{"id":6161,"date":"2017-08-30T01:33:55","date_gmt":"2017-08-30T05:33:55","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=6161"},"modified":"2017-08-27T20:38:23","modified_gmt":"2017-08-28T00:38:23","slug":"afraid-of-modern-living-2","status":"publish","type":"post","link":"https:\/\/kolajmagazine.com\/content\/content\/articles\/afraid-of-modern-living-2\/","title":{"rendered":"Afraid of Modern Living"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-6162\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/DiePruefung-by-MichaelUhlenkott.jpg\" alt=\"DiePruefung-by-MichaelUhlenkott\" width=\"700\" height=\"464\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/DiePruefung-by-MichaelUhlenkott.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/DiePruefung-by-MichaelUhlenkott-300x199.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/DiePruefung-by-MichaelUhlenkott-600x398.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/DiePruefung-by-MichaelUhlenkott-560x371.jpg 560w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/DiePruefung-by-MichaelUhlenkott-260x172.jpg 260w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/DiePruefung-by-MichaelUhlenkott-160x106.jpg 160w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><br \/>\nFROM KOLAJ #20<\/p>\n<h2>World Imitation &amp; Monitor: How Collage Visualized Early California Punk<\/h2>\n<p>World Imitation Productions (WImP) emerged as creators of collaged and photocopied mail art and publications in the late 1970s. Going on to curate pioneering exhibitions of found paintings culled from thrift stores, lost pet flyers, and other abject visual artwork, they are best known in their musical incarnation, the band Monitor, active between 1977 and 1982. In <em>Kolaj<\/em> #20, Antonio Beecroft &amp; Michael Uhlenkott recall the history of the group and how the used collage to visualize the early California Punk scene.<\/p>\n<p><em>This article appears in KOLAJ #20. To read the entire article, <a href=\"http:\/\/www.kolajmagazine.com\/shop.html\">SUBSCRIBE<\/a> to <\/em>Kolaj Magazine<em> or <a href=\"http:\/\/www.kolajmagazine.com\/shop.html\">Get a Copy of the Issue<\/a>.<\/em><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-6163\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj-20-p8-9.jpg\" alt=\"kolaj-20-p8-9\" width=\"700\" height=\"438\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj-20-p8-9.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj-20-p8-9-300x188.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj-20-p8-9-600x375.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj-20-p8-9-560x350.jpg 560w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj-20-p8-9-260x163.jpg 260w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj-20-p8-9-160x100.jpg 160w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><\/p>\n<h2 style=\"padding-left: 90px;\"><em>We were art students, so we knew about Dada, but our focus was on antiquity, the Renaissance, Victoriana. We loved the advertising art of the nineteen-fifties and sixties that focused on the middle-class. We also loved the art of science books and magazines of the same era, which was hilarious without trying to be, and often very creepy. We gathered old magazines and science texts from library rejects, trash cans, and thrift stores. We loved trash.<\/em><\/h2>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-6164\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/surprise-by-MichaelUhlenkott.jpg\" alt=\"surprise-by-MichaelUhlenkott\" width=\"700\" height=\"427\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/surprise-by-MichaelUhlenkott.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/surprise-by-MichaelUhlenkott-300x183.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/surprise-by-MichaelUhlenkott-600x366.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/surprise-by-MichaelUhlenkott-560x342.jpg 560w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/surprise-by-MichaelUhlenkott-260x159.jpg 260w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/surprise-by-MichaelUhlenkott-160x98.jpg 160w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><br \/>\n<em>This article appears in KOLAJ #20. To read the entire article,\u00a0<a href=\"http:\/\/www.kolajmagazine.com\/shop.html\">SUBSCRIBE<\/a>\u00a0to\u00a0<\/em>Kolaj Magazine<em>\u00a0or\u00a0<a href=\"http:\/\/www.kolajmagazine.com\/shop.html\">Get a Copy of the Issue<\/a>.<\/em><\/p>\n<p>\u201cAfraid of Modern Living: World Imitation\/Monitor 1977-1982\u201d was exhibited at These Days in Los Angeles, 4 March-7 May 2017. Curator Antonio Beecroft is the data standards editor in the Vocabulary Program at the Getty Research Institute. He wrote the authorized history of World Imitation and Monitor, <em>End of the World<\/em>, in 2013. Artist, musician and surfer Michael Uhlenkott was a founding member of the World Imitation art collective and of the punk band Monitor. Learn more about the exhibition at<a href=\"http:\/\/www.thesedaysla.com\"> www.thesedaysla.com<\/a>.