{"id":6245,"date":"2017-09-24T01:01:30","date_gmt":"2017-09-24T05:01:30","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=6245"},"modified":"2017-09-10T13:09:07","modified_gmt":"2017-09-10T17:09:07","slug":"distortion-glitch-and-melding","status":"publish","type":"post","link":"https:\/\/kolajmagazine.com\/content\/content\/articles\/distortion-glitch-and-melding\/","title":{"rendered":"Distortion, Glitch, and Melding"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-6246\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/collage-2-by-changgang-lee.jpg\" alt=\"collage-2-by-changgang-lee\" width=\"700\" height=\"985\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/collage-2-by-changgang-lee.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/collage-2-by-changgang-lee-300x422.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/collage-2-by-changgang-lee-600x844.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/collage-2-by-changgang-lee-560x788.jpg 560w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/collage-2-by-changgang-lee-260x366.jpg 260w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/collage-2-by-changgang-lee-160x225.jpg 160w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><br \/>\nFROM KOLAJ #20<\/p>\n<h2>ChangGang Lee&#8217;s Artist Portfolio<\/h2>\n<p><a href=\"http:\/\/kolajmagazine.com\/content\/issues\/kolaj-20\" target=\"_blank\"><em>Kolaj<\/em> #20<\/a> cover artist ChangGang Lee employs distortion, glitch, and melding to make analogue collage that uses vintage media to tell timeless stories in a contemporary manner. Lee\u2019s obfuscation of faces and bodies opens scenes to interpretation and allows the viewer to complete the narrative.<\/p>\n<p><em>This artist portfolio appears in KOLAJ #20. To see the entire portfolio, <a href=\"http:\/\/www.kolajmagazine.com\/shop.html\">SUBSCRIBE<\/a> to <\/em>Kolaj Magazine<em> or <a href=\"http:\/\/www.kolajmagazine.com\/shop.html\">Get a Copy of the Issue<\/a>.<\/em><br \/>\n<img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-6248\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/oblivion-by-changgang-lee.jpg\" alt=\"oblivion-by-changgang-lee\" width=\"700\" height=\"1007\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/oblivion-by-changgang-lee.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/oblivion-by-changgang-lee-300x432.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/oblivion-by-changgang-lee-600x863.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/oblivion-by-changgang-lee-560x806.jpg 560w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/oblivion-by-changgang-lee-260x374.jpg 260w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/oblivion-by-changgang-lee-160x230.jpg 160w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><\/p>\n<h2 style=\"padding-left: 90px;\">Oblivion<em> is a poetic work in which a female figure passes through layers of paper fragments and into a green, natural world. A figure\u2019s occupation between planes of existence reoccurs in <\/em>Idol<em>, where the female figure is twisted and contorted between fragments.<\/em><\/h2>\n<p><em>This artist portfolio appears in KOLAJ #20. To see the entire portfolio, <a href=\"http:\/\/www.kolajmagazine.com\/shop.html\">SUBSCRIBE<\/a> to <\/em>Kolaj Magazine<em> or <a href=\"http:\/\/www.kolajmagazine.com\/shop.html\">Get a Copy of the Issue<\/a>.<br \/>\n<\/em><br \/>\nChangGang Lee is a Tokyo-based collage artist. Since 2016, Lee has participated in solo and group shows in Tokyo and in the International Weird Show in Barcelona. His work has appeared in <em>M\u00e9kanik copulaire<\/em> #9 and <em>Wooly Magazine<\/em> #24, among others. See more of his work at <a href=\"http:\/\/www.changganglee.com\" target=\"_blank\">www.changganglee.com<\/a>.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-6247\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/collage-by-changgang-lee.jpg\" alt=\"collage-by-changgang-lee\" width=\"700\" height=\"1011\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/collage-by-changgang-lee.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/collage-by-changgang-lee-300x433.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/collage-by-changgang-lee-600x867.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/collage-by-changgang-lee-560x809.jpg 560w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/collage-by-changgang-lee-260x376.jpg 260w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/collage-by-changgang-lee-160x231.jpg 160w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><\/p>\n<p><strong>Images by ChangGang Lee (top to bottom):<\/strong><br \/>\n<em>Home Coming<\/em> (8.5&#8243;x6&#8243;; collage on paper; 2014)<br \/>\n<em>Oblivion<\/em> (8.5&#8243;x6&#8243;; collage on paper; 2014)<br \/>\n<em>Moonchild<\/em> (8.5&#8243;x6&#8243;; collage on paper; 2014)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>FROM KOLAJ #20 ChangGang Lee&#8217;s Artist Portfolio Kolaj #20 cover artist ChangGang Lee employs distortion, glitch, and melding to make analogue collage that uses vintage media to tell timeless stories in a contemporary manner. Lee\u2019s obfuscation of faces and bodies&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/kolajmagazine.com\/content\/content\/articles\/distortion-glitch-and-melding\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":6246,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[6,9],"tags":[],"jetpack_featured_media_url":"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/collage-2-by-changgang-lee.