CALL TO ARTISTS
Collage & Illustration – The Awakening
A four-week, virtual/online residency with Kolaj Institute in October 2022
Deadline to apply: Sunday, August 28, 2022
During this project-driven residency, artists will collectively produce a series of collages that illustrate Kate Chopin’s 1899 novel, The Awakening. As a group, artists will analyze the story, discuss themes, uncover symbols, ask questions, and visually interpret the text for a 21st century audience.
The Awakening focuses on Edna Pontellier, an upper-class New Orleans woman, torn between expectations and desires. In the beginning of the novel Edna appears to live in a semi-conscious state, trapped in the mundane aspects of her life. As the story evolves, she encounters new people and experiences that create an awakening shift within her. Edna begins to view her world differently, and through this lens new relationships emerge while others become strained. In the end, Edna realizes that even if she has her own desires she is still trapped by her societal role.
The Awakening touches on 19th century feminist, identity, and societal themes that are still relevant today, such as; What does it mean to be a woman? What are the expectations that society puts upon women? Are we bound to what we are born into? What does it mean to transform? What does patriarchy look like in 2022?
Nancy Bernardo will lead the residency, facilitating the discussion of Chopin’s book, and speak about collage as illustration and how collage artists can engage with the marketplace for illustration. Christopher Kurts will serve as art director for this project and facilitate the collaboration. Heather Ryan Kelley will speak about “The Midden Heap Project” in which she made a collage response to each page of James Joyce’s Finnegans Wake. Wylie Garcia will speak about key symbols that set the tone of the story and how to question and reframe them for a contemporary context.
Working digitally will be integral to the collaborative process but will not be a prerequisite for acceptance into the residency. We will speak about strategies for adapting your analog process to working digitally as well as what free and available resources exist. We also ask that artists who are already capable of using digital tools for collage support the artists who are learning new skills during the residency. For artists who plan to work with a hybrid analog/digital process, access to a scanner is invaluable.
After the residency, Kolaj institute will publish The Awakening using the illustrations made during the residency as a way of bringing this important, historical book to 21st Century readers.
WHO IS THIS FOR?
Collage Artist Residencies are intended for self-motivated artists, at any stage in their career, who want to develop their practice by exploring a topic or working method and collaborating with others to produce a final product. Residencies are open to any artist over the age of 21 from anywhere in the world.
The cost of the residency is $500 per artist; however, no artist will be turned away for lack of funds and the organizers will work with artists to build a financial aid package.
HOW TO APPLY
Submit your application HERE.
Dates: October 1 – November 2, 2022
Sunday, October 2nd, 1-2PM EST
Wednesday, October 5th, 4-6PM EST
Wednesday, October 12th, 4-6PM EST
Wednesday, October 19th, 4-6PM EST
Wednesday, October 26th, 4-6PM EST
The residency will begin with an invitation to join the Slack workspace on Saturday, October 1st, followed by a one hour, online Meet & Greet on Sunday, October 2nd, 1-2PM EST.
The Introduction and Orientation session will take place on Wednesday, October 5th, 4-6PM EST.
Two sessions with guest speakers are scheduled for Wednesday, October 12th, and Wednesday, October 19th from 4-6PM EST.
The final session will take place on Wednesday, October 26th, 4-6PM EST. The final deadline to complete the illustrations will be Wednesday, November 2nd.
Artists are expected to attend all scheduled sessions and complete assignments. The group will individually and collectively produce a series of collage illustrations. By participation in the residency, artists grant Kolaj Institute, Kolaj Magazine, and Maison Kasini permission to publish the images in book form and in the promotion of the project and book. Any original work made during the residency remains the property of the individual artists with all rights retained.
The submission process asks applicants for:
• Contact information
• Artist Bio (50-250 words)
• Statement of Artist Practice (50-300 words)
• 5-7 images of artwork
• Statement of expectations
• Asks questions about your work and needs
If you have questions, send an email.
Nancy Bernardo currently lives in Rochester, New York and has been a practicing graphic designer for 22 years. She received her MFA from The School of the Art Institute of Chicago and has been an educator for 14 years. Bernardo’s work has been commissioned for book cover designs such as: Checking In/Checking Out (NO Books, 2010), New Orleans Review Art + Literary Magazine (2009-2014), Deconstructing Brad Pitt (Bloomsbury Press, 2011 and discussed in Kolaj 11) and History of Design: Beyond the Canon (Bloomsbury Press, 2018).
