{"id":5562,"date":"2017-02-06T20:42:24","date_gmt":"2017-02-07T01:42:24","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=5562"},"modified":"2017-02-06T20:42:24","modified_gmt":"2017-02-07T01:42:24","slug":"robert-rauschenberg-at-tate-modern","status":"publish","type":"post","link":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/robert-rauschenberg-at-tate-modern\/","title":{"rendered":"Robert Rauschenberg at Tate Modern"},"content":{"rendered":"

\"robert-rauschenberg-untitled-spread\"<\/p>\n

Robert Rauschenberg
\n1 December 2016-2 April 2017<\/h2>\n

Tate Modern\u2019s major exhibition of the work of Robert Rauschenberg (1925-2008), organised in collaboration with The Museum of Modern Art in New York, is the first posthumous retrospective and the most comprehensive survey of the artist\u2019s work for 20 years.<\/p>\n

From his early engagement with pop to his works produced at the dawn of the twenty-first century, Robert Rauschenberg blazed a new trail for art. Moving between painting, sculpture, photography, print-making, technology, stage design and performance, he refused to accept conventional boundaries in art and in life. The first US artist to win the Golden Lion for painting at the Venice Biennale in 1963, Rauschenberg\u2019s quest for innovation was fired by his openness to the world, his enthusiasm for collaboration and his passion for travel.<\/p>\n

Each chapter of Rauschenberg\u2019s six-decade career is represented by major international loans that rarely travel. Among these is a selection of his iconic Combines, hybrids between painting and sculpture, which include Monogram<\/em> (1955-59), travelling to the UK for the first time in over half a century, and Bed<\/em> (1955). Tate Modern is also showing the signature silkscreen paintings that signalled Rauschenberg\u2019s attempt to bring politics, mass media imagery and street scenes into his work, including Retroactive II<\/em> (1964), which portrays John F. Kennedy, who had recently been assassinated.<\/p>\n

“Robert Rauschenberg” is organised by Tate Modern and The Museum of Modern Art, New York. It is curated by Achim Borchardt-Hume, Director of Exhibitions, Tate Modern; and Leah Dickerman, The Marlene Hess Curator of Painting and Sculpture, The Museum of Modern Art, New York; with Catherine Wood, Senior Curator, International Art (Performance), Tate Modern; and Fiont\u00e1n Moran and Juliette Rizzi, Assistant Curators, Tate Modern. The exhibition will travel to The Museum of Modern Art in New York and the San Francisco Museum of Modern Art in 2017.<\/p>\n

(adapted from the gallery’s press materials)<\/p>\n

This exhibition announcement first appeared as a News & Notes item in Kolaj<\/em> #18<\/a>. To read more News & Notes from the world of collage, SUBSCRIBE to Kolaj Magazine<\/em><\/a> or Get a Copy of the Issue<\/a>.<\/p>\n

\n

INFORMATION<\/h3>\n

Tate Modern<\/strong>
\nBankside
\nLondon SE1 9TG United Kingdom
\n(020) 7887 8888<\/p>\n

Hours:
\nSunday-Thursday, 10AM-6PM
\nFriday-Saturday, 10AM-10PM<\/p>\n

MAP<\/a> | WEBSITE<\/a>\u00a0| FACEBOOK<\/a><\/p>\n

Image:<\/strong>
\nuntitled (Spread)
\nby Robert Rauschenberg
\n74.25″x97″x35
\nsolvent transfer and acrylic on wood panel, with umbrellas
\n1983
\n\u00a9 Robert Rauschenberg Foundation, New York
\nCourtesy of Tate Modern, London<\/p>\n","protected":false},"excerpt":{"rendered":"

Robert Rauschenberg 1 December 2016-2 April 2017 Tate Modern\u2019s major exhibition of the work of Robert Rauschenberg (1925-2008), organised in collaboration with The Museum of Modern Art in New York, is the first posthumous retrospective and the most comprehensive survey…<\/p>\n

Read more →<\/a><\/p>\n","protected":false},"author":6,"featured_media":5563,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/robert-rauschenberg-untitled-spread.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-1rI","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":8901,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/vital-fragments-nigel-henderson-and-the-art-of-collage\/","url_meta":{"origin":5562,"position":0},"title":"Vital Fragments: Nigel Henderson and the Art of Collage","author":"Christopher Byrne","date":"30 November 2019","format":"gallery","excerpt":"Collage for Patio and Pavilion (the growth of plant forms) by Nigel Henderson1956. Tate. Presented by the Estate of Nigel Henderson 2010 COLLAGE ON VIEW Vital Fragments: Nigel Henderson and the Art of Collage at Tate Britain in London, United Kingdom2 December 2019-5 April 2020 Nigel Henderson\u2019s experimental collages combine\u2026","rel":"","context":"In "Exhibitions"","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Nigel-Henderson_T13304.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Nigel-Henderson_T13304.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Nigel-Henderson_T13304.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Nigel-Henderson_T13304.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":9261,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/cutting-edge\/","url_meta":{"origin":5562,"position":1},"title":"Cutting Edge","author":"Christopher Byrne","date":"16 January 2020","format":"gallery","excerpt":"Planet of Mind Stealers by Sam Dodson40\"x30\"Courtesy of the artist. 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