{"id":8829,"date":"2019-11-11T18:18:01","date_gmt":"2019-11-11T23:18:01","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=8829"},"modified":"2019-11-11T18:23:22","modified_gmt":"2019-11-11T23:23:22","slug":"one-more-day","status":"publish","type":"post","link":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/one-more-day\/","title":{"rendered":"One More Day"},"content":{"rendered":"\n<figure class=\"wp-block-image\"><img decoding=\"async\" loading=\"lazy\" width=\"700\" height=\"1050\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/stefaan-de-croock-portrait-f-iii-19-hzm.jpg\" alt=\"\" class=\"wp-image-8830\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/stefaan-de-croock-portrait-f-iii-19-hzm.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/stefaan-de-croock-portrait-f-iii-19-hzm-300x450.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/stefaan-de-croock-portrait-f-iii-19-hzm-600x900.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/stefaan-de-croock-portrait-f-iii-19-hzm-560x840.jpg 560w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/stefaan-de-croock-portrait-f-iii-19-hzm-260x390.jpg 260w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/stefaan-de-croock-portrait-f-iii-19-hzm-160x240.jpg 160w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption><em>Portrait F III 19 HZM<\/em> by Stefaan De Croock<br>33.5&#8243;x25.5&#8243;; recycled wood sculpture; 2019<br>Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n<p>COLLAGE ON VIEW<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">One More Day<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">at Transfo in Zwevegem, Belgium<br>16-17 November 2019<br>Opening Reception: 15 November, 7PM<\/h3>\n\n\n\n<p>Time. It\u2019s a given that has long inspired artist Stefaan De Croock alias Strook. In his sixth solo exhibition, &#8220;One More Day&#8221;, De Croock, recently tipped as &#8220;one to watch&#8221; by the lauded photographer Stephan Vanfleteren, enters into dialogue with the abstract but undeniable given. Everybody knows how it feels to be overcome by the desire to turn back in time. With &#8220;One More Day&#8221;, the artist recognizes that desire but also uses the frustrating impossibility and barrier that comes with it.<\/p>\n\n\n\n<p>It starts with the material Strook uses to build his artwork. \u201c\u2018Old wood\u2019 might seem like a trivial thing but I look at it from a different perspective,\u201d explains De Croock. \u201cTo me, it\u2019s something magical. It possesses a certain spontaneity that\u2019s impossible to recreate. The colors, the paint, the relief\u2026 They form an esthetic imprint of everything that ever happened to the wood. You can \u2018see\u2019 time. It\u2019s a privilege to be able to use it.\u201d<\/p>\n\n\n\n<p>Miami, Montreal, Bangkok, Mexico City or Ostend\u2026 His now famous portraits out of this old wood took him around the world. \u201cI used to give them names and facial expressions but along the way, they grew more abstract. One example is the portrait I designed for the album cover of <em>Skepsels <\/em>by Belgian band Het Zesde Metaal. The compositions became more subtle, the emotional load more powerful.\u201d The faces of some of his recent works slightly turn away or are standing with their back to the beholder. In this, the artist creates another barrier. For his newest work of art, De Croock went even further. He constructed two fragmented 3D-portraits and placed them behind blurred glass. From far away, you can discern a silhouette but as you get closer, the image gets blurrier.\u201cIt\u2019s my interpretation of fading memories. The moment you experience something, it\u2019s superfocused. From that point on, it starts to fade. You\u2019ll never forget it but you will also never be able to relive that moment as vividly as when it happened, whichever way you try to approach it.\u201d<\/p>\n\n\n\n<p>The history of the wood adds an extra dimension to the portraits. \u201cI combine wood from places like the Imperial Shipyard in Gda\u0144sk, Poland with wood from a bar in Kortrijk, Belgium or an old rectory in Kanegem, Belgium. Every piece tells a unique story but all those stories form a human silhouette. It\u2019s one big metaphor; we are all an entirety made up of the different stories that shape us to who we are. This process of formation also leaves scars. That\u2019s why I never alter the wood I find. In real life, people try to hide their scars but I can see the beauty in them. They are part of everyone\u2019s unique story of becoming human.\u201d<\/p>\n\n\n\n<p>Strook was profiled in <em>Kolaj <\/em>#22 and one of his untitled murals was featured on the cover. Read more <a href=\"http:\/\/kolajmagazine.com\/content\/content\/articles\/acts-of-revival\/\">HERE<\/a>.<\/p>\n\n\n\n<p><em>(text adapted from artist&#8217;s press materials)<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><strong>INFORMATION<\/strong><\/p>\n\n\n\n<p><strong>Transfo<\/strong><br>Blokellestraat 113b<br>8550 Zwevegem, Belgium <br>+32 473 28 25 24<\/p>\n\n\n\n<p>Hours: <br>Saturday &amp; Sunday, 11AM-7PM<\/p>\n\n\n\n<p><a rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\" href=\"https:\/\/goo.gl\/maps\/WrX4V5RyDo7jw2FC7\" target=\"_blank\">MAP<\/a> | <a rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\" href=\"https:\/\/www.transfozwevegem.be\/\" target=\"_blank\">WEBSITE<\/a> | <a href=\"https:\/\/www.facebook.com\/StrookArtist\/\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\">FACEBOOK<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>COLLAGE ON VIEW One More Day at Transfo in Zwevegem, Belgium16-17 November 2019Opening Reception: 15 November, 7PM Time. It\u2019s a given that has long inspired artist Stefaan De Croock alias Strook. In his sixth solo exhibition, &#8220;One More Day&#8221;, De&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/one-more-day\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":8830,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/stefaan-de-croock-portrait-f-iii-19-hzm.