In her masterful collages, Eva Lake creates wondrous new wholes from fragmented parts. Included in Judd Women Targets are photomontages from three bodies of work, The Judd Montages, Anonymous Women, and the Targets series.
This exhibition marks the inaugural showing of Lake’s Judd Montages, some of her earliest works. The artist found the Judd images used in these collages in an illegal sublet in New York, where she lived for ten years. The apartment had belonged to an art dealer who left behind an art magazine from the 1960s featuring Donald Judd. Inspired by Judd’s stark forms, Lake held onto the magazine for over two decades before eventually cutting into it. In creating the Judd Montages, the artist wanted to add vitality to works famous for their austerity and non-content. In doing so, Lake is playing with works from the canon of art history that are not initially meant to be played with. This exercise results in dazzlingly colorful montages that re-imagine Judd’s minimalist sculptures as the protagonists in various glamorous and often dreamlike landscapes.