{"id":7565,"date":"2018-10-23T01:06:36","date_gmt":"2018-10-23T05:06:36","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=7565"},"modified":"2018-10-20T13:26:32","modified_gmt":"2018-10-20T17:26:32","slug":"the-color-prophecies","status":"publish","type":"post","link":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/the-color-prophecies\/","title":{"rendered":"The Color Prophecies"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-7566\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Go-by-ginnie-gardiner.jpg\" alt=\"\" width=\"700\" height=\"1045\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Go-by-ginnie-gardiner.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Go-by-ginnie-gardiner-300x448.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Go-by-ginnie-gardiner-600x896.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Go-by-ginnie-gardiner-560x836.jpg 560w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Go-by-ginnie-gardiner-260x388.jpg 260w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Go-by-ginnie-gardiner-160x239.jpg 160w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><\/p>\n<p>COLLAGE ON VIEW<\/p>\n<h2>Ginnie Gardiner: The Color Prophecies<\/h2>\n<h3>at the Woodstock Artists Association in Woodstock, New York, USA<br \/>\n27 October-25 November 2018<\/h3>\n<p>Artist Talk with art critic Carter Ratcliff: Saturday, 27 October, 3PM<br \/>\nArtist Reception: Saturday, 3 November, 4-6PM<\/p>\n<p><em>Ginnie Gardiner says about the work in this show:<\/em><br \/>\nMexico shook Josef Albers loose from the greys and blues of the North and inspired Albers to use magenta, turquoise, violet, and ocher, among other colours, in varying combinations. These are the colours of nature and everyday culture in Mexico. Pure, \u201cout of the can\u201d colours like those used as house paint or in advertisements, take their natural place with the red earth and turquoise skies. Our society and popular culture has since metabolized the intuitions of Albers, and in this series I\u2019m seeking a re\u2013integration of that special dialog he achieved with the conscious and material reality formed by painting that joins abstraction with representation.<\/p>\n<p>&#8220;The Color Prophecies&#8221; is a new series begun in September 2016. In it, I am exploring where colour predicts and dictates certain interactions. For the creation and design of these images, I am painting solid colour mixtures on woodblock papers to use for backgrounds and various planar elements with isolated figural elements from my photographs. These mixed media collages function as the studies for my paintings.<\/p>\n<p>I have been working with the premise of creating paintings with specific colour palettes for many years. For me, it is a working process that is endlessly fascinating. I was never interested in attacking the blank canvas or putting down one mark and seeing where that led me. Of course, this is a subject that has been written about with many variations. The practice of orchestrating the colours in a painting to register in a particular key is my approach.<\/p>\n<p>The juror for 2018 solo shows is Kenise Barnes, Director and owner of Kenise Barnes Fine Art in Larchmont, New York.<\/p>\n<p>The artist catalog, <em>The Color Prophecies<\/em>, and other series by Ginnie Gardiner are available from Kasini House Artshop <a href=\"https:\/\/shop.kasinihouseartshop.com\/artist\/ginnie-gardiner\" target=\"_blank\" rel=\"noopener\">HERE<\/a>.<\/p>\n<p><em>(Text adapted from the gallery&#8217;s press materials)<\/em><\/p>\n<hr \/>\n<h3>INFORMATION<\/h3>\n<p><strong>Woodstock Artists Association<\/strong><br \/>\n28 Tinker Street<br \/>\nWoodstock, New York 12498 USA<br \/>\n(845) 679-2940<\/p>\n<p>Hours:<br \/>\nWednesday-Thursday, Noon-5PM<br \/>\nFriday-Saturday, Noon-6PM<br \/>\nSunday, Noon-5PM<\/p>\n<p><a href=\"https:\/\/www.google.ca\/maps\/place\/Woodstock+Artists+Association+%26+Museum\/@42.0408009,-74.1194483,15z\/data=!4m2!3m1!1s0x0:0xded6ae41e35745e4?sa=X&amp;ved=2ahUKEwia_rCC_4veAhVLx1kKHSPRBToQ_BIwEXoECAcQCw\" target=\"_blank\" rel=\"noopener\">MAP<\/a> | <a href=\"http:\/\/www.woodstockart.org\" target=\"_blank\" rel=\"noopener\">WEBSITE<\/a> | <a href=\"https:\/\/www.facebook.com\/WAAM-Woodstock-Artists-Association-Museum-174198006046\/\" target=\"_blank\" rel=\"noopener\">FACEBOOK<\/a><\/p>\n<p><strong>Image:<\/strong><br \/>\n<em>Go<\/em><br \/>\nby Ginnie Gardiner<br \/>\n9\u2033x6\u2033<br \/>\nmixed media collage<br \/>\n2016<\/p>\n","protected":false},"excerpt":{"rendered":"<p>COLLAGE ON VIEW Ginnie Gardiner: The Color Prophecies at the Woodstock Artists Association in Woodstock, New York, USA 27 October-25 November 2018 Artist Talk with art critic Carter Ratcliff: Saturday, 27 October, 3PM Artist Reception: Saturday, 3 November, 4-6PM Ginnie&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/the-color-prophecies\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":7566,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Go-by-ginnie-gardiner.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-1Y1","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":5454,"url":"https:\/\/kolajmagazine.com\/content\/content\/in-the-studio\/in-the-studio-ginnie-gardiner\/","url_meta":{"origin":7565,"position":0},"title":"In the Studio: Ginnie Gardiner","author":"Christopher Byrne","date":"5 December 2016","format":"gallery","excerpt":"In the Studio is an online-only feature of Kolaj Magazine where we peek inside the studios of collage artists. If you are interested in being featured, visit the In the Studio Call to Artists page. Ginnie Gardiner is a mid-career New York artist who has shown in numerous solo and\u2026","rel":"","context":"In &quot;In the Studio&quot;","block_context":{"text":"In the Studio","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/in-the-studio\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Ginnie-Gardiner-studio-2.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Ginnie-Gardiner-studio-2.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Ginnie-Gardiner-studio-2.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":5030,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/variations-on-self-nisa-touchon-fine-art-santa-fe\/","url_meta":{"origin":7565,"position":1},"title":"Variations on Self at Nisa Touchon Fine Art","author":"Christopher Byrne","date":"10 July 2016","format":"gallery","excerpt":"\"Variations on Self--Self Portraiture and Collage\": Ginnie Gardiner 15-30 July 2016 Opening Reception: 15 July, 5-7PM \"Variations on Self\" presents Ginnie\u00a0Gardiner's exploratory process of collage making, that culminates in oil paintings on canvas, through an extensive group of small self portrait collage studies and a few of the resultant paintings.\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/ginnie-gardiner-study-for-spectator.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/ginnie-gardiner-study-for-spectator.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/ginnie-gardiner-study-for-spectator.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/ginnie-gardiner-study-for-spectator.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":11875,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/interlusion\/","url_meta":{"origin":7565,"position":2},"title":"Interlusion","author":"Christopher Byrne","date":"4 December 2021","format":"gallery","excerpt":"Interlusion 19 by Ginnie Gardiner36\"x48\"x1.5\"; oil on linen; 2020. 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Courtesy of the artist and PDX Contemporary Art, Portland, Oregon COLLAGE ON VIEW Joe Rudko: Scrapbook at PDX Contemporary Art in Portland, Oregon, USA1 February-2 March 2024 Joe Rudko writes about\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jue-rudko-This-was-painted-on-the-front-of-one-of-the-buildings_1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jue-rudko-This-was-painted-on-the-front-of-one-of-the-buildings_1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jue-rudko-This-was-painted-on-the-front-of-one-of-the-buildings_1.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/jue-rudko-This-was-painted-on-the-front-of-one-of-the-buildings_1.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/7565"}],"collection":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=7565"}],"version-history":[{"count":0,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/7565\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/7566"}],"wp:attachment":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=7565"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=7565"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=7565"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}