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-2ip","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":7945,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/untold\/","url_meta":{"origin":8829,"position":0},"title":"Untold","author":"Christopher Byrne","date":"3 March 2019","format":"gallery","excerpt":"COLLAGE ON VIEW Untold: Strook at JLS Gallery in Mexico City, Mexico 8 March-12 April 2019 Belgian artist Stefaan De Croock - Strook presents \"Untold\", the first showcase in Mexico focusing on his iconic wooden sculptures. Widely recognized for his stylized 2D busts, De Croock blends abstraction and geometry to\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Strook-UNTOLD_PORTRAIT_F_II_19_detail.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Strook-UNTOLD_PORTRAIT_F_II_19_detail.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Strook-UNTOLD_PORTRAIT_F_II_19_detail.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Strook-UNTOLD_PORTRAIT_F_II_19_detail.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":6942,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/acts-of-revival\/","url_meta":{"origin":8829,"position":1},"title":"Acts of Revival","author":"Christopher Byrne","date":"7 May 2018","format":"gallery","excerpt":"FROM KOLAJ #22 Belgian artist Strook & His Building-Sized Collages A three-story collage made of wood is on the cover of Kolaj #22. 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Etty Yaniv writes in the issue, \"For the Belgian artist Stefaan De Croock, who is mainly known\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Crystal_Ship_Strook.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Crystal_Ship_Strook.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Crystal_Ship_Strook.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Crystal_Ship_Strook.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":15638,"url":"https:\/\/kolajmagazine.com\/content\/content\/calls-for-artists\/call-to-artists-what-lies-beneath\/","url_meta":{"origin":8829,"position":2},"title":"Call to Artists: What Lies Beneath","author":"Christopher Byrne","date":"13 August 2024","format":"gallery","excerpt":"graphic by Carol Priamo. Courtesy of the artist and Collage Artists of America. CALL TO ARTISTS (PAID ADVERTISEMENT) What Lies Beneath: Virtual On-line Juried Show Online at\u00a0Collage Artists of America1 November-31 December 2024 Deadline: Tuesday, 1 October 2024 at 11:55PM PDT Collage Artists of America\u00a0(CAA) is accepting submissions for \u201cWhat\u2026","rel":"","context":"In &quot;Calls for Artists&quot;","block_context":{"text":"Calls for Artists","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/calls-for-artists\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/carol-priamo-what-lies-beneath-image-web.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/carol-priamo-what-lies-beneath-image-web.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/carol-priamo-what-lies-beneath-image-web.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/carol-priamo-what-lies-beneath-image-web.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":13200,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/national-collage-societys-38th-annual-juried-exhibition\/","url_meta":{"origin":8829,"position":3},"title":"National Collage Society\u2019s 38th Annual Juried Exhibition","author":"Christopher Byrne","date":"23 October 2022","format":"gallery","excerpt":"All My Children by Estelle Roberge15.25\"x15.25\"; collage (image sources: The New York Review of Books, date unknown; Wild Flowers at a Glance by Dorothy Fitchew (M. C. Carey, 1950); the collection of the artist; and a collection given to the artist by Pam Smith). Courtesy of the artist. COLLAGE ON\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/estelle-roberge-all-my-children.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/estelle-roberge-all-my-children.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/estelle-roberge-all-my-children.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/estelle-roberge-all-my-children.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":13089,"url":"https:\/\/kolajmagazine.com\/content\/content\/calls-for-artists\/call-to-artists-internal-dialogues\/","url_meta":{"origin":8829,"position":4},"title":"Call to Artists: Internal Dialogues","author":"Christopher Byrne","date":"29 August 2022","format":"gallery","excerpt":"image courtesy of Collage Artists of America CALL TO ARTISTS Internal Dialogues An Open Virtual On-Line Juried Exhibit1-30 November 2022 Deadline: 6 October 2022 at Midnight PDT (3AM EDT) Collage Artists of America (CAA) is accepting international entries for \u201cInternal Dialogues: An Open Virtual On-line Juried Exhibit\u201d, 1-30 November 2022.\u2026","rel":"","context":"In &quot;Calls for Artists&quot;","block_context":{"text":"Calls for Artists","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/calls-for-artists\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/internal-dialogues-image.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/internal-dialogues-image.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/internal-dialogues-image.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/internal-dialogues-image.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":3372,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/dennis-busch-show-workshop-berlin\/","url_meta":{"origin":8829,"position":5},"title":"Dennis Busch Collage Show &#038; Workshop in Berlin","author":"Christopher Byrne","date":"18 November 2014","format":"gallery","excerpt":"21 November 2014-28 February 2015 Opening: Friday, 21 November 2014, 7PM Collage Workshop: Saturday, 22 November 2014, 11AM-4PM Dennis Busch lives and works as an artist, musician (James Din A4, Joyride, Pop Dylan, Pastor Fitzner, etc.) and illustrator in Ottersberg, Germany. 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