Bernardo has been recognized and awarded honors through Graphis Design Annual, Print Regional Design Awards, Design Observer 50 Books 50 Covers, HOW In-House Design Award, HOW Best of International Design and STA 100. Her work has also been exhibited in Rochester, New Orleans, Seattle, Chicago, New York City and in the United Kingdom. www.nancybernardo.com
Heather Ryan Kelley
Born in New Haven, Connecticut, Heather Ryan Kelley lives in Lake Charles, Louisiana.
She was a professor at McNeese State University where she taught painting and book arts. She holds a BFA in printmaking from Southern Methodist University and an MA in painting from Northwestern State University.
Beginning in 2012, Kelley began a project of making a collage per page of James Joyce’s enigmatic book Finnegans Wake. The first of the collages from The Midden Heap Project were shown in Charleston, South Carolina in 2013. As the project has progressed, it has been shown in New Orleans in Antenna Gallery’s Reading Room 220 in 2016; the University of Toronto’s Diasporic Joyce Conference in 2017; and, in 2018, portions of the project were displayed in “Joyce in Art” at the Museum of Contemporary Art, Antwerp, in “Shelf life” at the Acadiana Center for the Arts in Lafayette, Louisiana, at the University of Antwerp’s Joyce Conference, and in a solo exhibition at the Baton Rouge Gallery. Her most recent work from the Midden Heap Project, Mamalujo, was featured on a panel at the Dublin Joyce Symposium, Trinity College in June 2022.
From June to September 2022 Kelley is exhibiting 100 paintings based on James Joyce’s Ulysses at the Rosenbach Collection in Philadelphia as part of the exhibition “18 Reasons to Read Ulysses.”
Kelley’s work based upon Finnegans Wake is in the collections of the New York Public Library’s Berg Collection, The Harry Ransom Humanities Research Center at the University of Texas, University of Tulsa’s McFarlin Library Cornell University, Notre Dame’s Hesburgh Library, and the State University of New York at Buffalo’s Poetry Collection. www.heatherryankelley.com
Wylie Garcia investigates themes of identity and place through process and material-oriented projects. Using cross disciplinary mediums such as textiles, painting, drawing, sound, and performance, Garcia explores issues related to gender, devotion, and emotional spaces. Garcia has a BA from the University of Chicago and an MFA from the Massachusetts College of Art and Design. She is the 2019 winner of a Pollock-Krasner Foundation Grant and a Vermont Arts Council Creation Grant. She also won the 2016 Barbara Smail Fellowship and Award from Burlington City Arts and a 2016 Vermont Arts Council Creation Grant. Her work has been shown in solo and group shows across the U.S. and she has held residencies at the Fine Arts Work Center in Provincetown, Massachusetts and the Central Academy of Fine Arts in Beijing, among others. Garcia’s studio is in Burlington, Vermont and she is represented by the Schoolhouse Gallery in Provincetown, Massachusetts. www.wyliegarcia.com
Christopher Kurts is a storyteller, artist, and the Coordinator for Kolaj Institute. Kurts is also the co-founder Christopher Kurts is a storyteller and artist in New Orleans, Louisiana. He is the Coordinator for Kolaj Institute, where he has organized artist labs, residencies, workshops and forums which have often led to exhibitions and publications. In this role, Kurts acted as the Art Director for Kolaj Institute’s Oh, Money! Money! by Eleanor H. Porter, illustrated and interpreted by contemporary collage artists. His own work recently appeared in the exhibition, “Empty Columns are a Place to Dream” which debuted in August 2021 during the 53rd Annual Birr Vintage Week & Arts Festival in Birr, County Offaly, Ireland. In January 2022, Kolaj Institute published a book about the project and the exhibition traveled to the Knoxville Museum of Art in Knoxville, Tennessee. Kurts is also the co-founder and lead organizer for The Mystic Krewe of Scissors and Glue, a group of creatives in New Orleans who meet monthly to collage, converse and foster community. Along with the Krewe, Kurts helped organize “Unfamiliar Vegetables”, a group exhibition for Kolaj Fest New Orleans in July 2019, which was later published as a book. www.christopherkurts.com