{"id":817,"date":"2012-09-19T22:33:35","date_gmt":"2012-09-20T02:33:35","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=817"},"modified":"2012-10-29T12:03:38","modified_gmt":"2012-10-29T16:03:38","slug":"preview-issue-two-is-it-collage","status":"publish","type":"post","link":"https:\/\/kolajmagazine.com\/content\/news\/preview-issue-two-is-it-collage\/","title":{"rendered":"Preview Issue Two: Is This Collage?"},"content":{"rendered":"

\"\"<\/p>\n

Five Things About Issue Two<\/h2>\n

Kolaj Editor Benoit Depelteau asks, Is This Collage?, and traces the boundaries of the definition.<\/p>\n

The cover of issue two features a work by Serbian Artist Sejma Prodanovic who\u2019s playing with the balance between collage and painting, new and old, organized and deconstructed space.<\/p>\n

Cory Peeke talks with four artists about the use of vintage and contemporary sources.<\/p>\n

We review an exhibition in Turkey and look at artist profiles from Austin, Texas; Paris, France; Seattle, Washington; and Shropshire, a county in the United Kingdom known for its \u201cOutstanding Natural Beauty.\u201d<\/p>\n

The print edition of the Kolaj Artist Directory<\/a> debuts.<\/p>\n

And much, much more…<\/p>\n

CLICK HERE TO SUBSCRIBE TO KOLAJ MAGAZINE<\/a><\/h3>\n

or<\/h3>\n

ORDER ISSUE TWO<\/h3>\n

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Select Destination<\/td>\n<\/tr>\n

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<\/p>\n

The next issue of Kolaj is finally here! Here’s a little preview and how you can get a copy.<\/h2>\n

Read more →<\/a><\/p>\n","protected":false},"author":4,"featured_media":818,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[3],"tags":[],"jetpack_featured_media_url":"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-2-Cover-Final.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-db","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":604,"url":"https:\/\/kolajmagazine.com\/content\/news\/kolaj-magazine-launches-artist-directory\/","url_meta":{"origin":817,"position":0},"title":"Kolaj Magazine Launches Artist Directory","author":"kasini","date":"30 July 2012","format":false,"excerpt":"Kolaj Magazine has announced the creation of an artist directory that will serve as a tool for organizing and cataloguing artists who work in the medium of collage. Its audience includes the general public as well as independent curators, art venues, and writers. The editorial staff of Kolaj Magazine will\u2026","rel":"","context":"In "News"","block_context":{"text":"News","link":"https:\/\/kolajmagazine.com\/content\/category\/news\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Artist-Directory.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Artist-Directory.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Artist-Directory.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":1708,"url":"https:\/\/kolajmagazine.com\/content\/issues\/issue-4\/","url_meta":{"origin":817,"position":1},"title":"Issue 4: Evolving Collage","author":"kasini","date":"16 April 2013","format":false,"excerpt":"Contents Kolaj editor Benoit Depelteau reflects on the magazine's first year. Veeranganakumari Solanki profiles the magical realism of Manjunath Kamath. Cory Peeke tells us all about collage on Tumblr. Shane De Lange profiles a South African artist. Paul Bright reports on collage at Volta NY and The Armory Show. Nikki\u2026","rel":"","context":"In "Issues"","block_context":{"text":"Issues","link":"https:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K4-Cover-web.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":115,"url":"https:\/\/kolajmagazine.com\/content\/news\/special-pre-issue\/","url_meta":{"origin":817,"position":2},"title":"Special Pre-Issue: Why Collage, Why Now","author":"kasini","date":"11 February 2012","format":false,"excerpt":"Kolaj Magazine's Special Pre-Issue is now available Order Why Collage? Why Now? today!","rel":"","context":"In "Issues"","block_context":{"text":"Issues","link":"https:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Cover-Pre-Issue-web.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":8038,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/a-haunted-brooding-mood\/","url_meta":{"origin":817,"position":3},"title":"A Haunted, Brooding Mood","author":"Christopher Byrne","date":"2 April 2019","format":"gallery","excerpt":"FROM KOLAJ 25 Martine Mooijenkind: Artist Portfolio Gouda, The Netherlands Reminiscent of Italian surrealist Giorgio de Chirico\u2019s paintings from the early 1900s, Martine Mooijenkind\u2019s collages demonstrate a deep sense of place that is being transformed. And like Chirico\u2019s paintings, Mooijenkind\u2019s collages convey a haunted, brooding mood, as if the characters\u2026","rel":"","context":"In "Articles"","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Beneath.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Beneath.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Beneath.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Beneath.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":897,"url":"https:\/\/kolajmagazine.com\/content\/issues\/issue-two-is-this-collage\/","url_meta":{"origin":817,"position":4},"title":"Issue Two: Is This Collage?","author":"Christopher Byrne","date":"29 October 2012","format":false,"excerpt":"Contents Kolaj editor Benoit Depelteau asks, \"Is this collage?\" Ric Kasini Kadour tells how Venezuelan collage artist Alejandro Otero brought modernity to his country. Kolaj editor Benoit Depelteau investigates collage as process with artist Emmanuel Laflamme. Billy Mavreas' \"Collage Today & Everyday\" explores collage culture. Cory W. Peeke talks with\u2026","rel":"","context":"In "Issues"","block_context":{"text":"Issues","link":"https:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-2-Cover-Final1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-2-Cover-Final1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Issue-2-Cover-Final1.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":6481,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/collage-doesnt-have-to-resemble-reality\/","url_meta":{"origin":817,"position":5},"title":"Collage Doesn\u2019t Have to Resemble Reality","author":"Christopher Byrne","date":"27 December 2017","format":"gallery","excerpt":"FROM KOLAJ 21 Katinka Hanselman's Artist Portfolio Old bank notes mingle with vintage illustrations. Browned newspapers serve as backdrop to assorted 20th century office ephemera. Occasionally, a photograph makes an appearance. Katinka Hanselman says her favourite subjects are travelling, culture, nature and past; something which is evident in her collage.\u2026","rel":"","context":"In "Articles"","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/number-five-by-Katinka-Hanselman.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/number-five-by-Katinka-Hanselman.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/number-five-by-Katinka-Hanselman.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/number-five-by-Katinka-Hanselman.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/817"}],"collection":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=817"}],"version-history":[{"count":0,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/817\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/818"}],"wp:attachment":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=817"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=817"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=817"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}