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-1CJ","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":6081,"url":"https:\/\/kolajmagazine.com\/content\/issues\/kolaj-20\/","url_meta":{"origin":6245,"position":0},"title":"Kolaj #20","author":"Christopher Byrne","date":"24 July 2017","format":"gallery","excerpt":"Kolaj #20 delivers a look at the wonderful world of contemporary collage: the people who make it and the people who love it. INSIDE THIS ISSUE Kolaj #20 bookends the magazine's fifth year of publishing. In his editorial, Ric Kasini Kadour writes, \"We have endeavoured to be open to collage\u2026","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"https:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K20-Cover.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K20-Cover.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K20-Cover.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":5119,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/as-brave-as-i-want-to-be\/","url_meta":{"origin":6245,"position":1},"title":"As Brave As I Want To Be","author":"Christopher Byrne","date":"12 August 2016","format":"gallery","excerpt":"ARTIST PORTFOLIO Emma Dajska Poznan, Poland A major difference between an art diary and a visual journal is the emotional relationship between creator and the page.\u00a0Emma Dajska started a visual journal as teenager in the seaside resort town of Sopot, Poland and one can see how this experience informs her\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/04.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/04.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/04.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/04.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":8052,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/a-single-image-catches-my-eye\/","url_meta":{"origin":6245,"position":2},"title":"A Single Image Catches My Eye","author":"Christopher Byrne","date":"8 April 2019","format":"gallery","excerpt":"FROM KOLAJ 25 Harriet Moutsopoulos: Artist Portfolio Sydney, New South Wales, Australia Australian born and bred, Harriet Moutsopoulos is a self-taught collage artist who works under the name Lexicon Love. She has had two solo exhibitions in Surry Hills, New South Wales. She lives and works in Sydney. A portfolio\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/watered_down_24hx17.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/watered_down_24hx17.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/watered_down_24hx17.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/watered_down_24hx17.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":4558,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/artist-portfolio-beata-kruszynski\/","url_meta":{"origin":6245,"position":3},"title":"Artist Portfolio: Beata Kruszynski","author":"Christopher Byrne","date":"24 January 2016","format":"gallery","excerpt":"Artist Portfolio: Beata Kruszynski Beata Kruszynski uses images of faces, plants, and geometric shapes to explore themes of how nature and humanity relate to each other. 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To see the complete Artist Portfolio, SUBSCRIBE to Kolaj Magazine or Get a Copy\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/beata-kruszynski-3.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/beata-kruszynski-3.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/beata-kruszynski-3.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/beata-kruszynski-3.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":4477,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/artist-portfolio-paul-elter\/","url_meta":{"origin":6245,"position":4},"title":"Artist Portfolio: Paul Elter","author":"Christopher Byrne","date":"21 December 2015","format":"gallery","excerpt":"Artist Portfolio: Paul Elter Born in Kitchener, Ontario to European parents, Paul Elter's life as a first-generation Canadian has influenced and, ultimately, reflected back into the work he creates. 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Densely packed, her collage affords the viewer a rich tableau to explore. She says of fragments, \u201cTheir proximity and new neighbourhoods generate a different message, another truth.\u201d She is successful because she understands this\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Baia-by-pauline-tonglet.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Baia-by-pauline-tonglet.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Baia-by-pauline-tonglet.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Baia-by-pauline-tonglet.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/6245"}],"collection":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=6245"}],"version-history":[{"count":0,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/6245\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/6246"}],"wp:attachment":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=6245"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=6245"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=6245"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}