{"id":9027,"date":"2019-12-04T14:01:47","date_gmt":"2019-12-04T19:01:47","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=9027"},"modified":"2019-12-04T14:01:47","modified_gmt":"2019-12-04T19:01:47","slug":"communal-atelier","status":"publish","type":"post","link":"https:\/\/kolajmagazine.com\/content\/content\/articles\/communal-atelier\/","title":{"rendered":"Communal Atelier"},"content":{"rendered":"\n<figure class=\"wp-block-image\"><img decoding=\"async\" loading=\"lazy\" width=\"700\" height=\"699\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/karkana-see-father-pray.jpg\" alt=\"\" class=\"wp-image-9028\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/karkana-see-father-pray.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/karkana-see-father-pray-300x300.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/karkana-see-father-pray-600x599.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/karkana-see-father-pray-560x559.jpg 560w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/karkana-see-father-pray-260x260.jpg 260w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/karkana-see-father-pray-160x160.jpg 160w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption><em>See Father Pray<\/em> by Hana Kark<br>15&#8243;x15&#8243;; mixed media on paper; 2018<br>Courtesy of Hana Kark.<\/figcaption><\/figure>\n\n\n\n<p>FROM KOLAJ 27<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">The Karkhana Collaboration Project<\/h2>\n\n\n\n<p>What can the sixteenth century imperial workshops of the Mughal Empire teach us about working collaboratively? In <a rel=\"noreferrer noopener\" href=\"http:\/\/kolajmagazine.com\/content\/issues\/kolaj-27\/\" target=\"_blank\">KOLAJ #27<\/a>, Carlyn Clark writes about her experience of The Karkhana Collaboration Project where eight artists from Canada, the United Kingdom, and the United States collaborate on a single series of work.  <\/p>\n\n\n\n<p>&#8220;In January 2018, a group of eight artists began a collaborative art experiment. What would happen if each artist worked in succession on sixteen pieces of art? Beginning with a 15\u201d square of sturdy paper, each artist needed to complete a layer in a month, the work must stay flat enough to mail, and should include documentary notes on the back of the piece. Beyond these guidelines, anything was allowed,&#8221; she writes. &#8220;Each layer required a different approach and a new way of proceeding.&#8221;<\/p>\n\n\n\n<p><em>To see the entire issue,&nbsp;<a rel=\"noreferrer noopener\" href=\"http:\/\/kolajmagazine.com\/content\/subscribe\/\" target=\"_blank\">SUBSCRIBE<\/a>&nbsp;to&nbsp;<\/em>Kolaj Magazine<em>&nbsp;or&nbsp;<a rel=\"noreferrer noopener\" href=\"http:\/\/www.kolajmagazine.com\/shop.html\" target=\"_blank\">Get a Copy of the Issue<\/a>.<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" loading=\"lazy\" width=\"700\" height=\"700\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Hana-Kark-Evolution-of-the-Image.gif\" alt=\"\" class=\"wp-image-9029\"\/><figcaption>  Evolution of the making of <em>Dark Matter<\/em> by Hana Kark<br>15&#8243;x15&#8243;; mixed media on paper; 2018<br>Courtesy of Hana Kark.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" loading=\"lazy\" width=\"600\" height=\"600\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Karkana-back-of-work-600x600.jpg\" alt=\"\" class=\"wp-image-9030\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Karkana-back-of-work-600x600.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Karkana-back-of-work-300x300.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Karkana-back-of-work-560x560.jpg 560w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Karkana-back-of-work-260x260.jpg 260w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Karkana-back-of-work-160x160.jpg 160w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Karkana-back-of-work.jpg 700w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><figcaption>Notes for <em>Dark Matter<\/em> by Hana Kark<br>Courtesy of Hana Kark.<\/figcaption><\/figure>\n\n\n\n<p>The notes artists made on the back of <em>Dark Matter<\/em> reflect their thoughts about making. <\/p>\n\n\n\n<p>&#8220;Nancy Kay sought out eight artists to attempt a new iteration of the modern Karkhana model. Rather than sharing a singular artistic practice, each artist brings something different to the mix,&#8221; writes Clark.  <\/p>\n\n\n\n<p>Contributing artists: S. Portico Bowman creates installation art, ceramics and mixed media; Carlyn Clark is a textile artist; Johnny Fox works in collage, printmaking and assemblage; Margaret Lazzari paints and draws; Luke Reichle is a painter; Chris Russell is an illustrator; Caryl St. Ama is an encaustic painter; and Nancy Kay Turner is a mixed media artist.<\/p>\n\n\n\n<p><em>To see the entire issue,&nbsp;<a rel=\"noreferrer noopener\" href=\"http:\/\/kolajmagazine.com\/content\/subscribe\/\" target=\"_blank\">SUBSCRIBE<\/a>&nbsp;to&nbsp;<\/em>Kolaj Magazine<em>&nbsp;or&nbsp;<a rel=\"noreferrer noopener\" href=\"http:\/\/www.kolajmagazine.com\/shop.html\" target=\"_blank\">Get a Copy of the Issue<\/a>.<\/em><\/p>\n\n\n\n<p>Hana Kark is a \u201csingle and collective art identity\u201d whose mission is \u201cto make visual art in communal conditions, emulating what is common to theater, music and film.\u201d The participating artists live in Canada, the United Kingdom and the United States and currently include S. Portico Bowman, Carlyn Clark, Johnny Fox, Margaret Lazzari, Luke Reichle, Chris Russell, Caryl St. Ama, and Nancy Kay Turner. To see more of Hana Kark\u2019s work and learn more, visit <a href=\"http:\/\/www.hana-kark.com\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"www.hana-kark.com (opens in a new tab)\">www.hana-kark.com<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>FROM KOLAJ 27 The Karkhana Collaboration Project What can the sixteenth century imperial workshops of the Mughal Empire teach us about working collaboratively? In KOLAJ #27, Carlyn Clark writes about her experience of The Karkhana Collaboration Project where eight artists&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/kolajmagazine.com\/content\/content\/articles\/communal-atelier\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":9028,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[6],"tags":[],"jetpack_featured_media_url":"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/karkana-see-father-pray.