{"id":3577,"date":"2015-02-17T01:30:46","date_gmt":"2015-02-17T06:30:46","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=3577"},"modified":"2015-02-15T21:43:54","modified_gmt":"2015-02-16T02:43:54","slug":"cubism-collage","status":"publish","type":"post","link":"https:\/\/kolajmagazine.com\/content\/content\/articles\/cubism-collage\/","title":{"rendered":"Cubism &#038; Collage"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-3578\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/georges-braque-fruit-dish-and-glass.jpg\" alt=\"georges-braque-fruit-dish-and-glass\" width=\"510\" height=\"700\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/georges-braque-fruit-dish-and-glass.jpg 510w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/georges-braque-fruit-dish-and-glass-300x411.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/georges-braque-fruit-dish-and-glass-260x356.jpg 260w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/georges-braque-fruit-dish-and-glass-160x219.jpg 160w\" sizes=\"(max-width: 510px) 100vw, 510px\" \/><\/p>\n<p>On display from 20 October 2014 to 16 February 2015, &#8220;<a href=\"http:\/\/www.metmuseum.org\/about-the-museum\/press-room\/exhibitions\/2014\/cubism-the-leonard-lauder-collection\" target=\"_blank\">Cubism: The Leonard A. Lauder Collection<\/a>&#8221; at the Metropolitan Museum of Art in New York featured 81\u00a0Cubist works by Pablo Picasso, Georges Braque, Juan Gris and Fernand Leger.<\/p>\n<p>For Issue 11 of <em>Kolaj Magazine<\/em>, we sent art critic <a href=\"http:\/\/kolajmagazine.com\/content\/contributors\/daniel-kany\" target=\"_blank\">Daniel Kany<\/a> to review the show.<\/p>\n<blockquote><p>Collage allowed for some of Cubism\u2019s most powerful ideas to spill into the real world. Braque was able to expand Cubism\u2019s target from legibility to discourse. Braque\u2019s first collage piece might be one of two in the collection. These early collage works are spare and unassuming, but they make for a tsunami moment in the exhibition. Everything before seems to lead up to the cresting moment of collage. Collage comes as an epiphany\u2014the Eureka! moment of Modernist art. Modernism\u2019s coming of age\u2014its transition to unassailable self-awareness\u2014happened the moment Braque glued wallpaper into his paintings.<\/p><\/blockquote>\n<p>This article originally appeared in Issue Eleven. To read the entire article and other writing about the world of collage,\u00a0<a title=\"Subscribe\" href=\"http:\/\/kolajmagazine.com\/content\/subscribe\">SUBSCRIBE<\/a>\u00a0to <em>Kolaj<\/em> or\u00a0<a href=\"http:\/\/shop.kasinihouseartshop.com\/artist\/kolaj\" target=\"_blank\">PURCHASE ISSUE ELEVEN<\/a>.<\/p>\n<p><strong>Image:<\/strong><br \/>\n<em>Fruit Dish and Glass<\/em><br \/>\nby Georges Braque<br \/>\n24.75&#8243;x18&#8243;<br \/>\ncharcoal and cut-and-pasted printed wallpaper with gouache on white laid paper; subsequently mounted on paperboard<br \/>\n1912<br \/>\nPromised Gift from the Leonard A. Lauder Cubist Collection<br \/>\n\u0081\u0081\u00a9 2014 Artist Rights Society (ARS), New York\/ADAGP, Paris<\/p>\n","protected":false},"excerpt":{"rendered":"<p>On display from 20 October 2014 to 16 February 2015, &#8220;Cubism: The Leonard A. Lauder Collection&#8221; at the Metropolitan Museum of Art in New York featured 81\u00a0Cubist works by Pablo Picasso, Georges Braque, Juan Gris and Fernand Leger. For Issue&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/kolajmagazine.com\/content\/content\/articles\/cubism-collage\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":3578,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[6,39],"tags":[],"jetpack_featured_media_url":"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/georges-braque-fruit-dish-and-glass.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-VH","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":3508,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/issue-11-editorial-medium-genre\/","url_meta":{"origin":3577,"position":0},"title":"Issue Eleven Editorial: Medium &#038; Genre","author":"Christopher Byrne","date":"25 January 2015","format":"gallery","excerpt":"\"Medium & Genre\" by Ariane Fairlie In this issue, Kolaj addresses the close relationship between collage and painting. 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Its immediacy makes it the medium most capable of doing this and it has the ability to reconcile\u2026","rel":"","context":"In &quot;Ariane Fairlie&quot;","block_context":{"text":"Ariane Fairlie","link":"https:\/\/kolajmagazine.com\/content\/category\/ariane-fairlie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/alexis-lavoie-spectres-de-couleurs.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/alexis-lavoie-spectres-de-couleurs.