{"id":6430,"date":"2017-11-23T18:42:19","date_gmt":"2017-11-23T23:42:19","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=6430"},"modified":"2017-12-06T13:30:19","modified_gmt":"2017-12-06T18:30:19","slug":"now-as-before","status":"publish","type":"post","link":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/now-as-before\/","title":{"rendered":"Now, as Before"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-6455\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/martin-golland_the_gift_38x46.jpg\" alt=\"martin-golland_the_gift_38x46\" width=\"700\" height=\"777\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/martin-golland_the_gift_38x46.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/martin-golland_the_gift_38x46-300x333.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/martin-golland_the_gift_38x46-600x666.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/martin-golland_the_gift_38x46-560x622.jpg 560w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/martin-golland_the_gift_38x46-260x289.jpg 260w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/martin-golland_the_gift_38x46-160x178.jpg 160w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><br \/>\nCOLLAGE ON VIEW<\/p>\n<h2>Martin Golland: &#8220;Now, as Before&#8221;<br \/>\nat Galerie Antoine Ertaskiran in Montreal<br \/>\n29 November-23 December 2017<\/h2>\n<p>&#8220;Now, as before&#8221; is a solo exhibition by Martin Golland. His paintings present a fictional meeting point between a built environment and the natural world, resulting in imaginary architectural spaces. Golland&#8217;s work is created from a broad range of painting techniques that respond to the contradicting history of representational painting. Using these subjects gives the artist a way to question the act of looking. This blurs the transition between imagination and reality, the bizarre and reverie.<\/p>\n<p>About collage, Golland says on his <a href=\"http:\/\/kolajmagazine.com\/artistdirectory\/martin-golland\" target=\"_blank\" rel=\"noopener\">Kolaj Magazine Artist Directory<\/a> page:<br \/>\nMy approach to collage is to present a meeting point of conflicts: digital manipulation and painterly blending; cut-up image and the painted subject; voids and presences. Each work attempts to expand upon these contradictions in the process of creating illusions that both falter and persist.<\/p>\n<p>Martin Golland was born in Montpellier, France in 1975 and lived in Turkey, Puerto Rico, Miami, and Toronto before moving to Ottawa. Golland received his MFA in 2006 from the University of Guelph. He has exhibited nationally and internationally. Solo exhibitions include &#8220;Imaging Disaster&#8221; at the Museum London in Ontario; &#8220;DARK TOWN&#8221; at the Felix Ringel Galerie in D\u00fcsseldorf, Germany; &#8220;What is said and what is meant&#8221; at the MacDonald Stewart Art Center in Guelph, Ontario; Human Nature at the Carleton University Art Gallery in Ottawa, Ontario. He has received the prestigious Honorable Mention Prize at the 11th Annual RBC Painting Competition and exhibited in various museums and galleries across Canada, including the National Gallery of Canada, the Power Plant Toronto, the Mus\u00e9e d\u2019Art contemporain de Montr\u00e9al, and the Contemporary Art Gallery in Vancouver. Publications include the 2012 catalog <em>Lush Life: The Painting World of Martin Golland<\/em> with an essay by critic James D. Campbell.<\/p>\n<p><em>(text adapted from the gallery&#8217;s press materials)<\/em><\/p>\n<hr \/>\n<h3>INFORMATION<\/h3>\n<p><strong>Galerie Antoine Ertaskiran<\/strong><br \/>\n1892 Rue Payette<br \/>\nMontreal, Quebec H3J 1P3 Canada<br \/>\n(514) 989-7886<\/p>\n<p><strong>Hours:<\/strong><br \/>\nTuesday-Saturday, 10AM-7PM<br \/>\nand by appointment<\/p>\n<p><a href=\"https:\/\/www.google.ca\/maps\/place\/Galerie+Antoine+Ertaskiran\/@45.4868596,-73.5685298,15z\/data=!4m2!3m1!1s0x0:0xcd9492daec94687e?sa=X&amp;ved=0ahUKEwjPodCf79XXAhUrRN8KHaM3AUQQ_BIIggEwDQ\" target=\"_blank\">MAP<\/a> | <a href=\"http:\/\/galerieantoineertaskiran.com\/\" target=\"_blank\">WEBSITE<\/a>\u00a0| <a href=\"https:\/\/www.facebook.com\/galerieantoineertaskiran\" target=\"_blank\">FACEBOOK<\/a><\/p>\n<p><strong>Image:<\/strong><br \/>\n<em>The Gift<\/em><br \/>\nby Martin Golland<br \/>\n46\u2033x38\u2033 (appox.)<br \/>\nmixed media collage<br \/>\n2017<br \/>\nCourtesy of the artist<\/p>\n","protected":false},"excerpt":{"rendered":"<p>COLLAGE ON VIEW Martin Golland: &#8220;Now, as Before&#8221; at Galerie Antoine Ertaskiran in Montreal 29 November-23 December 2017 &#8220;Now, as before&#8221; is a solo exhibition by Martin Golland. His paintings present a fictional meeting point between a built environment and&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/now-as-before\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":6455,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/martin-golland_the_gift_38x46.