{"id":8065,"date":"2019-04-15T01:23:39","date_gmt":"2019-04-15T05:23:39","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=8065"},"modified":"2019-04-02T13:29:06","modified_gmt":"2019-04-02T17:29:06","slug":"pliability-and-immediacy","status":"publish","type":"post","link":"https:\/\/kolajmagazine.com\/content\/content\/articles\/pliability-and-immediacy\/","title":{"rendered":"Pliability and Immediacy"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-8066\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Bluebird-III.jpg\" alt=\"\" width=\"700\" height=\"525\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Bluebird-III.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Bluebird-III-300x225.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Bluebird-III-600x450.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Bluebird-III-560x420.jpg 560w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Bluebird-III-260x195.jpg 260w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Bluebird-III-160x120.jpg 160w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><br \/>\nFROM KOLAJ 25<\/p>\n<h2>Nina Fraser: Artist Portfolio<br \/>\nLisbon, Portugal<\/h2>\n<p>Nina Fraser writes, &#8220;My work arises from an attempt to understand the contradictions in our exterior world through the physical act of arrangement and material investigation. Attracted to inexpensive and throwaway materials; paper, magazines, household DIY materials and plastic bags, I seek the value they hold through their intrinsic lack of value, as well as their pliability and immediacy, and their insistent grounding in a time-place, through association of text, image or material properties.&#8221; A portfolio of her work appears in <a href=\"http:\/\/kolajmagazine.com\/content\/issues\/kolaj-25\/\" target=\"_blank\" rel=\"noopener\"><em>Kolaj<\/em> 25<\/a>.<\/p>\n<p><em>This artist portfolio appeared in <\/em>Kolaj<em> #25. To see the entire issue, <a href=\"http:\/\/kolajmagazine.com\/content\/subscribe\/\" target=\"_blank\" rel=\"noopener\">SUBSCRIBE<\/a> to <\/em>Kolaj Magazine<em> or <a href=\"http:\/\/www.kolajmagazine.com\/shop.html\" target=\"_blank\" rel=\"noopener\">Get a Copy of the Issue<\/a>.<\/em><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-8067\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Pied-Wagtail.jpg\" alt=\"\" width=\"700\" height=\"707\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Pied-Wagtail.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Pied-Wagtail-300x303.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Pied-Wagtail-600x606.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Pied-Wagtail-560x566.jpg 560w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Pied-Wagtail-260x263.jpg 260w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Pied-Wagtail-160x162.jpg 160w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><br \/>\nNina Fraser gained a first class honours Bachelor of Arts in Textile Art from the Winchester College of Art, Hampshire, United Kingdom. She emigrated to Portugal in 2014, becoming a resident artist at MArt (space for projects, learning and experimentation) in Lisbon from 2015 to 2017. She has exhibited in collective and solo exhibitions in the United Kingdom, Portugal, Germany, Australia, Poland and the USA. Her collages have been selected for publication in the USA, Italy, United Kingdom, Spain and Portugal. She was one of the selected entries for the Evolver Prize 2017, presented by <em>Evolver, the Wessex Art &amp; Culture Guide<\/em>.<\/p>\n<p>Learn more about the artist on her <a href=\"http:\/\/kolajmagazine.com\/artistdirectory\/nina-fraser\" target=\"_blank\" rel=\"noopener\">Kolaj Magazine Artist Directory page<\/a> and at <a href=\"http:\/\/www.ninafraser.co.uk\" target=\"_blank\" rel=\"noopener\">www.ninafraser.co.uk<\/a>.<\/p>\n<p><em>This artist portfolio appeared in <\/em>Kolaj<em> #25. To see the entire issue, <a href=\"http:\/\/kolajmagazine.com\/content\/subscribe\/\" target=\"_blank\" rel=\"noopener\">SUBSCRIBE<\/a> to <\/em>Kolaj Magazine<em> or <a href=\"http:\/\/www.kolajmagazine.com\/shop.html\" target=\"_blank\" rel=\"noopener\">Get a Copy of the Issue<\/a>.<\/em><\/p>\n<p><strong>Images:<\/strong> (top to bottom)<\/p>\n<p><em>Bluebird III<\/em> by Nina Fraser<br \/>\n(acrylic ink and collage)<\/p>\n<p><em>Pied Wagtail<\/em> by Nina Fraser<br \/>\n(acrylic ink and collage)<\/p>\n<p>Images courtesy of the artist.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>FROM KOLAJ 25 Nina Fraser: Artist Portfolio Lisbon, Portugal Nina Fraser writes, &#8220;My work arises from an attempt to understand the contradictions in our exterior world through the physical act of arrangement and material investigation. Attracted to inexpensive and throwaway&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/kolajmagazine.com\/content\/content\/articles\/pliability-and-immediacy\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":8066,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6,9],"tags":[],"class_list":["post-8065","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-articles","category-collage-artists","post_format-post-format-gallery"],"jetpack_featured_media_url":"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Bluebird-III.