{"id":9585,"date":"2020-04-14T02:06:05","date_gmt":"2020-04-14T06:06:05","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=9585"},"modified":"2020-04-07T16:24:56","modified_gmt":"2020-04-07T20:24:56","slug":"giant-asian-girls","status":"publish","type":"post","link":"https:\/\/kolajmagazine.com\/content\/content\/articles\/giant-asian-girls\/","title":{"rendered":"Giant Asian Girls"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"700\" height=\"488\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Misoo-self-portrait-detail.jpg\" alt=\"\" class=\"wp-image-9586\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Misoo-self-portrait-detail.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Misoo-self-portrait-detail-600x418.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Misoo-self-portrait-detail-300x209.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Misoo-self-portrait-detail-560x390.jpg 560w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Misoo-self-portrait-detail-260x181.jpg 260w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Misoo-self-portrait-detail-160x112.jpg 160w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption><em>Self Portrait<\/em> (detail) by Misoo<br>Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n<p>FROM KOLAJ 28<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Misoo<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Artist Portfolio<\/h3>\n\n\n\n<p>&#8220;The Giant Asian Girls&#8221; by Misoo are an acrylic painting and collage series that contemplates the unique intersection of gender-based violence and racial stereotypes for Asian women living in the United States. In one aspect, the work is a counterbalance to the western \u201cfetishization\u201d of Asian women, and in another, it is a fantasy narrative about the privilege of size.<\/p>\n\n\n\n<p><em>A portfolio of Misoo&#8217;s work appears in<\/em> <a rel=\"noreferrer noopener\" href=\"http:\/\/kolajmagazine.com\/content\/issues\/kolaj-28\/\" target=\"_blank\">Kolaj 28<\/a>. <em>To see the complete article, <a rel=\"noreferrer noopener\" href=\"http:\/\/www.kolajmagazine.com\/shop.html\" target=\"_blank\">SUBSCRIBE to <\/a><\/em><a rel=\"noreferrer noopener\" href=\"http:\/\/www.kolajmagazine.com\/shop.html\" target=\"_blank\">Kolaj Magazine<\/a><em> or <a rel=\"noreferrer noopener\" href=\"http:\/\/www.kolajmagazine.com\/shop.html\" target=\"_blank\">Get a Copy of the Issue<\/a>. <\/em>  <\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"700\" height=\"989\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/misoo-the-giant-asian-girl-self-portrait-2.jpg\" alt=\"\" class=\"wp-image-9587\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/misoo-the-giant-asian-girl-self-portrait-2.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/misoo-the-giant-asian-girl-self-portrait-2-600x848.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/misoo-the-giant-asian-girl-self-portrait-2-300x424.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/misoo-the-giant-asian-girl-self-portrait-2-560x791.jpg 560w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/misoo-the-giant-asian-girl-self-portrait-2-260x367.jpg 260w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/misoo-the-giant-asian-girl-self-portrait-2-160x226.jpg 160w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption><em>Self Portrait 2<\/em> by Misoo<br>Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>&#8220;American men often comment about our \u201csmall\u201d body size, masking them as compliments when what they really mean is weak, less able to fight off advances. &#8220;The Giant Asian Girls&#8221; are powerful giantesses, towering over familiar Disney characters and scenes from Golden Books and Richard Scarry stories.&#8221;<\/p><\/blockquote>\n\n\n\n<p><em>To see the complete article, <a rel=\"noreferrer noopener\" href=\"http:\/\/www.kolajmagazine.com\/shop.html\" target=\"_blank\">SUBSCRIBE to <\/a><\/em><a rel=\"noreferrer noopener\" href=\"http:\/\/www.kolajmagazine.com\/shop.html\" target=\"_blank\">Kolaj Magazine<\/a><em> or <a rel=\"noreferrer noopener\" href=\"http:\/\/www.kolajmagazine.com\/shop.html\" target=\"_blank\">Get a Copy of the Issue<\/a>. <\/em>   <\/p>\n\n\n\n<p>Misoo was born in The Bronx, New York in 1980, but moved back to her parents\u2019 homeland of South Korean at the age of one. She returned to the US in 1998 with ambitions to use painting as her mode of emotional communication and story-telling. Misoo has exhibited in number of galleries and museums including the Cultural Council of Palm Beach County, Boca Raton Museum of Art, The Gallery at Art House Delray, Bailey Contemporary Arts, Florida Atlantic University, Palm Beach State College, and the Girls\u2019 Club Foundation of Fort Lauderdale, all in Florida; Durham Arts Council, North Carolina; University of Vermont, Burlington City Arts, Champlain College, all in Vermont; and Steinhardt Museum of Natural History in Tel Aviv, Israel. She lives and works in Shelburne, Vermont. Learn more at <a href=\"http:\/\/www.misoo.org\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"www.misoo.org (opens in a new tab)\">www.misoo.org<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>FROM KOLAJ 28 Misoo Artist Portfolio &#8220;The Giant Asian Girls&#8221; by Misoo are an acrylic painting and collage series that contemplates the unique intersection of gender-based violence and racial stereotypes for Asian women living in the United States. In one&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/kolajmagazine.com\/content\/content\/articles\/giant-asian-girls\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":9586,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[6,9],"tags":[],"jetpack_featured_media_url":"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/Misoo-self-portrait-detail.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-2uB","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":6193,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/a-giant-god-like-hand\/","url_meta":{"origin":9585,"position":0},"title":"A Giant, God-like Hand","author":"Christopher Byrne","date":"4 September 2017","format":"gallery","excerpt":"FROM KOLAJ #20 Pauline Tonglet's Artist Portfolio Pauline Tonglet excels at these dynamic compositions and narratives. Densely packed, her collage affords the viewer a rich tableau to explore. She says of fragments, \u201cTheir proximity and new neighbourhoods generate a different message, another truth.