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-1FI","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":3044,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/lewis-golland-gallery-6-pdx\/","url_meta":{"origin":6430,"position":0},"title":"Lewis Golland at Gallery 6 PDX","author":"Christopher Byrne","date":"20 June 2014","format":"gallery","excerpt":"4-27 July 2014 Opening Reception: Friday, 11 July, 5-8PM \"Goll&\": Lewis Golland Lewis Golland was born and raised in the suburbs of Southeast England. He started collaging back in 2008 when he was in college, where it was easy and accessible at the time. He then started to get involved\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/headless-horse-headsmen-by-lewis-golland.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/headless-horse-headsmen-by-lewis-golland.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/headless-horse-headsmen-by-lewis-golland.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":9982,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/th-ink\/","url_meta":{"origin":6430,"position":1},"title":"{th ink}","author":"Christopher Byrne","date":"18 August 2020","format":"gallery","excerpt":"In a Manner of Speaking by {THS} (pages 26-27) in {th ink} 2: objectextion6\"x9\"; analog collage with digital composition; 2020. Courtesy of the artist and Aaron Beebe Collage. FROM KOLAJ 29 {th ink} 2: objectextion In March 2020, American collagist Aaron Beebe released the second issue of {th ink}, which\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/th_ink_2_THS.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/th_ink_2_THS.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/th_ink_2_THS.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/th_ink_2_THS.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":5404,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/collage-under-the-influence\/","url_meta":{"origin":6430,"position":2},"title":"Collage Under the Influence","author":"Christopher Byrne","date":"24 November 2016","format":"gallery","excerpt":"Collage Exhibition Collage Under The Influence Village West Gallery in Jersey City, New Jersey writes of their Fall 2016 exhibition, \u201cArtists get their inspiration from the entirety of the universe\u2014from every-day objects to profound philosophies. The focus of this show, however, is the influence of artists on one another.\u201d Five\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/between-the-lines-by-elise-margolis.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/between-the-lines-by-elise-margolis.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/between-the-lines-by-elise-margolis.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/between-the-lines-by-elise-margolis.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":3508,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/issue-11-editorial-medium-genre\/","url_meta":{"origin":6430,"position":3},"title":"Issue Eleven Editorial: Medium &#038; Genre","author":"Christopher Byrne","date":"25 January 2015","format":"gallery","excerpt":"\"Medium & Genre\" by Ariane Fairlie In this issue, Kolaj addresses the close relationship between collage and painting. In the past, collage has played the essential role as the catalyst of change. Its immediacy makes it the medium most capable of doing this and it has the ability to reconcile\u2026","rel":"","context":"In &quot;Ariane Fairlie&quot;","block_context":{"text":"Ariane Fairlie","link":"https:\/\/kolajmagazine.com\/content\/category\/ariane-fairlie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/alexis-lavoie-spectres-de-couleurs.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/alexis-lavoie-spectres-de-couleurs.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/alexis-lavoie-spectres-de-couleurs.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/alexis-lavoie-spectres-de-couleurs.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":9013,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/the-intersection-of-collage-and-painting\/","url_meta":{"origin":6430,"position":4},"title":"The Intersection of Collage and Painting","author":"Christopher Byrne","date":"8 December 2019","format":"gallery","excerpt":"Ossia by Shari EpsteinCourtesy of the artist. 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