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Issue Three Editorial: Fragments & Ideas
“No Assembly Required” at The Culture Box, Dublin
10-31 January 2013
In “No Assembly Required”, Adrienne Geoghegan and Una Gildea explore the theme of domesticity in terms of their own childhoods, as well as what domesticity signifies today.
Mark Hearld at Yorkshire Sculpture Park
17 November 2012 – 17 February 2013
“Birds and Beasts” showcases Mark Hearld’s practice which stems from a love of the British countryside, curiosity for objects and a magpie approach to collecting. Hearld has taken inspiration from Yorkshire Sculpture Parks’s 500-acre historic estate and its inhabitant wildlife to create new work.
Issue Three: Fragments & Ideas
Contents
Kolaj editor Benoit Depelteau talks about fragments and ideas in collage
Billy Mavreas explores the textures & plans of resonance of collage artist Jacob Whibley.
Benoit Depelteau talks with Uncanny Artist owner Laura Stanziola.
Cory W. Peeke sits down with California artist David King.
Ric Kasini Kadour visits the Sinister Pop show at the Whitney.
We visit Marian Williams in her studio.
And much, much more
The Shaping of New Visions at MoMA
18 April 2012 – 29 April 2013
Filling the third-floor Edward Steichen Photography Galleries, this installation presents more than 250 works by approximately 90 artists, with a focus on new acquisitions and groundbreaking projects by Man Ray, László Moholy-Nagy, Aleksandr Rodchenko, Germaine Krull, Dziga Vertov, Gerhard Rühm, Helen Levitt, Robert Frank, Daido Moriyama, Robert Heinecken, Edward Ruscha, Martha Rosler, Bernd and Hilla Becher, Philip-Lorca diCorcia, Paul Graham, and The Atlas Group/Walid Raad.
“Seuls quelques fragments de nous” at Galerie Thaddaeus Ropac
30 November 2012-19 January 2013
Covering twenty years of artistic practice, from the nineties until today, the works featured in the exhibition are all related to collage, montage and fragmentation. The display is itself conceived as a collage in space by the juxtaposition of several mediums, the superimposition of works, and the presence of works composed of mirrors, fragmenting the exhibition and the public.