{"id":9971,"date":"2020-08-19T16:30:19","date_gmt":"2020-08-19T20:30:19","guid":{"rendered":"http:\/\/kolajmagazine.com\/content\/?p=9971"},"modified":"2020-08-25T15:10:34","modified_gmt":"2020-08-25T19:10:34","slug":"banshee-america","status":"publish","type":"post","link":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/banshee-america\/","title":{"rendered":"Banshee America"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"700\" height=\"1056\" src=\"http:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/david-crunelle-banshee-america-7-i-dont-fear-death.jpg\" alt=\"\" class=\"wp-image-9972\" srcset=\"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/david-crunelle-banshee-america-7-i-dont-fear-death.jpg 700w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/david-crunelle-banshee-america-7-i-dont-fear-death-600x905.jpg 600w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/david-crunelle-banshee-america-7-i-dont-fear-death-300x453.jpg 300w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/david-crunelle-banshee-america-7-i-dont-fear-death-560x845.jpg 560w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/david-crunelle-banshee-america-7-i-dont-fear-death-260x392.jpg 260w, https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/david-crunelle-banshee-america-7-i-dont-fear-death-160x241.jpg 160w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><figcaption><em>Banshee America #7: I Don&#8217;t Fear Death<\/em> by David Crunelle<br>12.6&#8243;x8&#8243;; photocollage, acrylic, varnish on paper. Courtesy of the artist.<\/figcaption><\/figure>\n\n\n\n<p>COLLAGE ON VIEW<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Group Show with David Crunelle, Ray Richardson, Johan Van Mullem and Adam Dix<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">at Zedes Art Gallery in Brussels, Belgium<br>18 July-30 August 2020<\/h3>\n\n\n\n<p>Since Celtic times, Celtic Ireland has been haunted by banshees, messengers of the Other World, both protectors of lands and families and heralds of death, defeat and disaster. Every family has its banshee, which follows it wherever it goes, even when it embarks for the New World. The Irish people and their supernatural guardian powers have thus irrigated America. Today, however, the descendants of Irish migrants, when they claim to honor their origins, are content to celebrate St. Patrick\u2019s Day, wearing a shouting scarf made in Indonesia, struck with a clover, marching through the streets to the sound of brass bands and drinking liters of Guinness in one of the imitation Irish pubs that dot the globe.<\/p>\n\n\n\n<p>In terms of Irish heritage, however, what the United States needs today is not a reinterpretation of beer-impregnated synthetic fibers, but the voice of the banshees. What they lack is not the sense of Ireland Day, but the sense of tragedy.<\/p>\n\n\n\n<p>Alas, years of over-consumption, self-glorification and various fanaticisms have taken their toll on the hearing of the great-grandchildren of Irish migrants. Few still hear the dire omens of their banshee. The banshee that once heralded the dead in battle is now forgotten, even as economic wars and environmental perils herald apocalyptic harvests of souls.<\/p>\n\n\n\n<p>In his series \u201cBanshee America\u201d, produced during the (first?) period of containment due to the COVID-19 pandemic, David Crunelle looks at images of a serene and self-confident America, taken from <em>National Geographic<\/em>. He accompanies them with sentences taken from <em>Time Magazine<\/em>, published during this period, and, true to his habit, disturbs, triturates and alters them. Folk quilt-like decompositions, coloured parasites, masking with India ink, and collage techniques are used to indicate the fragility of a world that is more dead than alive. Under blue or twilight skies, on the synthetic grass of golf courses, in the forests of vertical cities, on the clich\u00e9s of ideal families or in the depths of wide-open spaces, shadows slip in, like the joyful metastases heralding the suffering to come, like the insistent litany of the messengers of death who intend to remember America.