<\/p>\n<p><strong>Image (top):<\/strong><br \/>\n<em>Die Pruefung<\/em> by Michael Uhlenkott<\/p>\n<p><strong>Image (bottom):<\/strong><br \/>\n<em>Surprise<\/em> by Michael Uhlenkott<\/p>\n","protected":false},"excerpt":{"rendered":"<p>FROM KOLAJ #20 World Imitation &amp; Monitor: How Collage Visualized Early California Punk World Imitation Productions (WImP) emerged as creators of collaged and photocopied mail art and publications in the late 1970s. Going on to curate pioneering exhibitions of found&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/kolajmagazine.com\/content\/content\/articles\/afraid-of-modern-living-2\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":6162,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[6],"tags":[],"jetpack_featured_media_url":"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/DiePruefung-by-MichaelUhlenkott.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-1Bn","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":6081,"url":"https:\/\/kolajmagazine.com\/content\/issues\/kolaj-20\/","url_meta":{"origin":6161,"position":0},"title":"Kolaj #20","author":"Christopher Byrne","date":"24 July 2017","format":"gallery","excerpt":"Kolaj #20 delivers a look at the wonderful world of contemporary collage: the people who make it and the people who love it. INSIDE THIS ISSUE Kolaj #20 bookends the magazine's fifth year of publishing. In his editorial, Ric Kasini Kadour writes, \"We have endeavoured to be open to collage\u2026","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"https:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K20-Cover.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K20-Cover.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K20-Cover.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":6189,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/breath-between-the-cuts\/","url_meta":{"origin":6161,"position":1},"title":"Breath Between the Cuts","author":"Christopher Byrne","date":"1 September 2017","format":"gallery","excerpt":"FROM KOLAJ #20 How a Collapsed Lung and Old Sketchbooks Led Hope Kroll to Collage Artist Hope Kroll is known for her collages that feature repeating fragments in dramatic three-dimensional compostion, but she wasn't always a collage artist. In her earlier work, she \"would either paint directly on the book\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/HopeKroll-Collage.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/HopeKroll-Collage.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/HopeKroll-Collage.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/HopeKroll-Collage.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":8069,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/365-days-of-collage\/","url_meta":{"origin":6161,"position":2},"title":"365 Days of Collage","author":"Christopher Byrne","date":"5 April 2019","format":"gallery","excerpt":"FROM KOLAJ 25 California artist Bonnie Ruttan\u2019s Year of Making An artist shouldn\u2019t underestimate the transformative power of steady, consistent practice. There is no better way to draw that out than a challenge. In September 2017, Palm Springs artist Bonnie Denver Ruttan decided to produce one collage a day for\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/bonnie-ruttan-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/bonnie-ruttan-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/bonnie-ruttan-1.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/bonnie-ruttan-1.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":9562,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/in-dialogue-with-art-history\/","url_meta":{"origin":6161,"position":3},"title":"In Dialogue with Art History","author":"Christopher Byrne","date":"1 April 2020","format":"gallery","excerpt":"Botanique 3 by Koji Nagai Courtesy of the artist. 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A different composition features one of Michaelangelo\u2019s ignudi from the\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Koji-Nagai-BOTANIQUE3.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Koji-Nagai-BOTANIQUE3.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Koji-Nagai-BOTANIQUE3.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Koji-Nagai-BOTANIQUE3.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":11508,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/a-one-woman-group-show\/","url_meta":{"origin":6161,"position":4},"title":"A One-Woman Group Show","author":"Christopher Byrne","date":"22 August 2021","format":"gallery","excerpt":"DADA Collage: Homage to Hannah H\u00f6ch by Marlene Weisman16\"x12\"; found paper collage on paper; 2015. Courtesy of the artist. 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Courtesy of the artist. FROM KOLAJ 29 Collage Communities in the time of COVID The COVID-19 Pandemic has disrupted collage communities and their plans, forcing groups to\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Kolaj-29-p14-15.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Kolaj-29-p14-15.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Kolaj-29-p14-15.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Kolaj-29-p14-15.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/6161"}],"collection":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=6161"}],"version-history":[{"count":0,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/6161\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/6162"}],"wp:attachment":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=6161"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=6161"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=6161"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}