{"id":9040,"date":"2019-12-23T13:09:14","date_gmt":"2019-12-23T18:09:14","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=9040"},"modified":"2019-12-04T14:08:01","modified_gmt":"2019-12-04T19:08:01","slug":"sinister-portent","status":"publish","type":"post","link":"https:\/\/kolajmagazine.com\/content\/content\/articles\/sinister-portent\/","title":{"rendered":"Sinister Portent"},"content":{"rendered":"\n<figure class=\"wp-block-image\"><img decoding=\"async\" loading=\"lazy\" width=\"700\" height=\"862\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/floyd-kaptana-Dancing-Spirit-Bear.jpg\" alt=\"\" class=\"wp-image-9041\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/floyd-kaptana-Dancing-Spirit-Bear.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/floyd-kaptana-Dancing-Spirit-Bear-300x369.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/floyd-kaptana-Dancing-Spirit-Bear-600x739.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/floyd-kaptana-Dancing-Spirit-Bear-560x690.jpg 560w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/floyd-kaptana-Dancing-Spirit-Bear-260x320.jpg 260w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/floyd-kaptana-Dancing-Spirit-Bear-160x197.jpg 160w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption><em>Dancing Spirit Bear<\/em> by Floyd Kuptana<br>10&#8243;x8&#8243;; paper collage and acrylic paint on stretched canvas; 2015<br>Courtesy of the author.<\/figcaption><\/figure>\n\n\n\n<p>FROM KOLAJ 27<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">The Collages of Inuk Artist Floyd Kuptana<\/h2>\n\n\n\n<p>Floyd Kuptana is an Inuk artist from the Canadian Arctic who lives in Toronto, Ontario. In 2010, he added painting and, in 2012, collage to his ongoing, highly regarded body of work in stone. Richard D. Mohr introduces the Inuk artist&#8217;s work and discusses how sinister portent pervades his work.<\/p>\n\n\n\n<p><em>This article appeared in<\/em><a rel=\"noreferrer noopener\" href=\"http:\/\/kolajmagazine.com\/content\/issues\/kolaj-27\/\" target=\"_blank\"> KOLAJ #27<\/a>.<em> To see the entire issue, <a rel=\"noreferrer noopener\" href=\"http:\/\/kolajmagazine.com\/content\/subscribe\/\" target=\"_blank\">SUBSCRIBE<\/a> to<\/em> Kolaj Magazine<em>&nbsp;or&nbsp;<a rel=\"noreferrer noopener\" href=\"http:\/\/www.kolajmagazine.com\/shop.html\" target=\"_blank\">Get a Copy of the Issue<\/a>.<\/em> <\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" loading=\"lazy\" width=\"600\" height=\"500\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/floyd-kaptana-Deadlock-600x500.jpg\" alt=\"\" class=\"wp-image-9042\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/floyd-kaptana-Deadlock-600x500.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/floyd-kaptana-Deadlock-300x250.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/floyd-kaptana-Deadlock-560x466.jpg 560w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/floyd-kaptana-Deadlock-260x217.jpg 260w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/floyd-kaptana-Deadlock-160x133.jpg 160w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/floyd-kaptana-Deadlock.jpg 700w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><figcaption><em>Deadlock <\/em>by Floyd Kuptana<br>9&#8243;x11&#8243;; paper collage, acrylic paint, enamel, and graphite on scrap cardboard; 2012<br>Courtesy of the author.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">&#8220;Kuptana\u2019s spookiest use of collage is to cut out detailed facial features and make them appear to shine forth from within skulls which imprison them, and of these the most rattling have collaged eyes set on far less detailed acrylic grounds. The juxtaposition rouses textural pop and visual whiplash, while suspending the viewer over a bottomless crevasse of unease.&#8221;<\/h2>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" loading=\"lazy\" width=\"600\" height=\"757\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/floyd-kaptana-Can-I-do-This-600x757.jpg\" alt=\"\" class=\"wp-image-9043\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/floyd-kaptana-Can-I-do-This-600x757.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/floyd-kaptana-Can-I-do-This-300x378.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/floyd-kaptana-Can-I-do-This-560x706.jpg 560w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/floyd-kaptana-Can-I-do-This-260x328.jpg 260w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/floyd-kaptana-Can-I-do-This-160x202.jpg 160w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/floyd-kaptana-Can-I-do-This.jpg 700w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><figcaption><em>Can I Do This<\/em> by Floyd Kuptana<br>Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">&#8220;He tweakingly appropriates white folks\u2019 popular culture, their distinctive ideas (like universal surveillance \u2014 an inukshuk comes to life as a panoptic guard tower), their social forms (like gender bending&#8211;the head and legs of the Creature from the Black Lagoon bracket a one-piece bathing suit to form a gender sandwich), and their art movements.&#8221;<\/h2>\n\n\n\n<p><em>To see the entire issue,&nbsp;<a rel=\"noreferrer noopener\" href=\"http:\/\/kolajmagazine.com\/content\/subscribe\/\" target=\"_blank\">SUBSCRIBE<\/a>&nbsp;to&nbsp;<\/em>Kolaj Magazine<em>&nbsp;or&nbsp;<a rel=\"noreferrer noopener\" href=\"http:\/\/www.kolajmagazine.com\/shop.html\" target=\"_blank\">Get a Copy of the Issue<\/a>.<\/em><\/p>\n\n\n\n<p>Kuptana\u2019s collages are epicycles on collaging workshops hosted at Toronto\u2019s non-commercial Gallery Arcturus, where he collages with a small group of in-house artists. This group\u2019s work can regularly be seen at Arcturus\u2019 blog: <a rel=\"noreferrer noopener\" aria-label=\"www.dailyartblog.ca (opens in a new tab)\" href=\"http:\/\/www.dailyartblog.ca\" target=\"_blank\">www.dailyartblog.ca<\/a>. Kuptana\u2019s solo work can be accessed through <a rel=\"noreferrer noopener\" aria-label=\"Facebook (opens in a new tab)\" href=\"https:\/\/www.facebook.com\/FloydKuptana\/\" target=\"_blank\">Facebook<\/a> and a fair number of images are on the Internet. A 20-minute shamble, &#8220;Inuit Artist Floyd Kuptana,&#8221; can be found on YouTube\u2019s ThatChannel. He is not an artist who could write an artist\u2019s statement. But his frenetic, majestic, haunting collages, just on their own, sufficiently communicate the pleasures and terrors of the spirit world\u2019s arrival in everyday life.