<\/p>\n\n\n\n<p><em>(text adapted from the artist&#8217;s exhibition statement)<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><strong>INFORMATION<\/strong><\/p>\n\n\n\n<p><strong>Zedes Art Gallery<\/strong><br>Rue Paul Lauters, 36<br>1050 Brussels, Belgium<br>+32 2 646 00 04<\/p>\n\n\n\n<p>HOURS:<br>Wednesday-Friday, Noon-6PM<br>Saturday, 2-6PM<br>and by appointment<\/p>\n\n\n\n<p><a href=\"https:\/\/goo.gl\/maps\/QdoGFFQnioNk93Xy8\" target=\"_blank\" rel=\"noreferrer noopener\">MAP<\/a> | <a href=\"https:\/\/www.zedes-art-gallery.be\/\" target=\"_blank\" rel=\"noreferrer noopener\">WEBSITE<\/a> | <a href=\"https:\/\/www.facebook.com\/ZedesArtGallery1987\/\" target=\"_blank\" rel=\"noreferrer noopener\">FACEBOOK<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>COLLAGE ON VIEW Group Show with David Crunelle, Ray Richardson, Johan Van Mullem and Adam Dix at Zedes Art Gallery in Brussels, Belgium18 July-30 August 2020 Since Celtic times, Celtic Ireland has been haunted by banshees, messengers of the Other&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/banshee-america\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":6,"featured_media":9972,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","footnotes":""},"categories":[11],"tags":[],"jetpack_featured_media_url":"https:\/\/kolajmagazine.com\/content\/wp-content\/uploads\/david-crunelle-banshee-america-7-i-dont-fear-death.jpg","jetpack_shortlink":"https:\/\/wp.me\/p2QTD7-2AP","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":24,"url":"https:\/\/kolajmagazine.com\/content\/contributors\/carl-david-ruttan\/","url_meta":{"origin":9971,"position":0},"title":"Carl David Ruttan","author":"kasini","date":"29 September 2011","format":false,"excerpt":"Carl David Ruttan was born in 1976 in Oshawa, Ontario. He studied fine art at the University of Ottawa, completing his Bachelors of Fine Art in 2000. He has traveled in Asia, North America, Europe and on numerous islands of the Caribbean and South Pacific. Carl Settled in Montreal in\u2026","rel":"","context":"In &quot;Carl David Ruttan&quot;","block_context":{"text":"Carl David Ruttan","link":"https:\/\/kolajmagazine.com\/content\/category\/carl-david-ruttan\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":14325,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/word-of-mouth-folklore-collage-community\/","url_meta":{"origin":9971,"position":1},"title":"Word of Mouth: Folklore, Collage, &#038; Community","author":"Christopher Byrne","date":"26 August 2023","format":"gallery","excerpt":"A Martyr Like No Other: Lakshmibai, Rani of\u00a0Jhansi by Indira Govindan14\"x10\"; collage print on 140lb Canson cold press watercolor paper; 2023. Courtesy of the artist. COLLAGE ON VIEW Word of Mouth: Folklore, Collage, & Community at A' the Airts in Sanquhar, Scotland, United Kingdom6-30 September 2023 Folklore is the imagination\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Indira-Govindan-She-Fought-Like-a-Man-Lakshmibai-Rani-of-Jhansi.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Indira-Govindan-She-Fought-Like-a-Man-Lakshmibai-Rani-of-Jhansi.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Indira-Govindan-She-Fought-Like-a-Man-Lakshmibai-Rani-of-Jhansi.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/Indira-Govindan-She-Fought-Like-a-Man-Lakshmibai-Rani-of-Jhansi.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":14782,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-exhibitions\/no-roses-in-december\/","url_meta":{"origin":9971,"position":2},"title":"No Roses in December","author":"Christopher Byrne","date":"26 January 2024","format":"gallery","excerpt":"Ghosts by David Edward Johnson30\"x30\"; custom photography, found objects, acrylic, graphite, spray paint, crayon, paper, cardboard, and household on panel. Courtesy of the artist. COLLAGE ON VIEW David Edward Johnson: No Roses in December at the Everson Museum of Art in Syracuse, New York, USA27 January-31 March 2024 Based in\u2026","rel":"","context":"In &quot;Exhibitions&quot;","block_context":{"text":"Exhibitions","link":"https:\/\/kolajmagazine.com\/content\/category\/content\/collage-exhibitions\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/david-edward-johnson-ghosts.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/david-edward-johnson-ghosts.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/david-edward-johnson-ghosts.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/kolajmagazine.com\/content\/wp-content\/uploads\/david-edward-johnson-ghosts.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":46,"url":"https:\/\/kolajmagazine.com\/content\/content\/collage-artists\/collage-artist-portfoliocarl-david-ruttan\/","url_meta":{"origin":9971,"position":3},"title":"Collage Artist PortfolioCarl David Ruttan","author":"kasini","date":"28 October 2011","format":"gallery","excerpt":"A consummate traveler, Carl David Ruttan makes collages with graphic ephemera he finds along the way: Chinese cigarette cartons, Indian candy wrappers, torn bits of music posters from the street. 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