\u201d She is successful because she understands this\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Baia-by-pauline-tonglet.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Baia-by-pauline-tonglet.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Baia-by-pauline-tonglet.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Baia-by-pauline-tonglet.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":15158,"url":"https:\/\/kolajmagazine.com\/content\/kolaj-fest-new-orleans\/return-to-sender-at-kolaj-fest-new-orleans-2024\/","url_meta":{"origin":9585,"position":1},"title":"Return to Sender at Kolaj Fest New Orleans 2024","author":"Christopher Byrne","date":"3 May 2024","format":"gallery","excerpt":"Fatimah in Lucknow by Mara Ahmed21\"x17\"; digital collage constructed with scanned South Asian fabric and photographs printed on fine art gicl\u00e9e paper, 2023. Courtesy of the artist. FILM SCREENING AT KOLAJ FEST NEW ORLEANS 2024 Return to Sender: Women of Color in Colonial Postcards & the Politics of Representation Thursday,\u2026","rel":"","context":"In &quot;Kolaj Fest New Orleans&quot;","block_context":{"text":"Kolaj Fest New Orleans","link":"https:\/\/kolajmagazine.com\/content\/category\/kolaj-fest-new-orleans\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/mara-ahmed-fatima-in-lucknow.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/mara-ahmed-fatima-in-lucknow.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/mara-ahmed-fatima-in-lucknow.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/mara-ahmed-fatima-in-lucknow.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":11278,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/macrocosms-microcosms-power\/","url_meta":{"origin":9585,"position":2},"title":"Macrocosms, Microcosms, &#038; Power","author":"Christopher Byrne","date":"8 July 2021","format":"gallery","excerpt":"Gynephilia I by Brittany M. Reid14\"x10\"; hand-cut collage made from found media; 2020. Courtesy of the artist. FROM KOLAJ 32 Brittany M. Reid's Artist Portfolio \u201cI let my childhood memories, experiences as a queer, Black woman, and life as a mother dictate much of my work,\u201d writes Brittany M. Reid\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Reid_Brittany-Gynephilia-I.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Reid_Brittany-Gynephilia-I.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Reid_Brittany-Gynephilia-I.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Reid_Brittany-Gynephilia-I.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":8969,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/hopes-and-dreams\/","url_meta":{"origin":9585,"position":3},"title":"Hopes and Dreams","author":"Christopher Byrne","date":"27 November 2019","format":"gallery","excerpt":"Orient Vibes by Katarina Pusica17.7\"x11.8\"; cardboard, paper, magazine images; 2017Courtesy of the artist. FROM KOLAJ 27 Artist Portfolio: Katarina Pusica, Fr\u00f6ndenberg, Germany In the 1987 romantic comedy, Mannequin, Kim Cattrall plays an ancient Egyptian muse trapped in the body of a department store mannequin in modern day Philadelphia. We thought\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/katarina-pusica-orient-vibes.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/katarina-pusica-orient-vibes.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/katarina-pusica-orient-vibes.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/katarina-pusica-orient-vibes.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":6412,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/copious-fragments-a-diamond-of-flowers\/","url_meta":{"origin":9585,"position":4},"title":"Copious Fragments, A Diamond Of Flowers","author":"Christopher Byrne","date":"22 November 2017","format":"gallery","excerpt":"FROM KOLAJ 21 Burry Buermans' Artist Portfolio The Birds is a dense, packed collage in which the fragments coalesce into the shape of a tree. This is a typical strategy of Burry Buermans who has also made a telephone with fragments of pin-up girls, a bomb with images of grafitti\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/burry-buermans-the-birds.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/burry-buermans-the-birds.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/burry-buermans-the-birds.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/burry-buermans-the-birds.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":8034,"url":"https:\/\/kolajmagazine.com\/content\/content\/articles\/red-ribbons-dance\/","url_meta":{"origin":9585,"position":5},"title":"Red Ribbons Dance","author":"Christopher Byrne","date":"2 April 2019","format":"gallery","excerpt":"FROM KOLAJ 25 Sarah Perkins: Artist Portfolio London, United Kingdom Sarah Perkins references fables and folklore and she combines found imagery with her own mark making and samples from art history. Pine and holly enrobe portraits of women like festive holiday burkas. Red ribbons dance around the figures whose eyes\u2026","rel":"","context":"In &quot;Articles&quot;","block_context":{"text":"Articles","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/articles\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Holly-K.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Holly-K.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Holly-K.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Holly-K.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/9585"}],"collection":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/comments?post=9585"}],"version-history":[{"count":0,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/posts\/9585\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media\/9586"}],"wp:attachment":[{"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/media?parent=9585"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/categories?post=9585"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kolajmagazine.com\/content\/wp-json\/wp\/v2\/tags?post=9585"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}