{"id":8901,"date":"2019-11-30T13:03:12","date_gmt":"2019-11-30T18:03:12","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=8901"},"modified":"2020-01-05T12:14:32","modified_gmt":"2020-01-05T17:14:32","slug":"vital-fragments-nigel-henderson-and-the-art-of-collage","status":"publish","type":"post","link":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/vital-fragments-nigel-henderson-and-the-art-of-collage\/","title":{"rendered":"Vital Fragments: Nigel Henderson and the Art of Collage"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"700\" height=\"697\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Nigel-Henderson_T13304.jpg\" alt=\"\" class=\"wp-image-9205\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Nigel-Henderson_T13304.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Nigel-Henderson_T13304-600x597.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Nigel-Henderson_T13304-300x299.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Nigel-Henderson_T13304-560x558.jpg 560w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Nigel-Henderson_T13304-260x259.jpg 260w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Nigel-Henderson_T13304-160x159.jpg 160w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption>Collage for <em>Patio and Pavilion<\/em> (the growth of plant forms) by Nigel Henderson<br>1956. Tate. Presented by the Estate of Nigel Henderson 2010<\/figcaption><\/figure>\n\n\n\n<p>COLLAGE ON VIEW<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Vital Fragments: Nigel Henderson and the Art of Collage<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">at Tate Britain in London, United Kingdom<br>2 December 2019-5 April 2020<\/h3>\n\n\n\n<p>Nigel Henderson\u2019s experimental collages combine printed matter, paint and photography. In his collage work, he assembles fragments of image and text in order to activate them in new ways. <\/p>\n\n\n\n<p>He wrote: &#8220;I want to release an energy of image from trivial data. I feel happiest among discarded things\u2026fragments cast casually from life, with the fizz of vitality still about them.&#8221; <\/p>\n\n\n\n<p>The collages on display were created between the late 1940s and the end of the 1970s, bringing visual scraps of modern British life into dialogue with imagery from other places and periods. His intricately layered collages reflect on the passing of time. They dwell on natural decay, the ruins of war, and the crumbling of empires. They also engage with the visual culture of their own time and cast a critical eye across contemporary images intended to stimulate aspiration, consumption and desire.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" loading=\"lazy\" width=\"700\" height=\"696\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/nigel-henderson-untitled-no-8.jpg\" alt=\"\" class=\"wp-image-8903\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/nigel-henderson-untitled-no-8.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/nigel-henderson-untitled-no-8-300x298.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/nigel-henderson-untitled-no-8-600x597.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/nigel-henderson-untitled-no-8-560x557.jpg 560w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/nigel-henderson-untitled-no-8-260x259.jpg 260w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/nigel-henderson-untitled-no-8-160x159.jpg 160w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption><em>Untitled No. 8<\/em> <em>(Shattered Glass)<\/em> by Nigel Henderson<br>(1959). Courtesy of Tate. Purchased 2007.<\/figcaption><\/figure>\n\n\n\n<p>Henderson was aware of the historical legacies of collage. His work references the Victorian hobby of &#8220;d\u00e9coupage&#8221;, decorating objects with paper cut-outs. The subversive collages of dada and surrealist artists in the early 20th century provided him with other important precedents. At the same time, his work engages with more recent artistic developments, including the rough textures of brutalism and the bold graphics of pop art.<\/p>\n\n\n\n<p>Henderson\u2019s creative practice spanned fine art, photography, exhibition-making and interior design. Collage was always at the center of his thinking. As one critic observed, &#8220;Whether the medium is man, nature, time, weather, or even words, the underlying idea of this artist\u2019s vision is that of collage.&#8221;<\/p>\n\n\n\n<p>The Tate Britain Spotlight display can be found branching off from the &#8220;Walk Through British Art&#8221; around the outer perimeter of the galleries<\/p>\n\n\n\n<p> <em>(text adapted from curator&#8217;s press materials)<\/em> <\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><strong>INFORMATION<\/strong><\/p>\n\n\n\n<p><strong>Tate Britain<\/strong><br>Millbank<br>London SW1P 4RG, United Kingdom<br>+44 20 7887 8888<\/p>\n\n\n\n<p>Hours:<br>Saturday-Thursday, 10AM-6PM<br>Friday, 10AM-10PM<br>Sunday, 11:30AM-6PM<\/p>\n\n\n\n<p><a href=\"https:\/\/maps.google.ca\/maps?ie=UTF-8&amp;q=tate+britain&amp;fb=1&amp;gl=ca&amp;hq=tate+britain&amp;hnear=tate+britain&amp;cid=0,0,17663075481774205088&amp;ei=zvEwUZ__KY-80QHq04C4Aw&amp;ved=0CIQBEPwSMAA\" target=\"_blank\" rel=\"noreferrer noopener\">MAP<\/a> | <a href=\"http:\/\/www.tate.org.uk\/visit\/tate-britain\" target=\"_blank\" rel=\"noreferrer noopener\">WEBSITE<\/a>&nbsp;| <a href=\"https:\/\/www.facebook.com\/tategallery?rf=116269758383551\" target=\"_blank\" rel=\"noreferrer noopener\">FACEBOOK<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>COLLAGE ON VIEW Vital Fragments: Nigel Henderson and the Art of Collage at Tate Britain in London, United Kingdom2 December 2019-5 April 2020 Nigel Henderson\u2019s experimental collages combine printed matter, paint and photography. In his collage work, he assembles fragments&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/vital-fragments-nigel-henderson-and-the-art-of-collage\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":9205,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Nigel-Henderson_T13304.