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-265","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":11245,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/the-collector-assembles\/","url_meta":{"origin":8065,"position":0},"title":"The Collector Assembles","author":"Christopher Byrne","date":"10 June 2021","format":"gallery","excerpt":"Coronet Super 12 by Tim Harper15\"x8\"x5\"; wall assemblage. Courtesy of the artist. FROM KOLAJ 32 Tim Harper's Artist Portfolio Collage artists are brilliant at collecting, interpreting, and rehabilitating print ephemera. Tim Harper does this with object material culture. \u201cI collect things that I find interesting: scrap wood and metal, pieces\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/2_CoronetSuper12.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/2_CoronetSuper12.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/2_CoronetSuper12.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/2_CoronetSuper12.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":5191,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/compendium-of-materials\/","url_meta":{"origin":8065,"position":1},"title":"Compendium of Materials","author":"Christopher Byrne","date":"1 September 2016","format":"gallery","excerpt":"ARTIST PORTFOLIO Gayle Gerson Grand Junction, Colorado, USA If Gayle Gerson were an actor in the pantheon of Jungian archetypes, she would decidedly be the Artist-Scientist. Versed in a compendium of materials, she likens her studio to a laboratory. Her collages are tests of materials and concepts, the splendid destination\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/vodkaforest_kolaj.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/vodkaforest_kolaj.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/vodkaforest_kolaj.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/vodkaforest_kolaj.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":10418,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/temporal-arts-material-value\/","url_meta":{"origin":8065,"position":2},"title":"Temporal Arts &#038; Material Value","author":"Christopher Byrne","date":"11 December 2020","format":"gallery","excerpt":"The Battery by Rhonda Barrett24\u2033x36\u2033; newspaper; 2020. Courtesy of the artist. FROM KOLAJ 30 Rhonda Barrett's Artist PortfolioHalifax, Nova Scotia, Canada Rhonda Barrett aims to create collages that speak to our consumer driven society and direct our attention back to simple pleasures. The waste-not-want-not attitude and nostalgia of her maritime\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/rhonda-barrett-the-battery.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/rhonda-barrett-the-battery.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/rhonda-barrett-the-battery.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/rhonda-barrett-the-battery.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":6066,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/new-harmonies\/","url_meta":{"origin":8065,"position":3},"title":"New Harmonies","author":"Christopher Byrne","date":"16 July 2017","format":"gallery","excerpt":"FROM KOLAJ #19 Artist Portfolio: David Gorriz, London, United Kingdom David Gorriz writes, \u201cIt was not until I discovered Dadaism and Punk that I decided to start making art myself.\u201d The artist studied Architectural Technology, which is a discipline focused on the integration of materials and design. 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His work includes the creation of murals, product design, and corporate advertising campaigns, as well as collage, though his aesthetic is firmly based in the cutting and manipulation of paper\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj2.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj2.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj2.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj2.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":7762,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/sublime\/","url_meta":{"origin":8065,"position":5},"title":"Sublime","author":"Christopher Byrne","date":"8 January 2019","format":"gallery","excerpt":"COLLAGE ON VIEW Sublime: Nina Fraser at Mute Gallery in Lisbon, Portugal 10 January-2 February 2019 Nina Fraser says about \"Sublime\": Collage, for me, is a method of negotiation in the modern world--taking into account the global nature of information, allowing the dissemination of a multitude of voices. By harvesting,\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/nina-fraser-The-Garden-A-Manifold-of-Micro-creative-Acts-2018-Collage.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/nina-fraser-The-Garden-A-Manifold-of-Micro-creative-Acts-2018-Collage.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/nina-fraser-The-Garden-A-Manifold-of-Micro-creative-Acts-2018-Collage.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/nina-fraser-The-Garden-A-Manifold-of-Micro-creative-Acts-2018-Collage.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/8065","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=8065"}],"version-history":[{"count":0,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/8065\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/8066"}],"wp:attachment":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=8065"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=8065"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=8065"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}