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>FROM KOLAJ 27 The Collages of Inuk Artist Floyd Kuptana Floyd Kuptana is an Inuk artist from the Canadian Arctic who lives in Toronto, Ontario. In 2010, he added painting and, in 2012, collage to his ongoing, highly regarded body&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/kolajmagazine.com\/content\/content\/articles\/sinister-portent\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":9041,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[6],"tags":[],"jetpack_featured_media_url":"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/floyd-kaptana-Dancing-Spirit-Bear.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-2lO","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":8851,"url":"https:\/\/kolajmagazine.com\/content\/issues\/kolaj-27\/","url_meta":{"origin":9040,"position":0},"title":"Kolaj #27","author":"Christopher Byrne","date":"13 November 2019","format":"gallery","excerpt":"SUBSCRIBE OR ORDER A COPY In this Issue In Kolaj #27, we consider the role art collecting plays in the collage scene, remember artists who have recently passed, get introduced to an Inuk artist from the Canadian Arctic, hear about a collaborative model that dates back to the sixteenth century,\u2026","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"https:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj-27-cover.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj-27-cover.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj-27-cover.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/kolaj-27-cover.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":11357,"url":"https:\/\/kolajmagazine.com\/content\/issues\/kolaj-33\/","url_meta":{"origin":9040,"position":1},"title":"Kolaj #33","author":"Christopher Byrne","date":"19 July 2021","format":"gallery","excerpt":"SUBSCRIBE OR ORDER A COPY ABOUT THE ISSUE Handling from \u201cThe Lives of Dahlias\u201d series by Leslie Fry is on the cover. The blending of human, natural, and architectural motifs is a hallmark of Surrealism. Fry steps into this arena with a sword of feminist thinking and cuts through the\u2026","rel":"","context":"In &quot;Issues&quot;","block_context":{"text":"Issues","link":"https:\/\/kolajmagazine.com\/content\/category\/issues\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K33-Cover.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K33-Cover.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K33-Cover.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/K33-Cover.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":11453,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/remembering-floyd-kuptana-1964-2021\/","url_meta":{"origin":9040,"position":2},"title":"Remembering Floyd Kuptana (1964-2021)","author":"Christopher Byrne","date":"2 August 2021","format":"gallery","excerpt":"The Scream by Floyd Kuptanacollage; 2019. Courtesy of Richard D. Mohr Kolaj Magazine was saddened to learn that Inuit carver, painter and collagist Floyd Kuptana died on the streets of Toronto during the early hours of May 27, 2021. Richard D. Mohr, who wrote about Kuptana in Kolaj 27, writes,\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/floyd-kuptana-the-scream.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/floyd-kuptana-the-scream.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/floyd-kuptana-the-scream.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/floyd-kuptana-the-scream.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":11566,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/call-response\/","url_meta":{"origin":9040,"position":3},"title":"Call &#038; Response","author":"Christopher Byrne","date":"1 September 2021","format":"gallery","excerpt":"Photo: Mom and Dad at the lake, ages 20 & 21 by Trish Crapocollage. Courtesy of the artist. FROM KOLAJ 33 The Exchange of Poetry and Collage between Trish Crapo & Missy-Marie Montgomery Long-time friends Trish Crapo and Missy-Marie Montgomery have used collage as a way to stay creatively connected\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/MomDadattheLake.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/MomDadattheLake.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/MomDadattheLake.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/MomDadattheLake.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":1264,"url":"https:\/\/kolajmagazine.com\/content\/issues\/issue-three-fragments-ideas\/","url_meta":{"origin":9040,"position":4},"title":"Issue Three: Fragments &amp; Ideas","author":"kasini","date":"15 January 2013","format":false,"excerpt":"Contents Kolaj editor Benoit Depelteau talks about fragments and ideas in collage Billy Mavreas explores the textures & plans of resonance of collage artist Jacob Whibley. Benoit Depelteau talks with Uncanny Artist owner Laura Stanziola. Cory W. Peeke sits down with California artist David King. 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A limited number of\u2026","rel":"","context":"In &quot;Events&quot;","block_context":{"text":"Events","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-events\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Collage-on-Screen-5x4-a.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Collage-on-Screen-5x4-a.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Collage-on-Screen-5x4-a.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Collage-on-Screen-5x4-a.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/9040"}],"collection":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=9040"}],"version-history":[{"count":0,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/9040\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/9041"}],"wp:attachment":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=9040"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=9040"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=9040"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}