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-2jz","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":2264,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/modern-british-collage\/","url_meta":{"origin":8901,"position":0},"title":"Modern British Collage at Pallant House Gallery","author":"Christopher Byrne","date":"10 September 2013","format":false,"excerpt":"15 June-29 September 2013 \"Modern British Collage and its Legacy\" surveys collage in modern British art, through works in the gallery's own collection. The works on exhibit range from the British Avant-Garde of the 1920s and 1930s, through The Independent Group and Pop Art, to work by John Stezaker from\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Hamilton_AdonisinYFronts-web.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Hamilton_AdonisinYFronts-web.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Hamilton_AdonisinYFronts-web.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Hamilton_AdonisinYFronts-web.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":1264,"url":"https:\/\/kolajmagazine.com\/content\/issues\/issue-three-fragments-ideas\/","url_meta":{"origin":8901,"position":1},"title":"Issue Three: Fragments &amp; Ideas","author":"kasini","date":"15 January 2013","format":false,"excerpt":"Contents Kolaj editor Benoit Depelteau talks about fragments and ideas in collage Billy Mavreas explores the textures & plans of resonance of collage artist Jacob Whibley. Benoit Depelteau talks with Uncanny Artist owner Laura Stanziola. Cory W. Peeke sits down with California artist David King. Ric Kasini Kadour visits the\u2026","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"https:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K3-Cover-Final.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":17595,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/phantom-tigers-and-parallel-papers\/","url_meta":{"origin":8901,"position":2},"title":"Phantom Tigers and Parallel Papers","author":"Christopher Byrne","date":"29 November 2025","format":"gallery","excerpt":"Sandbox Memories by Niko Hornborgpaper collage. Courtesy of the artist and The Weird Show. COLLAGE ON VIEW Phantom Tigers and Parallel Papers Online at The Weird Show Gallery10 November 2025-16 February 2026 \"Phantom Tigers and Parallel Papers\" takes paper back from that history. It reclaims it as a generative material\u2014fragile\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Miko-Hornborg_Sandbox-Memories.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Miko-Hornborg_Sandbox-Memories.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Miko-Hornborg_Sandbox-Memories.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Miko-Hornborg_Sandbox-Memories.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":14581,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/paper-play\/","url_meta":{"origin":8901,"position":3},"title":"Paper Play","author":"Christopher Byrne","date":"14 November 2023","format":"gallery","excerpt":"Nigel by Geoff Wonnacott24\"x20\"; collage. Courtesy of the artist. COLLAGE ON VIEW Paper Play at Outsiders and Others in Vancouver, British Columbia, Canada4-25 November 2025 Collage is often thought of as a modern artistic technique. The word collage--from the French verb coller, meaning \u201cto stick\u201d--was first used to describe the\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/geoff-wonnacott-nigel-web.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/geoff-wonnacott-nigel-web.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/geoff-wonnacott-nigel-web.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/geoff-wonnacott-nigel-web.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":14883,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/nascent-themes-from-a-conversation-of-fragments\/","url_meta":{"origin":8901,"position":4},"title":"Nascent Themes from a Conversation of Fragments","author":"Christopher Byrne","date":"14 February 2024","format":"gallery","excerpt":"COLLAGE ON VIEW Clive Knights: Nascent Themes from a Conversation of Fragments at The Daily Grind Lodge at the College of William and Mary in Williamsburg, Virginia, USA9 February-18 May 2024 \"Nascent Themes from a Conversation of Fragments: Recent Collages by Clive Knights\" serves as the laboratory portion for the\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/clive-knights-a-castle-which-is-still-used.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/clive-knights-a-castle-which-is-still-used.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/clive-knights-a-castle-which-is-still-used.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/clive-knights-a-castle-which-is-still-used.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":5634,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/collage-painting\/","url_meta":{"origin":8901,"position":5},"title":"Collage Painting","author":"Christopher Byrne","date":"27 February 2017","format":"gallery","excerpt":"COLLAGE TAXONOMY Fragments Arranged to Emphasize the Compositional Whole The Collage Taxonomy Project is an ongoing survey of the wider collage community that attempts to define the language we use to talk about collage. Visit the project's website to suggest words or contribute definitions. Some collagists assemble fragments into compositions\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/benon-lutaaya-model-figure.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/benon-lutaaya-model-figure.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/benon-lutaaya-model-figure.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/benon-lutaaya-model-figure.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/8901"}],"collection":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=8901"}],"version-history":[{"count":0,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/8901\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/9205"}],"wp:attachment":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=8901"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=8901"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=8901"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}