt":"Kolaj is a quarterly, printed magazine about contemporary collage. We are interested in how collage is made, how collage is exhibited, and how collage is collected. We bring together critical reviews and essays with artist profiles, event highlights, and articles on collage collecting, exhibiting, and making. Kolaj is published in\u2026","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"https:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"K7-Cover","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K7-Cover.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K7-Cover.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K7-Cover.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":2843,"url":"https:\/\/kolajmagazine.com\/content\/issues\/issue-8\/","url_meta":{"origin":3487,"position":4},"title":"Issue 8","author":"Christopher Byrne","date":"11 April 2014","format":"gallery","excerpt":"Kolaj is a quarterly, printed magazine about contemporary collage. We are interested in how collage is made, how collage is exhibited, and how collage is collected. We bring together critical reviews and essays with artist profiles, event highlights, and articles on collage collecting, exhibiting, and making. Kolaj is published in\u2026","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"https:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K8-Cover.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K8-Cover.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K8-Cover.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":1997,"url":"https:\/\/kolajmagazine.com\/content\/issues\/issue-5-threads-of-perception\/","url_meta":{"origin":3487,"position":5},"title":"Issue 5: Threads of Perception","author":"kasini","date":"7 July 2013","format":"gallery","excerpt":"Kolaj is a quarterly, printed magazine about contemporary collage. We are interested in how collage is made, how collage is exhibited, and how collage is collected. We bring together critical reviews and essays with artist profiles, event highlights, and articles on collage collecting, exhibiting, and making. 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