{"id":771,"date":"2012-09-10T00:09:42","date_gmt":"2012-09-10T04:09:42","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=771"},"modified":"2013-03-29T10:08:44","modified_gmt":"2013-03-29T14:08:44","slug":"kolaj-goes-to-the-fair-an-introduction","status":"publish","type":"post","link":"https:\/\/kolajmagazine.com\/content\/content\/articles\/kolaj-goes-to-the-fair-an-introduction\/","title":{"rendered":"Kolaj Goes to the Fair: An Introduction"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-772\" title=\"Papier 12\" alt=\"\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/papier-image-horz-web.jpg\" width=\"366\" height=\"601\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/papier-image-horz-web.jpg 366w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/papier-image-horz-web-300x492.jpg 300w\" sizes=\"auto, (max-width: 366px) 100vw, 366px\" \/><\/p>\n<p>A review and report from Montreal\u2019s Papier12 by Ariane Fairlie<\/p>\n<p>Papier is an annual contemporary art fair of works on paper presented by the Association of Contemporary Art Galleries (AGAC). \u00a0Papier 12 was held April 12-15, 2012, in a large tent at the edge of Place des Arts in downtown Montreal. Thirty-eight galleries from Montreal, Ottawa, Toronto, Eastman (Quebec), and Halifax presented over 1,200 works from a roster of both established and emerging artists from around the world.<\/p>\n<p>Kolaj asked budding art critic Ariane Fairlie to take a tour of the fair and report back on what she saw and what she thought. In her travels around the fair, she focused on work by seven artists from Canada, the United States, and France: Jennifer Meanley, Jos\u00e9e Landry Sirois, Simon Hughes, Catherine Farish, Gilbert Garcin, Denis Pellerin, and\u00a0Sadko Hadzihasanovic,<\/p>\n<p>Samples of work by each artist and excerpts from Fairlie&#8217;s writing will presented on the<em>\u00a0Kolaj<\/em> website in the coming days.<\/p>\n<p>To read the entire article,\u00a0<a href=\"http:\/\/kolajmagazine.com\/content\/subscribe\" target=\"_blank\">purchase a subscription<\/a>\u00a0to\u00a0<em>Kolaj Magazine<\/em>\u00a0or purchase\u00a0<a href=\"http:\/\/shop.kasinihouseartshop.com\/artist\/kolaj\" target=\"_blank\">Issue One<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A review and report from Montreal\u2019s Papier12 by Ariane Fairlie. An annual contemporary art fair of works on paper presented by the Association of Contemporary Art Galleries (AGAC), Papier 12 was held April 12-15, 2012, in a large tent at the edge of Place des Arts in downtown Montreal. <\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/kolajmagazine.com\/content\/content\/articles\/kolaj-goes-to-the-fair-an-introduction\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":772,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6],"tags":[],"class_list":["post-771","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles"],"jetpack_featured_media_url":"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/papier-image-horz-web.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-cr","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":750,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/kolaj-goes-to-the-fair-galerie-division\/","url_meta":{"origin":771,"position":0},"title":"Kolaj Goes to the Fair: Galerie Division","author":"Christopher Byrne","date":"11 September 2012","format":false,"excerpt":"Simon Hughes creates a comparison between our perceptions of traditional aboriginal life and contemporary realities.","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/squatting-web.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":758,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/kolaj-goes-to-the-fair-denis-pellerin-at-lacerte-art-contemporain-montreal\/","url_meta":{"origin":771,"position":1},"title":"Kolaj Goes to the Fair: Denis Pellerin at Lacerte Art Contemporain, Montreal","author":"Christopher Byrne","date":"14 September 2012","format":false,"excerpt":"Denis Pellerin\u2019s compositions are simple, subtle, and a personal attempt to achieve something close to nature through unexpected material.","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/image001-web.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/image001-web.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/image001-web.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":745,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/kolaj-goes-to-the-fair-beaux-arts-dameriques\/","url_meta":{"origin":771,"position":2},"title":"Kolaj Goes to the Fair: Beaux-Arts des Am\u00e9riques","author":"Christopher Byrne","date":"10 September 2012","format":false,"excerpt":"Jennifer Meanley's work is extremely process driven, and clearly responsive.","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Blue-Speakeasy-web.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Blue-Speakeasy-web.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Blue-Speakeasy-web.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":4013,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-artists\/claire-burelli\/","url_meta":{"origin":771,"position":3},"title":"Claire Burelli","author":"Christopher Byrne","date":"21 August 2015","format":"gallery","excerpt":"FROM KOLAJ #13 Artist Portfolio: Claire Burelli A portfolio of Claire Burelli\u2019s work appears in KOLAJ #13. Burelli\u2019s collages consistently play with obstruction. She digitally removes people mostly, though sometimes their surroundings, from the information of the images she uses. \"Burelli brings the viewer into the realm of the possible,\u2026","rel":"","context":"In &quot;Ariane Fairlie&quot;","block_context":{"text":"Ariane Fairlie","link":"https:\/\/kolajmagazine.com\/content\/category\/ariane-fairlie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/claire-burelli-je_ne_suis_personne.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/claire-burelli-je_ne_suis_personne.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/claire-burelli-je_ne_suis_personne.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/claire-burelli-je_ne_suis_personne.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":629,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/kolaj-goes-to-the-fair-galerie-simon-blais\/","url_meta":{"origin":771,"position":4},"title":"Kolaj Goes to the Fair: Galerie Simon Blais","author":"Christopher Byrne","date":"13 September 2012","format":false,"excerpt":"Catherine Farish is a print artist who, while playing with the notions of what is and isn\u2019t print, seems to have stumbled upon collage. One of her most recent series uses piano rolls to depict music.","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Farish_Notes__Ill_be_along_MG_0292-web.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Farish_Notes__Ill_be_along_MG_0292-web.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Farish_Notes__Ill_be_along_MG_0292-web.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":4031,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/annie-descoteaux\/","url_meta":{"origin":771,"position":5},"title":"Annie Desc\u00f4teaux","author":"Christopher Byrne","date":"28 August 2015","format":"gallery","excerpt":"Artist Portfolio: Annie Desc\u00f4teaux A portfolio of Annie Desc\u00f4teaux's work appears in KOLAJ #13. \"It\u2019s impossible to see cutouts without thinking of Matisse, but it is rare to see them done with the fresh and contemporary approach that Annie Desc\u00f4teaux has developed,\" writes Ariane Fairlie. \"Playfulness exists throughout Descoteaux\u2019s collage,\u2026","rel":"","context":"In &quot;Ariane Fairlie&quot;","block_context":{"text":"Ariane Fairlie","link":"https:\/\/kolajmagazine.com\/content\/category\/ariane-fairlie\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/AD_02.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/AD_02.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/AD_02.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/AD_02.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/771","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=771"}],"version-history":[{"count":0,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/771\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/772"}],"wp:attachment":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=771"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=771"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=771"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}