{"id":5041,"date":"2016-07-13T01:14:52","date_gmt":"2016-07-13T05:14:52","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=5041"},"modified":"2016-07-11T14:22:09","modified_gmt":"2016-07-11T18:22:09","slug":"the-muted-power-of-minimalist-collage","status":"publish","type":"post","link":"https:\/\/kolajmagazine.com\/content\/content\/collage-artists\/the-muted-power-of-minimalist-collage\/","title":{"rendered":"The Muted Power of Minimalist Collage"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-5042\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/LINDABERNHARD_HYBRIDS_2.jpg\" alt=\"LINDABERNHARD_HYBRIDS_2\" width=\"700\" height=\"992\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/LINDABERNHARD_HYBRIDS_2.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/LINDABERNHARD_HYBRIDS_2-300x425.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/LINDABERNHARD_HYBRIDS_2-600x850.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/LINDABERNHARD_HYBRIDS_2-560x794.jpg 560w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/LINDABERNHARD_HYBRIDS_2-260x368.jpg 260w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/LINDABERNHARD_HYBRIDS_2-160x227.jpg 160w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><br \/>\nARTIST PORTFOLIO<\/p>\n<h2>Linda Bernhard<br \/>\nWorthing, West Sussex, United Kingdom<\/h2>\n<p>Linda Bernhard illustrates the muted power of minimalist collage and how line and composition can manifest emotionality. A portfolio of the Swiss-born artist appears in Kolaj #16.<\/p>\n<p>A portfolio of Linda Bernhard&#8217;s work appears in <a href=\"http:\/\/kolajmagazine.com\/content\/issues\/kolaj-16\/\">KOLAJ #16<\/a>.<\/p>\n<p>To see the complete Artist Portfolio, <a href=\"http:\/\/www.kolajmagazine.com\/shop.html\">SUBSCRIBE<\/a> to <em>Kolaj Magazine<\/em> or <a href=\"http:\/\/www.kolajmagazine.com\/shop.html\">Get a Copy of the Issue<\/a>.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-5043\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/KOLAJ-16-pages-60-61.jpg\" alt=\"KOLAJ-16-pages-60-61\" width=\"700\" height=\"438\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/KOLAJ-16-pages-60-61.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/KOLAJ-16-pages-60-61-300x188.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/KOLAJ-16-pages-60-61-600x375.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/KOLAJ-16-pages-60-61-560x350.jpg 560w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/KOLAJ-16-pages-60-61-260x163.jpg 260w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/KOLAJ-16-pages-60-61-160x100.jpg 160w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><\/p>\n<p>&#8220;Process is paramount. By combining photographs and found imagery, Linda deconstructs the reality to create new images based on personal experiences. Her work highlights what she calls <em>Zwiesp\u00e4ltigkeit<\/em>&#8211;the ambivalence of being at \u2018home\u2019 in two places in an attempt to make sense of the world around her&#8230;.As Linder Sterling once said \u2018With collage, you make things wrong to make them right\u2019.&#8221; (from her website)<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-5044\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/LINDABERNHARD_TWOFACED_1.jpg\" alt=\"LINDABERNHARD_TWOFACED_1\" width=\"700\" height=\"980\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/LINDABERNHARD_TWOFACED_1.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/LINDABERNHARD_TWOFACED_1-300x420.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/LINDABERNHARD_TWOFACED_1-600x840.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/LINDABERNHARD_TWOFACED_1-560x784.jpg 560w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/LINDABERNHARD_TWOFACED_1-260x364.jpg 260w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/LINDABERNHARD_TWOFACED_1-160x224.jpg 160w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><\/p>\n<p>To see the complete Artist Portfolio, <a href=\"http:\/\/www.kolajmagazine.com\/shop.html\">SUBSCRIBE<\/a> to <em>Kolaj Magazine<\/em> or <a href=\"http:\/\/www.kolajmagazine.com\/shop.html\">Get a Copy of the Issue<\/a>.<\/p>\n<p>Bernhard has exhibited recently at K\u00f6lner Liste in Cologne, Germany; Train of Thought Emporium and Fish Factory in Worthing, United Kingdom; and at Jungkunst 2015 in Winterthur, Switzerland. Her work has been featured online at The Jealous Curator, Exhibition-Ism, Cota Zero and DIALOGIST. You can see more of her work at <a href=\"http:\/\/www.lindabernhard.ch\" target=\"_blank\">www.lindabernhard.ch<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ARTIST PORTFOLIO Linda Bernhard Worthing, West Sussex, United Kingdom Linda Bernhard illustrates the muted power of minimalist collage and how line and composition can manifest emotionality. A portfolio of the Swiss-born artist appears in Kolaj #16. A portfolio of Linda&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/kolajmagazine.com\/content\/content\/collage-artists\/the-muted-power-of-minimalist-collage\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":5042,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[9],"tags":[],"jetpack_featured_media_url":"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/LINDABERNHARD_HYBRIDS_2.