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-2lB","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":8851,"url":"https:\/\/kolajmagazine.com\/content\/issues\/kolaj-27\/","url_meta":{"origin":9027,"position":0},"title":"Kolaj #27","author":"Christopher Byrne","date":"13 November 2019","format":"gallery","excerpt":"SUBSCRIBE OR ORDER A COPY In this Issue In Kolaj #27, we consider the role art collecting plays in the collage scene, remember artists who have recently passed, get introduced to an Inuk artist from the Canadian Arctic, hear about a collaborative model that dates back to the sixteenth century,\u2026","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"https:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj-27-cover.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj-27-cover.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj-27-cover.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj-27-cover.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":4991,"url":"https:\/\/kolajmagazine.com\/content\/issues\/kolaj-16\/","url_meta":{"origin":9027,"position":1},"title":"Kolaj #16","author":"Christopher Byrne","date":"2 July 2016","format":"gallery","excerpt":"Kolaj #16 delivers a look at the wonderful world of contemporary collage: the people who make it and the people who love it. INSIDE THIS ISSUE In the issue, Jenny Hampe tells the tale of how she went from American suburbanite to Norwegian goat herder to collage artist. It\u2019s quite\u2026","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"https:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K16-COVER.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K16-COVER.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K16-COVER.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":6427,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/encouraging-generosity-with-collage\/","url_meta":{"origin":9027,"position":2},"title":"Encouraging Generosity with Collage","author":"Christopher Byrne","date":"27 November 2017","format":"gallery","excerpt":"FROM KOLAJ #21 Postal-Collage Project Round Table [Collaboration] project founder Marty McCutcheon has begun work on Postal-Collage Project #7. This collaborative collage making involves 200 artists who are producing work between September 2017 and February 2018. Artists work in groups of five. Each artist starts a collage and contributes to\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/envelopesblur.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/envelopesblur.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/envelopesblur.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/envelopesblur.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2535,"url":"https:\/\/kolajmagazine.com\/content\/news\/great-kolaj-cover-collaboration\/","url_meta":{"origin":9027,"position":3},"title":"The Great Kolaj Cover Collaboration","author":"Christopher Byrne","date":"17 December 2013","format":"gallery","excerpt":"The Great Kolaj Cover Collaboration The next issue of Kolaj Magazine (Issue #7) will focus on collaborations between collage artists. As we started thinking about a cover for the issue, we thought about what fun it would be to collaborate on a cover with the broader collage community: our subscribers,\u2026","rel":"","context":"In &quot;News&quot;","block_context":{"text":"News","link":"https:\/\/kolajmagazine.com\/content\/category\/news\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Kolaj-Issue-7-Cover-Collab-Image-web.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Kolaj-Issue-7-Cover-Collab-Image-web.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Kolaj-Issue-7-Cover-Collab-Image-web.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":9982,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/th-ink\/","url_meta":{"origin":9027,"position":4},"title":"{th ink}","author":"Christopher Byrne","date":"18 August 2020","format":"gallery","excerpt":"In a Manner of Speaking by {THS} (pages 26-27) in {th ink} 2: objectextion6\"x9\"; analog collage with digital composition; 2020. Courtesy of the artist and Aaron Beebe Collage. FROM KOLAJ 29 {th ink} 2: objectextion In March 2020, American collagist Aaron Beebe released the second issue of {th ink}, which\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/th_ink_2_THS.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/th_ink_2_THS.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/th_ink_2_THS.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/th_ink_2_THS.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":5313,"url":"https:\/\/kolajmagazine.com\/content\/issues\/kolaj-17\/","url_meta":{"origin":9027,"position":5},"title":"Kolaj #17","author":"Christopher Byrne","date":"9 October 2016","format":"gallery","excerpt":"Kolaj #17 delivers a look at the wonderful world of contemporary collage: the people who make it and the people who love it. INSIDE THIS ISSUE A collaborative collage by Zach Collins and Ted Tollefson is on the cover. Zach Collins continues his series on collage and collaboration with some\u2026","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"https:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K17-cover.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K17-cover.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K17-cover.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/9027"}],"collection":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=9027"}],"version-history":[{"count":0,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/9027\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/9028"}],"wp:attachment":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=9027"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=9027"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=9027"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}