{"id":8176,"date":"2019-05-20T17:13:58","date_gmt":"2019-05-20T21:13:58","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=8176"},"modified":"2019-05-21T18:25:41","modified_gmt":"2019-05-21T22:25:41","slug":"origin-of-the-world","status":"publish","type":"post","link":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/origin-of-the-world\/","title":{"rendered":"Origin of the World"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-8177\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/linder-Origin-of-the-world.jpg\" alt=\"\" width=\"700\" height=\"819\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/linder-Origin-of-the-world.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/linder-Origin-of-the-world-300x351.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/linder-Origin-of-the-world-600x702.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/linder-Origin-of-the-world-560x655.jpg 560w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/linder-Origin-of-the-world-260x304.jpg 260w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/linder-Origin-of-the-world-160x187.jpg 160w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><\/p>\n<p>COLLAGE ON VIEW<\/p>\n<h2>Linder: Origin of the World<\/h2>\n<h3>at Andr\u00e9hn-Schipjenko Project in Paris, France<br \/>\nOpening 24 May 2019<\/h3>\n<p>Linder is an internationally celebrated artist who applies the principles of collage to the visual languages of graphic design, popular culture, fashion and fine art in the production of photomontages, performances and installations. The core of her work is a continuous exploration of desire, cultural expectations and the female body as commodity. Occasionally referring to her works as biopsies, Linder\u2019s collages manipulate, disrupt and play with porn and glamour, exposing the latter as something we should be wary of. Examining the way that women are depicted across visual culture, these collages draw attention to institutionalised misogyny. Denouncing the artificiality of groomed and tame femininity and revealing the performative aspects of gendered and social differences, the works are sometimes provocative&#8211;and also funny.<\/p>\n<p>Linder has worked with the pornographic image for four decades, often montaging the images from pornographic magazines with those that she finds in interior design and fashion publications, the common denominator in all three being the depiction of the female body. Her work is often forensic in its approach, a visual enquiry into who, what, where, why and how the images that we see around us have been constructed. The exhibition will display works from different recent series, including the one inspired by Ithel Colquhoun\u2019s &#8220;Mantic Stain&#8221; technique.<\/p>\n<p>Linder, born 1954 in Liverpool, initially rose to fame as an artist and musician in the punk\/post-punk arts and music scene in Manchester in the mid 1970s. Her large-scale outdoor installation <em>Bower of Bliss<\/em>, commissioned by Art on the Underground, is currently on view at Southwark Station, London. Other current projects include a solo exhibition at the Monteverdi Art Gallery, Tuscany, Italy; &#8220;A flower in my mouth&#8221; at the Salzburger Kunstverein, Austria; &#8220;Art and Porn&#8221; at ARoS Museum of Modern Art, Aarhus, Denmark; &#8220;The Enigma of the Hour&#8221; at the Freud Museum, London; The Aerodrome; Ikon Gallery Birmingham; and Collage at Gallery of Modern Art, Edinburgh. In 2020, Linder will be the subject of a solo exhibition at Kettle\u2019s Yard, Cambridge.<\/p>\n<p>(adapted from the gallery&#8217;s press materials)<\/p>\n<hr \/>\n<h3>INFORMATION<\/h3>\n<p><strong>Andr\u00e9hn-Schiptjenko Project<\/strong><br \/>\n10, rue Sainte-Anastase<br \/>\n75003 Paris, France<br \/>\n[<a href=\"mailto:paris@andrehn-schiptjenko.com\" target=\"_blank\" rel=\"noopener\">email<\/a>]<\/p>\n<p><strong>Hours:<\/strong><br \/>\nThursday-Saturday, 2-7PM<\/p>\n<p><a href=\"https:\/\/www.google.com\/maps\/place\/10+Rue+Sainte-Anastase,+75003+Paris,+France\/@48.8597195,2.3615441,17z\/data=!3m1!4b1!4m5!3m4!1s0x47e66e012337bc63:0xe0430a08e983d6c3!8m2!3d48.8597195!4d2.3637328\" target=\"_blank\" rel=\"noopener\">MAP<\/a> | <a href=\"http:\/\/www.andrehn-schiptjenko.com\/\" target=\"_blank\" rel=\"noopener\">WEBSITE<\/a>\u00a0| <a href=\"https:\/\/www.facebook.com\/andrehn.schiptjenko\" target=\"_blank\" rel=\"noopener\">FACEBOOK<\/a><\/p>\n<p><strong>Image:<\/strong><br \/>\n<em>Origin of the World<\/em><br \/>\nby Linder<br \/>\n25&#8243;x21.75&#8243;<br \/>\nphotomontage<br \/>\n2016<br \/>\nCourtesy the artist and Andr\u00e9hn-Schiptjenko Project, Paris<\/p>\n","protected":false},"excerpt":{"rendered":"<p>COLLAGE ON VIEW Linder: Origin of the World at Andr\u00e9hn-Schipjenko Project in Paris, France Opening 24 May 2019 Linder is an internationally celebrated artist who applies the principles of collage to the visual languages of graphic design, popular culture, fashion&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/origin-of-the-world\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":8177,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/linder-Origin-of-the-world.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-27S","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":5721,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/collagedecollage-by-gluing-and-ungluing\/","url_meta":{"origin":8176,"position":0},"title":"Collage\/Decollage by Gluing and Ungluing","author":"Christopher Byrne","date":"22 March 2017","format":"gallery","excerpt":"Collage\/Decollage by Gluing and Ungluing 10 March-2 April 2017 The principle of collage is based on the idea that things like newspaper clippings, book pages, pieces of coloured paper, or photographs are glued to a firm background. Thus, out of different materials something completely new is created. Decollage refers to\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/edgar-leissing-lampedusa.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/edgar-leissing-lampedusa.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/edgar-leissing-lampedusa.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/edgar-leissing-lampedusa.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":5090,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/emicetic-at-a-muse-gallery\/","url_meta":{"origin":8176,"position":1},"title":"Emic\/Etic at a.Muse Gallery","author":"Christopher Byrne","date":"2 August 2016","format":"gallery","excerpt":"Vanessa Woods: \"Emic\/Etic\" 6 August-11 October 2016 Artist reception: Saturday, 6 August, 5-7:30PM \"Emic\/Etic\" showcases\u00a0over forty collages from Vanessa Woods\u2019 recently published book of the same name. 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Sourcing original historical and\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/vanessa-woods.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/vanessa-woods.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/vanessa-woods.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/vanessa-woods.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":8901,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/vital-fragments-nigel-henderson-and-the-art-of-collage\/","url_meta":{"origin":8176,"position":2},"title":"Vital Fragments: Nigel Henderson and the Art of Collage","author":"Christopher Byrne","date":"30 November 2019","format":"gallery","excerpt":"Collage for Patio and Pavilion (the growth of plant forms) by Nigel Henderson1956. 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AT KOLAJ FEST NEW ORLEANS 2024 Daily Collage Congress At\u2026","rel":"","context":"In &quot;Kolaj Fest New Orleans&quot;","block_context":{"text":"Kolaj Fest New Orleans","link":"https:\/\/kolajmagazine.com\/content\/category\/kolaj-fest-new-orleans\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/lloyd_jenny_what-shape-does-the-self-hold_300.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/lloyd_jenny_what-shape-does-the-self-hold_300.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/lloyd_jenny_what-shape-does-the-self-hold_300.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/lloyd_jenny_what-shape-does-the-self-hold_300.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/8176"}],"collection":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=8176"}],"version-history":[{"count":0,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/8176\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/8177"}],"wp:attachment":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=8176"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=8176"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=8176"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}