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-1jj","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":11278,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/macrocosms-microcosms-power\/","url_meta":{"origin":5041,"position":0},"title":"Macrocosms, Microcosms, &#038; Power","author":"Christopher Byrne","date":"8 July 2021","format":"gallery","excerpt":"Gynephilia I by Brittany M. 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Reid\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Reid_Brittany-Gynephilia-I.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Reid_Brittany-Gynephilia-I.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Reid_Brittany-Gynephilia-I.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Reid_Brittany-Gynephilia-I.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":4760,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/artist-portfolio-lisa-mccutcheon\/","url_meta":{"origin":5041,"position":1},"title":"Artist Portfolio: Lisa McCutcheon","author":"Christopher Byrne","date":"18 April 2016","format":"gallery","excerpt":"Artist Portfolio: Lisa McCutcheon The components Lisa McCutcheon uses in her collages are natural shapes filled with lines that mark their contours, in a muted variety of earth tones and shades of grey. The transparency of the elements is also key to the composition, where the built-up scenes mingle like\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/lisa-mccutcheon-pruning-day-series-2.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/lisa-mccutcheon-pruning-day-series-2.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/lisa-mccutcheon-pruning-day-series-2.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/lisa-mccutcheon-pruning-day-series-2.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":12641,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/a-deep-sense-of-self\/","url_meta":{"origin":5041,"position":2},"title":"A Deep Sense of Self","author":"Christopher Byrne","date":"2 June 2022","format":"gallery","excerpt":"You Don\u2019t Bring Me Flowers #4 by Erin McGean6\"x8\"; paper collage; 2020. Courtesy of the artist. FROM KOLAJ 35 Erin McGean's Artist Portfolio The tidy beauty of Erin McGean\u2019s collages betrays their sophistication. The series, \u201cYou Don\u2019t Bring Me Flowers\u201d, combines photographs of nude women with elegant floral displays in\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Erin-McGean-YouDontBringMeFlowers4.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Erin-McGean-YouDontBringMeFlowers4.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Erin-McGean-YouDontBringMeFlowers4.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Erin-McGean-YouDontBringMeFlowers4.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":4013,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-artists\/claire-burelli\/","url_meta":{"origin":5041,"position":3},"title":"Claire Burelli","author":"Christopher Byrne","date":"21 August 2015","format":"gallery","excerpt":"FROM KOLAJ #13 Artist Portfolio: Claire Burelli A portfolio of Claire Burelli\u2019s work appears in KOLAJ #13. Burelli\u2019s collages consistently play with obstruction. She digitally removes people mostly, though sometimes their surroundings, from the information of the images she uses. \"Burelli brings the viewer into the realm of the possible,\u2026","rel":"","context":"In &quot;Ariane Fairlie&quot;","block_context":{"text":"Ariane Fairlie","link":"https:\/\/kolajmagazine.com\/content\/category\/ariane-fairlie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/claire-burelli-je_ne_suis_personne.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/claire-burelli-je_ne_suis_personne.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/claire-burelli-je_ne_suis_personne.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/claire-burelli-je_ne_suis_personne.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":6245,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/distortion-glitch-and-melding\/","url_meta":{"origin":5041,"position":4},"title":"Distortion, Glitch, and Melding","author":"Christopher Byrne","date":"24 September 2017","format":"gallery","excerpt":"FROM KOLAJ #20 ChangGang Lee's Artist Portfolio Kolaj #20 cover artist ChangGang Lee employs distortion, glitch, and melding to make analogue collage that uses vintage media to tell timeless stories in a contemporary manner. 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