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/alexis-lavoie-spectres-de-couleurs.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/alexis-lavoie-spectres-de-couleurs.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":3419,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/water-collage-maine\/","url_meta":{"origin":3577,"position":1},"title":"Something In the Water: Collage in Maine","author":"Christopher Byrne","date":"6 December 2014","format":"gallery","excerpt":"In Issue 10 of Kolaj Magazine, Daniel Kany's article \"Something In the Water\" surveyed the state of collage in Maine, USA. Kany said, \"I am weekly art critic for Maine\u2019s largest circulation newspaper; the significant art currents in the state are my bread and butter. And I couldn\u2019t agree more\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/justin-richel-unleashed-web.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/justin-richel-unleashed-web.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/justin-richel-unleashed-web.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":1559,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/georges-braque-and-the-cubist-still-life-1928-1945-at-mildred-lane-kemper2\/","url_meta":{"origin":3577,"position":2},"title":"&#8220;Georges Braque and the Cubist Still Life, 1928-1945&#8221; at Mildred Lane Kemper","author":"Christopher Byrne","date":"21 March 2013","format":false,"excerpt":"25 January-21 April 2013 \"Georges Braque and the Cubist Still Life, 1928-1945\" is a major U.S. exhibition of the still lifes of one of the founders of cubism and collage. Braque also invented the papier coll\u00e9 technique.","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Braque-Round_Table_PRINT11-web.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":3487,"url":"https:\/\/kolajmagazine.com\/content\/issues\/issue-11\/","url_meta":{"origin":3577,"position":3},"title":"Issue 11","author":"Christopher Byrne","date":"13 January 2015","format":"gallery","excerpt":"Kolaj Magazine is a quarterly, printed magazine about contemporary collage. We are interested in how collage is made, how collage is exhibited, and how collage is collected. We are interested in the role collage plays in contemporary visual culture. We provide quality exposure for contemporary collage art. Kolaj Magazine is\u2026","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"https:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K11-Cover.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K11-Cover.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K11-Cover.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":1796,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/over-under-next-hirshhorn\/","url_meta":{"origin":3577,"position":4},"title":"&#8220;Over, Under, Next&#8221; at the Hirshhorn Museum &#038; Sculpture Garden","author":"Christopher Byrne","date":"9 May 2013","format":false,"excerpt":"18 April-8 September 2013 \u201cOver, Under, Next: Experiments in Mixed Media, 1913\u2013Present\u201d is an exhibition of approximately 100 works drawn largely from the Hirshhorn Museum and Sculpture Garden\u2019s collection. The show surveys an era in which the definition and scope of art were continually expanded through the avant-garde\u2019s embrace of\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Robert_Rauschenberg_Dam-web.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2574,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/cut-paste-5-points-gallery\/","url_meta":{"origin":3577,"position":5},"title":"\u201cCut and Paste: The Art of 21st Century Collage &#038; Assemblage\u201d at Five Points Gallery, Connecticut","author":"Christopher Byrne","date":"14 January 2014","format":"gallery","excerpt":"3 January-2 February 2014 \u201cCut and Paste: The Art of 21st Century Collage and Assemblage\u201d: Artists of Paper New England \u201cCut and Paste: The Art of 21st Century Collage and Assemblage\u201d features work by\u00a0Caryn Azoff, Nancy Doherty, Jon Eastman, Anne Gilman, Jane R. Lubin, M.D., Jane Rainwater, Rashmi Talpade, Paul\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Caryn-Azoff-12-web.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/3577"}],"collection":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=3577"}],"version-history":[{"count":0,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/3577\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/3578"}],"wp:attachment":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=3577"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=3577"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=3577"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}