Missy Arellano
![]() 8.5”x9”; analog collage on paper with Posca acrylic markers; 2024 Missy Arellano STATEMENT Collaging began as a way to navigate the tangled labyrinth of physical and emotional hurdles. The meditative act of layering paper to create playful, surreal abstractions and narratives that surprise even me. Each collage feels like assembling fragments of forgotten dreams, transforming chaos into cosmic order. I am a bibliophile with an affinity for rescuing discarded books and magazines from dimly lit bookstores and forgotten free libraries. These relics find sanctuary in my studio, only to be torn apart and reconstructed into otherworldly compositions. In my hands, women become larger than life, their bodies emitting radiant beams of visible light, reclaiming space once denied to them. For the past four years, I’ve been immersed in a series where paper dolls traverse celestial realms, inspired by a serendipitous encounter with a book on Space Art and how the United States commissioned artists through NASA’s Artist’s Cooperation Program to create art inspired by space in the 1960s. These paper dolls include illustrations of 1960s fashion, Frida Kahlo, and Alexander McQueen’s collections all drawn by the talented Tom Tierney. My work challenges societal norms: Why does culture place such weight on women’s bodies? What narratives can we rewrite by reimagining these constructs? I delight in juxtaposing images that clash and complement, forging new visual stories from their tension. During my undergraduate years, I spent hours submerged in the darkroom, the scent of developer and fixer clinging to me as I emerged back into the light. That tactile magic continues to inform my practice, inspired by surrealists like Andre Breton, Frida Kahlo, and Hannah Höch. In the future, I aim to merge analog photography with collage in upcoming works, inviting communities of all kinds to co-create. Through workshops and conversations, I ask: What does a creative city look like to you? Together, we cut and glue it. BIO Missy Arellano is a transdisciplinary artist whose work explores the ways Queer and disabled humans navigate the complexities of existence from Long Beach, California. With over two decades of experience in the arts, Missy has contributed to a wide range of creative initiatives, from facilitating children’s programming in museums to managing artists at festivals, fundraising for public television, and teaching young children about contemporary art. Missy’s current work focuses on creative placemaking and inclusivity in public spaces, collaborating with Harvard’s Arts & Learning faculty, The Foundry, and Newtowne School to foster dialogue on the intersection of community and the creative economy. Missy holds a BA in Art History and French from California State University, Long Beach (2014), an MPA from the University of Southern California (2021), and an Ed.M. from Harvard Graduate School of Education (2024). ARTIST CONTACT IMAGES ![]() 12”x12”; analog collage on paper, digital photography printed on graph paper; 2025 ![]() 11”x8.5”; analog collage on paper; 2023 ![]() 14” diameter round clock; analog collage, digital photography, and thread on paper; 2025 ![]() 10.5”x8.5”; analog collage on paper; 2024 |